Literary Terms

  • abstract: An abstract style (in writing) is typically complex, discusses intangible qualities like good and evil, and seldom uses examples to support its points.

  • academic: Dry and theoretical writing. When a piece of writing seems to suck all the life out of its subject with analysis.

  • accent: In poetry, the stressed portion of a word (e.g., the first "be" in "To be, or not to be").

  • aesthetic: As an adjective, "appealing to the senses." As a noun, a coherent sense of taste.

  • allegory: A story in which each aspect has a symbolic meaning outside the tale itself (e.g., Pilgrim’s Progress).

  • alliteration: The repetition of initial consonant sounds (e.g., "clusters coming closely cramped").

  • allusion: A reference to another work or famous figure (e.g., classical, biblical, or pop culture).

  • anachronism: A thing misplaced in time (e.g., a wristwatch in Julius Caesar).

  • analogy: A comparison to clarify a relationship (e.g., "Like a mother bird protects her chicks...").

  • anecdote: A short narrative.

  • antagonist: A character or force that opposes the protagonist.

  • antecedent: The word, phrase, or clause a pronoun refers to (e.g., "children" is the antecedent of "they").

  • anthropomorphism: Giving human traits to nonhuman things (e.g., "the darkness waited for me").

  • anticlimax: A disappointing resolution after heightened expectations (often comic).

  • aphorism: A short, witty saying (e.g., Mark Twain’s "Classic? A book people praise but don’t read").

  • apostrophe: Addressing someone absent or a personified idea/object.

  • archaism: Deliberately old-fashioned language (e.g., "Ye Olde Shoppe").

  • archetype: A clichéd character type (e.g., the miser, the fool).

  • argumentation: The process of analyzing evidence and developing claims.

  • aside: A character’s short remark to the audience, breaking the "fourth wall."

  • atmosphere: The emotional tone surrounding a scene.

  • ballad: A long, narrative poem with regular meter/rhyme (folksy tone).

  • bathos: Overstrained grandeur that becomes absurdly sentimental.

  • black humor: Comedy using disturbing themes (e.g., suicide jokes in Waiting for Godot).

  • bombast: Pretentious, overly complex language.

  • burlesque: Broad parody exaggerating a style/form into ridiculousness.

  • cacophony: Deliberately harsh, jarring sounds in poetry.

  • cadence: The rhythmic flow of poetry (e.g., "gentle pulsing" vs. "marching").

  • caricature: A portrait exaggerating a personality trait.

  • catharsis: The emotional "cleansing" an audience feels after tragedy.

  • chorus: A group in drama commenting on the main action.

  • classical: Pertaining to ancient Greek/Roman arts.

  • coinage (neologism): A newly invented word (e.g., "pulled a Wilson").

  • colloquialism: Informal conversational language (e.g., "wicked headache").

  • conceit: An extended/metaphysical metaphor (e.g., love as a compass).

  • connotation: The implied meaning of a word (e.g., "dark forest" suggests danger).

  • consonance: Repetition of consonant sounds within words (e.g., "sick, black-checkered ducks").

  • couplet: A pair of rhyming lines (e.g., Andrew Marvell’s poetry).

  • decorum: Speech/style matching social status/occasion (e.g., Neoclassical rules).

  • details (choice of details): Specific parts creating a larger picture (e.g., Chaucer’s character descriptions).

  • diction: Word choice.

  • dirge: A slow, melancholy song for the dead.

  • dissonance: Grating, incompatible sounds.

  • doggerel: Crude, sing-song verse (e.g., limericks).

  • dramatic irony: When the audience knows something characters don’t.

  • dramatic monologue: A single speaker addressing a silent audience.

  • dystopia: A seemingly ideal world that’s actually destructive (opposite of utopia).

  • elegy: A serious poem meditating on death/mortality.

  • enjambment: Continuation of a sentence/phrase across poetic lines without pause.

  • epic: A long, dignified narrative poem about grand themes (e.g., The Iliad).

  • epitaph: A commemorative burial inscription (often witty).

  • ethos: Appeal to credibility/trust.

  • euphemism: A mild term replacing a harsh one (e.g., "passed away" for "died").

  • euphony: Harmonious, pleasant sounds.

  • explicit: Directly stated (rare in literature).

  • farce: Extremely broad humor or a light comedy.

  • feminine rhyme: Rhyme ending on unstressed syllables (e.g., "running"/"gunning").

  • figurative language: Nonliteral word use (e.g., metaphor, simile).

  • foil: A character contrasting the protagonist (e.g., Benvolio vs. Mercutio).

  • foot: The basic rhythmic unit of a line of poetry, made of stressed/unstressed syllables.

  • foreshadowing: An event or statement hinting at a later, larger event.

  • free verse: Poetry without regular rhyme or meter.

  • genre: A subcategory of literature (e.g., science fiction, detective stories).

  • Gothic: Dark, macabre sensibility (e.g., Poe, Shelley, Stephen King).

  • hubris: Excessive pride leading to a character’s downfall (from Aristotle’s tragedy).

  • hyperbole: Deliberate exaggeration.

  • imagery: Sensory language (sight, sound, touch) to create vivid scenes.

  • implicit: Suggested meaning, not stated directly ("between the lines").

  • in medias res: Latin for "in the midst of things"; starting a story mid-action (e.g., The Iliad).

  • inversion: Reversing normal word order for poetic effect (e.g., Yoda’s speech).

  • irony:

    • Situational: Expectation vs. reality.

    • Dramatic: Audience knows more than characters.

    • Verbal: Sarcasm; saying the opposite of what’s meant.

  • juxtaposition: Placing contrasting elements side by side.

  • lament: A poem expressing grief or loss.

  • logos: Appeal to logic.

  • loose sentence: Complete before ending (e.g., "Jack loved Barbara despite her laugh...").

  • lyric: Poetry expressing the poet’s emotions (melodic tone).

  • masculine rhyme: Rhyme on final stressed syllable (e.g., "cat" / "hat").

  • melodrama: Cheesy theater with exaggerated heroes/villains.

  • metaphor: Direct comparison (e.g., "the pond was his tomb").

  • metonymy: A word representing something related (e.g., "crown" for monarchy).

  • motif: Recurring symbol or theme.

  • narrative techniques: Storytelling methods (e.g., point of view, dialogue).

  • objective: Impersonal view of events.

  • onomatopoeia: Words imitating sounds (e.g., "buzz," "splat").

  • opposition: Contrasting pairs to highlight differences.

  • oxymoron: Contradictory phrase (e.g., "bright black," "jumbo shrimp").

  • parable: A moralistic story (like allegory/fable).

  • paradox: Seemingly contradictory truth (e.g., "less is more").

  • parallelism: Repeated grammatical structure (e.g., "I love fishing, swimming, hiking").

  • parody: Exaggerating another work’s traits for humor.

  • pastoral: Peaceful nature poetry (often about shepherds).

  • pathos: Appeal to emotions.

  • persona: A narrator’s created personality (not the author’s own).

  • personification: Giving human traits to nonhuman things (e.g., "the darkness waited").

  • point of view: Narrative perspective:

    • Omniscient: All-knowing narrator.

    • Limited omniscient: One character’s thoughts.

    • Unreliable narrator: Untrustworthy (e.g., biased or insane).

    • Stream of consciousness: Unfiltered character thoughts.

  • pun: Humorous wordplay with multiple meanings.

  • refrain: Repeated line(s) in a poem.

  • requiem: A prayer/song for the dead.

  • rhetorical question: A question implying its own answer (e.g., "Is it good?").

  • satire: Humor critiquing society (e.g., SNL, slapstick).

  • setting: Time and place of a story.

  • simile: Comparison using "like" or "as" (e.g., "bright as the sun").

  • soliloquy: A character’s solo speech revealing thoughts.

  • stanza: Group of poetic lines (like a paragraph).

  • style: Author’s unique writing traits (diction, syntax, tone).

  • subjunctive mood: Hypotheticals (e.g., "If I were rich...").

  • symbol: An object representing a deeper meaning.

  • syncope: Shortening words (e.g., "ev’ry" for "every").

  • synecdoche: Part representing the whole (e.g., "wheels" for car).

  • theme: Central insight about life/human nature.

  • thesis: Main argument or claim.

  • tone: Author’s attitude (e.g., sarcastic, melancholic).

  • tragic flaw: A hero’s weakness causing downfall (e.g., Hamlet’s indecision).

  • zeugma: One word modifying two others differently (e.g., "He closed the door and his heart").