The Classical Era | In Class Recording
Classical Era Dates: to .
Intellectual Movement: The Enlightenment.
Emphasis on reason over tradition (Rene Descartes: "I think, therefore I am").
Ideals of democracy and equality (initially for white, propertied men).
Development of human rights.
Political Context:
American and French Revolutions.
Rise of the middle class, leading to:
Increased instrument ownership and music lessons.
More music for amateurs.
Decline of basso continuo (due to improvisation requirement).
More public concerts (ticketed events).
Classical Aesthetics (Art & Architecture):
Influence from Greek and Roman thought.
Emphasis on clean lines, symmetry, and balance (e.g., Monticello).
Classical Music Characteristics:
Overarching principle: Clarity and Balance (tag for the era).
Melody: Simple, singable, often featuring question-and-answer phrases.
Texture: Predominantly homophonic, while polyphony indicated skillful composition.
Dynamics: Gradual changes ( for getting louder; for getting softer).
Tone Color: Contrasting and controlled, with emphasis on specific instrumentation.
Form: Balanced forms with sections of similar length, logical progression.
Overall result: Music is accessible, tuneful, and progresses logically.
Minuet and Trio Form:
Originated as a courtly dance in late century France (associated with Louis XIV).
Almost always in triple meter.
Overarching A-B-A structure.
Detailed structure: Minuet (AABB A'BA'), Trio (CCDD C'DC'), Minuet (ABA').
Trio: Contrasting in style, often gentler, quieter, and originally for smaller instrumentation.
(A Little Night Music) by Mozart:
A serenade: a light work for evening entertainment.
Written for string orchestra or string quartet (two violins, one viola, one cello) and double bass.
Typically has movements.