Architecture History Notes

Technical Difficulties and Course Introduction

  • Technical glitch with main projector; using a smaller one.
  • Welcome to the fifth week of History of Architecture I and II.
  • This week's focus: Protection and its influence on relationships and space.
  • Exploring fortifications and systems of protection, often overlooked in architectural discourse.

The City vs. The Countryside

  • Traditional focus on cities in architectural studies.
  • Cities are in a reciprocal relationship with the countryside (source of resources, food).
  • The countryside is often repressed in architectural discourse, considered architecture's subconscious.
  • Protecting the countryside and territory is fundamental.

Guest Introduction: Professor Silvian Faschacht

  • Professor of Archaeology and Classical Studies at Unile.
  • Research focus: Greek fortification and landscape archaeology.
  • Students from Professor Faschacht's class are also attending.
  • Reading: Sylvain's article on the relationship between the Greek polis and the acropolis.
  • Crossing institutional and physical boundaries between UNILE and EPFL.

Course Structure and Guest Contribution

  • Introduction on a complementary subject before guest lectures.
  • Guest lecturers help expand on topics and reveal what the discipline has obscured.
  • Introduction serves as a counterpoint to the guest's ideas.
  • This week's introduction: Sigfried Gideon's The Eternal Present, The Beginning of Architecture and the Temple Of Hatshepsut.

Sigfried Gideon and "The Eternal Present"

  • Sigfried Gideon: Influential Swiss art historian and theorist of the modern movement.
  • Key figure in promoting architects like Le Corbusier and Walter Gropius.
  • The Eternal Present is a later work focusing on the origins of architecture.
  • Gideon was not an archaeologist or anthropologist.

Gideon's Earlier Works

  • Bound in Frankreich, Bound in Eisen, Bound in Eisbettone (1928): History of steel and early concrete construction.
  • Space, Time and Architecture (1941): Connected modern architecture with scientific discoveries (Einstein's theory of relativity) and artists (Picasso, Duchamp).
  • Mechanization Takes Command (1947): Examined the shift from artisanal to industrialized production.

Gideon and the Concept of Space

  • Before the 20th century, architects rarely used the word "space."
  • Architecture in the 20th century became concerned with the idea of space.
  • Gideon's work traces the history of architecture through the evolution of the idea of space.
  • The myth of origin is concerned with the idea of space.

Gideon's Three Space Conceptions

  • Gideon divides architectural history into three space conceptions:
    • Space radiating volumes (Sumer, Egypt, classical Greece).
    • Inner space (Imperial Rome).
    • Modern space (synthesis of the first two).
  • Gideon saw the first phase as a thesis, the Roman as antithesis, and modern as a synthesis.

Chronological Context

  • Course began in the mid-18th century with Enlightenment humanism (Loger's theory of the primitive hut).
  • Fischel von Erlach's global history of architecture.
  • Violet LeDoux's theories influenced by science of race and national identity.
  • Deep time and its impact on architecture (geology and paleontology).
  • Gideon jumps to the 20th century, relating it to the Temple of Hatshepsut (15th century BC).
  • As time progresses, architectural historians relate to objects further back in time.

Gideon's Myth of Origin

  • Gideon situates the origin of architecture in Egypt with authoritarian governments.
  • Architecture begins with writing and centralized authority.
  • Anything before is prehistory, not architecture.
  • Architecture requires authoritarian political organizations.

First Space Conception: Space Radiating Volumes

  • Example: Temple of Hatshepsut (c. 1475 BC) by Senenmut near Luxor, Egypt.
  • Includes Egyptian obelisks, pyramids, and Sumerian ziggurats.
  • Greek temples also belong to this category.
  • These cultures had not yet invented the idea of an interior space.
  • Arrangement of objects (columns, sculptures) in equilibrium, radiating space.

Hatshepsut and Architecture

  • Hatshepsut, a female pharaoh, used architecture to establish her political legitimacy.
  • Senenmut oversaw the construction of her temple and all civil aspects of her reign.
  • The Temple of Hatshepsut features three terraces, rising vertically.
  • Hypostyle rooms are embryonic manifestations of space, oriented towards the sky.

Greek Architecture in Gideon's Theory

  • Greek architecture falls into the first stage (space radiating volumes).
  • Gideon sees a transition in the Greek classical world.
  • Emphasis on relationships between objects rather than one radiating object.
  • Change in politics: split between god and ruler, birth of Western democracy.
  • Gideon argues that Greeks are the first European architecture.
  • Relationships among objects are crucial; seen through the lens of 20th-century art (Auguste Tracey, Sergei Eisenstein).

Second Space Conception: Inner Space

  • Developed in Imperial Rome around year zero.
  • Example: Pantheon, built by Roman Emperor Augustus.
  • Focus on the vast emptiness inside the building.
  • Inclusion of natural light is important.
  • Examples: Mausoleum of Santa Constanza, Basilica of Santa Sabina, Roman thermal baths.
  • Middle Ages saw minor changes; Renaissance and Baroque remained within the same tradition.

Third Space Conception: Synthesis

  • Architecture as both radiating volumes and interior space.
  • Examples: Le Corbusier's Swiss Pavilion, John Utzon's Sydney Opera House.
  • Synthesis of the previous two space conceptions.

Limitations of Gideon's Theory

  • Focus on monuments and centralized governments excludes other aspects of the built environment.
  • Ignores the countryside, agriculture, and natural resources.
  • Obsession with objects and monuments.
  • Excludes caves and other prehistoric structures (e.g., Cave of Lascaux) because they are not tied to authoritarian governments.

Conclusion

  • Gideon's framework is useful for understanding certain aspects of architectural history.
  • However, it excludes anything that is not an object or monument.
  • Professor Sylvain will likely present ideas that fall outside of this framework.

Reading Discussion Part

  • Going through readings
  • Checking the understanding of the dialogue
  • Reflect points of connection
  • Know what to do for exercise week