Versification
Poem: A composition written for performance by the human voice, where the words on the page serve as a verbal score for the reader to bring alive.
Epic: A long narrative poem on a great and serious subject, frequently divided into several "books" or sections.
Dramatic: Poetry, such as monologues or dialogues, written in the voice of a character assumed by the poet.
Lyric: Originally a song accompanied by a lyre, this term now refers to any fairly short poem in the voice of a single speaker.
Scansion: The action or art of analyzing stressed and unstressed syllables in a line of poetry to determine its metrical feet.
Caesura: A natural pause in the speaking voice within a line of verse, often indicated in scansion by a double bar (||).
Meter: A structured rhythm consisting of a recurrence of regular, approximately equal units of measure.
Rhythm: An essential component of language consisting of a sequence of syllables with varying levels of emphasis or stress.
Accentual meter: Also known as strong-stress meter, it is the oldest English metrical system, where a line is organized by a specific number of strongly stressed syllables regardless of the total syllable count.
Accentual-syllable meter: The most common metrical system in English poetry, which structures lines based on the foot, a combination of stressed and unstressed syllables,.
Iambic: A metrical foot consisting of an unstressed syllable followed by a stressed syllable.
Trochaic: A metrical foot consisting of a stressed syllable followed by an unstressed syllable.
Anapestic: A metrical foot consisting of two unstressed syllables followed by one stressed syllable.
Dactylic: A metrical foot consisting of one stressed syllable followed by two unstressed syllables.
Monometer: A poetic line consisting of one metrical foot.
Dimeter: A poetic line consisting of two metrical feet.
Trimeter: A poetic line consisting of three metrical feet.
Tetrameter: A poetic line consisting of four metrical feet.
Pentameter: A poetic line consisting of five metrical feet; it is the most popular line length in English poetry.
Quantitative meter: A system used in classical Greek and Latin poetry based on a syllable's "quantity" or duration in time rather than its stress.
Rhyme: The concurrence in two or more lines of the last stressed vowel and all speech sounds following it.
End rhymes: Rhymes that occur at the ends of poetic lines.
Internal rhyme: Rhyme that occurs within a single line of poetry.
Masculine vs. Feminine rhymes: Masculine rhymes consist of a single stressed syllable, while feminine rhymes consist of a stressed syllable followed by an unstressed one.
Perfect rhyme: Also called full or true rhyme, this occurs when the correspondence of rhyming sounds is exact.
Off-rhyme: Also known as half, near, or slant rhyme, it changes the vowel sound and/or concluding consonants expected in a perfect rhyme.
Vowel rhyme: A form of off-rhyme where the words have only their vowel sounds in common.
Pararhyme: A term for rhymes where the stressed vowel sounds differ but are flanked by identical or similar consonants.
Forms: The larger patterns of poetry created by the combination of lines into structures such as stanzas.
Blank verse: A form consisting of unrhymed iambic pentameter.
Couplet: Two lines of verse, typically linked by rhyme.
Tercet: A three-line stanza traditionally linked by a single rhyme.
Quatrain: A four-line stanza, which is the most common stanzaic form in English poetry.
Sonnet: Traditionally a poem of fourteen iambic pentameter lines linked by an intricate rhyme scheme.
Irregular forms: Poetry that utilizes rhyme and meter but follows no fixed or repeating pattern.
Open forms/free verse: Poetry that makes little or no use of traditional rhyme and meter, relying instead on rhythms appropriate to the poet's voice.
Prose poetry: A composition that possesses the features of a lyric but is formatted on the page as prose rather than broken into verse lines.
Found poetry: A type of poetry that converts existing prose passages from non-poetic sources (like advertisements or newspapers) into a poem.
Shaped poetry: Poems where the words are arranged on the page to take the physical shape of an object.
Concrete poetry: A category of verbal exploration where the visual typographic structure is primary, often to the point that it cannot be voiced.
Sound poetry: An abstract form of performance poetry that focuses on the musical and performative nature of sounds rather than literal meaning.