appendixes

Processes of Art Historical Analysis\nAcademic analysis of art is a multidisciplinary approach that necessitates investigating four primary facets: form, function, content, and context. To analyze form, one must examine the component materials and the methods used to create physical and visual elements, applying knowledge of design elements and principles to understand the work in its entirety. Function analysis involves assessing the artist\u2019s intended and actual use of the work, which may evolve over time and across spiritual, social, political, or personally expressive applications, including utility, intercession, decoration, communication, or commemoration. Content involves exploring design, representation, and presentation elements to identify subject matter, which can range from formal and representative to symbolic depictions and may be narrative, historical, mythological, or propagandistic in nature. Contextual analysis examines the original and subsequent sociocultural milieu, including the time, place, and culture of creation, the artist\u2019s purpose, the site of the work, modes of display, and the characteristics and responses of the audience and patrons. Contextual data is derived from religious chronicles, archaeology, manifestos, and research.\n\n# Content Area 1: Global Prehistory ($30,000\,\text{--}\,500\,\text{B.C.E.}$)\nGlobal Prehistory contains $11$ required works spanning early human history. Work $1$ is the Apollo 11 stones from Namibia, dated $c. 25,500\,\text{--}\,25,300\,\text{B.C.E.}$, created with charcoal on stone. Work $2$ is the Great Hall of the Bulls in Lascaux, France, from Paleolithic Europe, dated $15,000\,\text{--}\,13,000\,\text{B.C.E.}$, utilizing rock painting. Work $3$ is the Camelid sacrum in the shape of a canine from Tequixquiac, central Mexico, dated $14,000\,\text{--}\,7,000\,\text{B.C.E.}$, made of bone. Work $4$ is the Running horned woman from Tassili n\u2019Ajjer, Algeria, dated $6,000\,\text{--}\,4,000\,\text{B.C.E.}$, made with pigment on rock. Work $5$ is the Beaker with ibex motifs from Susa, Iran, dated $4,200\,\text{--}\,3,500\,\text{B.C.E.}$, of painted terra cotta. Work $6$ is the Anthropomorphic stele from the Arabian Peninsula, dated to the $4^{th}$ millennium B.C.E., made of sandstone. Work $7$ is the Jade cong from Liangzhu, China, dated $3,300\,\text{--}\,2,200\,\text{B.C.E.}$. Work $8$ is Stonehenge in Wiltshire, UK, from Neolithic Europe, dated $c. 2,500\,\text{--}\,1,600\,\text{B.C.E.}$, made of sandstone. Work $9$ is The Ambum Stone from Ambum Valley, Papua New Guinea, dated $c. 1,500\,\text{B.C.E.}$, made of greywacke. Work $10$ is the Tlatilco female figurine from central Mexico, dated $1,200\,\text{--}\,900\,\text{B.C.E.}$. Work $11$ is the Terra cotta fragment from the Lapita culture, Solomon Islands, dated $1,000\,\text{B.C.E.}$.\n\n# Content Area 2: Ancient Mediterranean ($3,500\,\text{B.C.E.}\text{--}300\,\text{C.E.}$)\nThis area encompasses $36$ works from Sumerian, Egyptian, Greek, and Roman cultures. Key works include the White Temple and its ziggurat ($12$), the Palette of King Narmer ($13$), and the Statues of votive figures from Eshnunna ($14$). Notable Egyptian works include the Seated scribe ($15$), Great Pyramids and Great Sphinx ($17$), and Tutankhamun\u2019s tomb, innermost coffin ($23$). Mesopotamian works include the Standard of Ur ($16$), the Code of Hammurabi ($19$), and the Lamassu from Sargon II ($25$). Greek art highlights comprise the Athenian agora ($26$), Anavysos Kouros ($27$), Doryphoros ($34$), and the Acropolis ($35$). Hellenistic works feature the Winged Victory of Samothrace ($37$), Seat boxer ($41$), and Great Altar of Zeus at Pergamon ($38$). Representative Roman works include the Head of a Roman patrician ($42$), Augustus of Prima Porta ($43$), Colosseum ($44$), and the Pantheon ($46$).\n\n# Content Area 3: Early Europe and Colonial Americas ($200\,\text{--}\,1,750\,\text{C.E.}$)\nThis area includes $51$ works covering Late Antique, Byzantine, Early Medieval, Romanesque, Gothic, Renaissance, and Baroque periods. Significant works include the Catacomb of Priscilla ($48$), Santa Sabina ($49$), and Hagia Sophia ($52$). Manuscripts such as the Lindisfarne Gospels ($55$) and the Golden Haggadah ($64$) are included. The Renaissance is marked by the Annunciation Triptych ($66$), Donatello\u2019s David ($69$), Botticelli\u2019s Birth of Venus ($72$), Leonardo\u2019s Last Supper ($73$), and Raphael\u2019s School of Athens ($76$). Baroque masters featured include Caravaggio (Calling of Saint Matthew, $85$), Bernini (Ecstasy of Saint Teresa, $89$), Vel\u00e1zquez (Las Meninas, $91$), and Vermeer (Woman Holding a Balance, $92$). Colonial Americas are represented by the Frontispiece of the Codex Mendoza ($81$) and Spaniard and Indian Produce a Mestizo ($97$).\n\n# Content Area 4: Later Europe and Americas ($1750\,\text{--}\,1980\,\text{C.E.}$)\nThis section contains $54$ works tracing Neoclassicism to Post-Modernism. Notable works include Houdon\u2019s George Washington ($104$), Goya\u2019s And There\u2019s Nothing to Be Done ($106$), Turner\u2019s Slave Ship ($111$), and Deguerre\u2019s Still Life in Studio ($110$). The emergence of Impressionism and Post-Impressionism is seen in Monet\u2019s Saint-Lazare Station ($116$), Van Gogh\u2019s Starry Night ($120$), and Gauguin\u2019s Where Do We Come From? ($123$). Modernism is showcased via Picasso\u2019s Les Demoiselles d\u2019Avignon ($126$), Duchamp\u2019s Fountain ($144$), and Frank Lloyd Wright\u2019s Fallingwater ($139$). Contemporary shifts include Warhol\u2019s Marilyn Diptych ($147$), Lin\u2019s Vietnam Veterans Memorial ($225$), and Smithson\u2019s Spiral Jetty ($151$).\n\n# Content Area 5: Indigenous Americas ($1,000\,\text{B.C.E.}\text{--}1,980\,\text{C.E.}$)\nContent Area 5 includes $14$ works. Significant architectural sites include Chav\u00edn de Hu\u00e1ntar in Peru ($$153