Chpater one AP Seminar

Understanding Arguments and Reading Them Critically

  • Arguments are all around us in every medium and genre; anything that expresses a point of view can be an argument (text, spoken, visual, etc.).

  • Language is often persuasive by nature; even a simple greeting like “Hi, how's it going?” can be seen as arguing for a response.

  • Some arguments rely on evidence and aim to inform or convince readers to recognize problems and consider solutions.

  • Examples introduced:

    • The MeToo movement began with Alyssa Milano’s call to action on Twitter (Oct 15, 2017). Within 24 hours, about 4.7imes1064.7 imes 10^{6} people joined, with over 1.2imes1071.2 imes 10^{7} posts/comments.

    • Tarana Burke’s original work with Girls for Gender Equity in Brooklyn emphasized voice for young women of color; she viewed MeToo as a movement, not just a viral campaign.

    • Jessi Hempel’s critique in Backchannel, “The Problem with #metoo and Viral Outrage,” questions whether the movement will have lasting power and real change.

    • Molly Crockett’s research suggests digital outrage can transform experience without necessarily changing social realities; outrage online may distract from action.

  • MeToo has led to high-profile firings and some convictions across fields (Hollywood, opera, Congress, sports).

  • The example shows how social media creates and reaches audiences rapidly, but also how it can circle back to questions of impact and longevity.

  • The broader point: arguments on social media operate in crowded, two-way channels that can amplify reach but also raise questions about real-world change.

  • Key takeaway: studying arguments requires attention to medium, audience, evidence, and possible ethical implications of online discourse.

Why Read Arguments Critically and Rhetorically?

  • Aristotle argued for the arts of rhetoric to (a) persuade effectively and (b) protect against manipulation.

  • In today’s information environment, skills in reading critically are survival skills due to “alternative facts,” fake news, mis- and disinformation.

  • Practices to develop critical reading include: fact-checking, crap detection, and careful reading rather than quick skimming.

  • Campus initiatives like University of Washington’s “Calling Bullshit” illustrate concerns about statistics and big data that may misinform rather than reveal.

  • Sound practice steps for readers:

    • Pay close attention to what you read or view; avoid skim-reading when stakes are high.

    • Watch for clickbait headlines that over-promise information.

    • Be skeptical: check author, publisher, and sources for reliability.

    • Look for unstated assumptions and distinguish verifiable facts from unverified claims.

    • Learn to triangulate: seek corroboration from multiple reliable sources.

    • Become a fact checker using nonpartisan resources like Politifact, FactCheck.org, Sunlight Foundation, and Snopes.com.

  • You’ll find more guidance on attentive reading in other chapters (e.g., Chapters 6 and 19).

Why Listen to Arguments Rhetorically and Respectfully?

  • Krista Ratcliffe defines rhetorical listening as a stance of openness toward others, texts, and cultures.

  • Listening well helps us understand where others are coming from and acknowledges that our own views are shaped by unseen forces.

  • In a polarized environment with echo chambers, rhetorical listening can help find common ground and reduce hostility.

  • Examples and practices:

    • Oprah Winfrey’s gathering of women with opposing political views to listen to each other and find commonality.

    • Hi from the Other Side, a project pairing people with opposing views to foster dialogue and common ground.

    • The idea that arguing is not won by endless back-and-forth but by finding small areas of agreement and constructive discourse.

  • Practical guidance: practice listening to understand, then search for shared ground, rather than immediately trying to win an argument.

Why We Make Arguments

  • In today’s politically divided and entertainment-driven culture, arguments can be perceived negatively (hostility, tweets, posturing).

  • The book aims to counter this by encouraging examination of personal values and clear, cogent expression while respecting others’ beliefs.

  • Types of arguments often involve competition or persuasion in various domains (politics, business, law, academia).

  • In college writing, students may address a “judge” (instructor) and a “jury” (classmates) with arguments supported by evidence.

  • There are principled reasons to argue and various legitimate ways to do so without name-calling.

Arguments to Convince and Inform

  • Distinction between convincing and informing: (a) convince audiences that a claim is true or reasonable based on facts; (b) inform by broadening knowledge about a subject.

  • Academic arguments often blend both goals.

  • Example: Anahad O’Connor’s 2014 New York Times piece reporting a study that saturated fat may not increase heart disease risk; the article demonstrates careful handling of scientific data to inform readers.

  • A college paper might compare safety records of different energy sources to inform readers and influence perceptions about nuclear power.

  • Images can serve as powerful arguments that inform and persuade; e.g., David Plunkert’s New Yorker cover reacting to Charlottesville events.

Arguments to Persuade

  • Persuasion moves beyond conviction to action, often leveraging emotional appeals alongside facts.

  • Lilienfeld’s work challenges the use of terms like “microaggressions” as a way to influence opinion, illustrating the tension between offense and proven harm.

  • Climate change debates illustrate the gap between evidence of warming and persuading people to act; persuasive strategies combine appeals to emotion (fear, pride, hope) with logical arguments.

  • Paglia’s provocative example about the 1984 drinking age shows how dramatic, emotional rhetoric can push for policy change by dramatizing past vs. present conditions.

  • The chapter cautions that persuasive arguments draw on all rhetorical appeals (pathos, ethos, logos) to motivate action (consumption, voting, volunteering).

Arguments to Make Decisions

  • Decision-making arguments explore options and seek consensus in civil or personal matters (e.g., health care, civil rights, immigration).

  • In academic life, major decisions (e.g., service learning requirements) require weighing alternatives with evidence.

  • Decision-making arguments can be exploratory, examining multiple options rather than forcing a binary conclusion.

  • An example discusses remediation in college through a data-informed stance, weighing who should pay and how many courses are needed.

Arguments to Understand and Explore

  • Journalistic discussions (e.g., transgender coverage) emphasize correct terminology and respecting gender pronouns, while addressing relevant issues for transgender individuals.

  • Exploratory (invitational) arguments invite mutual exploration of ideas based on discovery and respect.

  • Rogerian arguments aim for nonthreatening engagement, seeking win/win solutions by recognizing the other side’s perspective.

  • Risks of Rogerian approaches include potential over-cautiousness or insufficient challenge when needed.

Respond exercises

  • Respond: Reflect on your own reasons for making arguments. Do a two-day note-taking exercise tracking arguments and identifying whether you aimed to convince, inform, persuade, explore, or understand.

Occasions for Argument

  • Aristotle’s classification of arguments by time perspective (past, present, future) remains a useful framework today, though modern contexts differ.

  • Past (forensic) arguments evaluate what happened in the past (courts, investigations, historical analysis).

  • Example discussion: post-2016 election hacking debates about Russian interference; forensic questions include what hacks occurred, how voting procedures were affected, and what role Russia played.

  • Present (epideictic) arguments praise or blame contemporary culture (ceremonial rhetoric; e.g., inaugural addresses, sermons, eulogies).

  • Example: Ruth J. Simmons’s commencement address defending free speech as essential to knowledge and questioning process.

  • Future (deliberative) arguments consider what should happen next (policies, legislation).

  • Example: Marc Prensky’s provocative call to ban physical books on campuses to push toward digital tools.

Kinds of Argument (Stasis Theory)

  • To analyze arguments, consider stasis questions that identify the point of contention and what needs proof:

    • Did something happen? (Fact/Arguments of Fact)

    • What is its nature? (Definition/Arguments of Definition)

    • What is its quality or cause? (Evaluation/Arguments of Evaluation)

    • What actions should be taken? (Proposal/Arguments for action)

  • Facts: Establish reliability, source origin, potential problems, and causes; example: pollution in oceans requires evidence about sources and verification.

  • Definitions: Debates over naming and meaning (e.g., fetus, amnesty, sexual assault definitions) have real consequences; provided a Justice Department NIJ definition of incapacitated sexual assault as a case study.

  • Evaluation: Assess criteria and measure against standards; example: Pixar’s evolution and the question of whether it lost its way due to corporate changes.

  • Proposals: After establishing facts, definitions, and evaluations, propose actions (e.g., addressing remedial education, college tuition costs).

The Rhetorical Situation, Kairos, and Audience Appeals

  • Kairos: The opportune moment for an argument; timing and context matter for effective communication.

  • The rhetorical situation includes writers/speakers, texts, readers/listeners, and the broader contexts (social, cultural, economic, linguistic, geographic).

  • Three classic appeals (Aristotle):

    • Pathos (emotional appeals): Example of LePatner’s Too Big to Fall, describing a catastrophic bridge collapse to evoke concern and urgency.

    • Ethos (ethical appeals): Establish credibility by aligning with respected professionals (e.g., engineers) or shared values to build trust.

    • Logos (logical appeals): Use facts, statistics, credible testimony, and cogent examples to persuade.

  • The “Bringing It Home” concept: Kairos and the rhetorical moment require recognizing the best way to present messages for a specific audience and context.

  • Invoked vs. intended readers: Writers imagine a routine or ideal reader, but actual readers may differ; texts can attract audiences beyond the intended.

  • The rhetorical situation diagram emphasizes the dynamic interconnections among writers, texts, audiences, and contexts.

Cultural Contexts for Argument: Communicating Across Cultures

  • Normalize critical examination of one’s own assumptions about what is “normal” in argumentation.

  • Acknowledge cultural differences in arguing styles; avoid stereotyping and recognize diversity within groups.

  • Adapt arguments to respect differences in family structures, work, happiness, and political beliefs across cultures.

  • Do not assume uniform beliefs within any group; treat individuals with nuance and avoid broad generalizations.

Key terms and concepts to remember

  • The difference between arguing to convince vs. arguing to persuade vs. arguing to inform.

  • The difference between forensic, deliberative, and epideictic arguments (and their time orientations: past, future, present).

  • Stasis theory questions and their use in identifying the point of contention.

  • The three appeals: Pathos, Ethos, Logos, and their practical application with examples.

  • Kairos and the rhetorical situation: timing, audience, and context;

  • Invoked vs. intended vs. real readers and the role of audience in shaping argument.

  • The value of rhetorical listening and invitational/Rogerian approaches for constructive dialogue.

  • Critical reading practices: attention, skepticism, corroboration, triangulation, and fact-checking.

  • Ethical considerations in argumentation: respectful engagement, avoiding deception, and recognizing political and cultural power dynamics.

Notable examples and references mentioned in the chapter

  • Alyssa Milano’s MeToo call to action and its viral spread; discussion of Tarana Burke’s origins and framing as a movement.

  • Jessi Hempel’s critique and Molly Crockett’s research on online outrage and social change.

  • No Child Left Behind Act and debates about education policy and civil liberties.

  • Camile Paglia’s critique of the 1984 drinking age and its social consequences; emotional rhetoric contrasted with policy outcomes.

  • Ruth J. Simmons on free speech and the role of universities in fostering inquiry.

  • Latisha Chisholm’s critique of rap culture and its shifting values.

  • The use of editorial and journalistic excerpts to illustrate arguments to convince, inform, and persuade.

  • The concept of “crap detection” and the role of nonpartisan fact-checkers in a media-rich landscape.

Quick study cues

  • When reading any piece, ask: Who is arguing? What is their purpose? To whom are they speaking? Is the goal to convince, inform, persuade, explore, or understand?

  • Identify whether the piece uses pathos, ethos, or logos predominantly, and examine how the author builds credibility, emotional engagement, and logical support.

  • Consider the rhetorical moment: is the timing and context favorable for the argument? Are there external pressures or opportunities (kairos) that shape how the argument is framed?

  • Evaluate the audience: intended vs invoked vs real readers; how might readers outside the intended audience respond?

  • Practice critical reading with the recommended steps: focus, check sources, triangulate, and verify with independent fact-checkers.