Vowels
Vowels in an Ensemble
You may be in tune but not matching vowels
Problematic vowels
u - lips not rounded enough. puckered too much, tongue to forward or lack of mouth space
move slowly from o to u to maintain resonance
i sometimes over modified to l or rounded for the sake of blending
a - excessive mouth opening
Vowels in CCM (Contemporary Commercial Music)
tone quality is brighter for MT
Vowel consistency isn’t always the goal in CCM as it is in classical styles
Vowels close to speech (more mouth than pharyngeal resonance)
Jaw is more closed in back lip opening is wider, tongue arch ir more forward
Try on u and ae
Diphthong and triphthong
Go through them quickly
Consonants
Classical
Short, crisp, quick to get toe the vowel
No amplification for amplification is key
CCC
Storytelling, conversational
Expression is important
Consonant length is often extended
More casual delivery
Vowel Pollution
When our brain is moving ahead to the consonant so our mouth follows
Jaw and Tongue Positions
L, k, g, t, d, m , n, ñ
[i] - tongue
Glides
[w] & [j] consonants or vowels
[w] = u quickly opening to the next vowel
[j] = [i] quickly opening to the next vowel
Plosive, Nasal, Fricative Consonants
Nasal: vocal tract is blacked but air flow continues out of the nose
Fricative: forcing air through a narrowed channel created by brining two articulators together
Plosive: Produced by air pressure that is ejected
All the R’s
American R: tongue curls backward
Flipped
Rolled
Guttural
Italian: Flip intervocalic
German and French: Flipped rather than guttural
Come Consonant Exercises
Energized consonants: f p
Alternating v and f
Nasals
Many mumbling mice
Mamma made me mash
Scooping ba, ma, pa, sa, va
Ja ja ja arpeggios - what are the tongue and jaw doing