English Literature Notes

Literary Foundations and Forms

  • Literature derives from the Latin word litera, meaning letter; it allows the writer to express themselves and reflects the culture of the country.
  • Written works combine artistry and intellectuality, presenting morality.
  • PROSE: written in paragraph form, spoken in an ordinary way, without metrical structure.
  • DRAMA: narrative through dialogue and action, performed by actors; already presented.
  • POETRY: oldest form of literature, flourished orally; art of expression of one's thoughts.
  • Haiku: 3 lines only, historically due to paper costs in Japan.

Two Major Genres of Poetry

  • Lyric Poetry: short poem with song-like rhythm that expresses personal feelings. Eg: lines expressing sadness and longing
    • Example excerpt (paraphrased):
    • "I feel a sense of sadness … How I wish all I would do is lay … A heavy feeling of loneliness … I wanna go to somewhere far away"
  • Narrative Poetry: tells a story

Narrative Poetry: Elements

  • Characters: roles within a story
    • Protagonist: major character, bound to complete a quest; story revolves around them
    • Antagonist: appears villainous, creates conflict, opposes the protagonist
    • Confidante: supports the protagonist; can be a family member or friend
    • Foil: opposite of the protagonist to emphasize their traits (e.g., nerd vs. dumb)
    • Stock: exists without significant character development or significance
  • Characterization: how characters are presented
    • Direct characterization: directly describes traits (e.g., "she was a kind person who helped everyone")
    • Indirect characterization: reveals personality through actions, thoughts, appearance, etc. (e.g., donating to those in need shows kindness)
  • Conflict: the challenges characters face
    • Character vs. self: internal struggles, identity, feelings
    • Character vs. society: conflict with social norms
    • Character vs. character: conflict with another character
    • Character vs. nature: conflict with natural forces

Plot and Narrative Structures

  • Plot: sequence of events
    • Linear plot: chronological order
    • Flashback plot: interruptions to revisit past events
    • Parallel plot: two or more storylines (different points of view in one frame)
  • Symbolism and imagery: use of symbols with deeper meanings
  • Point of View: perspective from which the story is told; can be 1st, 2nd, or 3rd person

China: Land of the Dragon (Cultural Symbols in Literature)

  • Dragon: symbolizes good luck, prosperity, and strength
  • Calligraphy: originated in China; a visual art; mastering it is a hallmark
  • Great Wall of China: about 21 km21\ \text{km} long and purely man-made; symbolized their power
  • Chinese zodiac: 1212 animals
  • The color red: symbolizes happiness and good fortune
  • Chopsticks: used for 30003000 years
  • Fireworks: used to drive away bad spirits
  • Confucianism: philosophical system

Patterns in Poetry

  • Recurring structures: rhyme schemes, rhythms, forms
    • Contribute to poem organization; create sense of order or intentional variation
  • Rhyme and Meter
    • Rhyme: repetition of sounds at the end of lines
    • Meter: rhythmic pattern in a line, created by stressed and unstressed syllables
    • Example rhyme pairing: Tears & Fears (end with -ears); Repressed & Confessed (end with -essed) → Rhyme scheme: A A B B (example given as AABB)
    • Anapestic tetrameter: a foot with two unstressed syllables followed by a stressed syllable; four feet in the line (example line: "But the man of my heart is not here and I mourn" demonstrates the metrical pattern)
    • To describe meter per line, count the number of syllables per unit (feet)

Meter and Feet

  • A line’s meter is described by the number of feet it contains:
    • 1 foot → monometer
    • 2 feet → dimeter
    • 3 feet → trimeter
    • 4 feet → tetrameter
    • 5 feet → pentameter
    • 6 feet → hexameter
    • 7 feet → heptameter
    • 8 feet → octameter
  • Common metrical feet:
    • Iambic: unstressed syllable followed by a stressed syllable
    • Trochaic: stressed syllable followed by an unstressed syllable
    • Spondaic: two consecutive stressed syllables
    • Anapestic: two unstressed syllables followed by a stressed syllable
    • (Note on emphasis: not only through rhyme and meter; can be conveyed via motifs)

Diction, Tone, Mood, and Style

  • Diction: poet’s word choice and arrangement; affects formality, connotations, reader impact; influences tone, mood, and meaning
  • Tone: poet’s attitude toward subject or audience
  • Mood: emotions the poem evokes in the reader; created via imagery, diction, tone
  • Style: the poet’s distinct way of expressing thoughts and ideas; can be unique, complex, or simple; shapes reception and understanding
  • Motifs: recurring ideas, symbols, or themes used to reinforce central messages; add depth and consistency
  • Figurative language (common devices):
    1) Simile
    2) Metaphor
    3) Personification
    4) Apostrophe
    5) Alliteration
    6) Hyperbole
    7) Euphemism
    8) Antithesis

Point of View and Narrative Techniques

  • Point of View: the perspective of the speaker or narrator (first-person, second-person, third-person)
  • Narrative Techniques: methods used to tell a story or convey a message
    • Imagery, symbolism, dialogue
  • Organic Unity: cohesion and harmony of a poem’s elements; all parts work together to support the overall theme
  • Organic unity implies that every component (rhyme, meter, diction, tone, style, figurative language) contributes to the poem’s overall effect and meaning

Literary Reading Lenses

  • Biographical Context (personal): life, experiences, beliefs, and history of the author
    • Ryonosuke Akutagawa (1892–1927): prominent Japanese short-story writer, often called the “Father of the Japanese Short Story”; wrote to blend Western and Japanese cultures; faced mental health struggles; produced over 150 short stories exploring human struggles
  • Historical Context (period): how the era influenced the work
    • In a Grove (set in the Taisho era, Japan, c. 1922) during rapid modernization and Western influence; society becoming more democratic; time of social/cultural change
  • Sociocultural Context: how social and cultural factors influence a work
    • In a Grove is set in feudal Japan with strict hierarchies and codes of honor; themes of duty, loyalty, reputation; testimonies by witnesses reveal social expectations and individual motives; explores gender roles and power dynamics

In a Grove: Context and Themes

  • Publication and setting: first appeared in 1922, during Taisho era’s modernization and Western influence
  • Core focus: a complex murder case of a samurai; reveals tensions between traditional values and modern life; reflects time's uncertainty and instability
  • Themes: gender roles, power dynamics, duty, loyalty, reputation, social norms vs individual motives

Author’s Purpose and How to Analyze a Story

  • Theme: the message the author wants to convey
  • Steps to analyze:
    1) Know the traits of the characters
    2) Determine the conflict and struggles
    3) Learn how the conflict was solved
    4) Make a general statement that summarizes the event
  • Purposes of writing:
    • Inform: teach and explain topics, provide information
    • Persuade: convince readers to adopt the author’s stance; often uses persuasive techniques; may invoke "SHOULD"
    • Entertain: stimulate emotions and amuse with story, plot, characters
    • Express: share the writer’s personal thoughts and opinions

Additional Notes on Style and Expression

  • Expression through a writer’s voice, tone, and choice of topic; the notes above reflect the content of the transcript and provide a structured outline suitable for study and exam preparation.