Front: Jonathan Swift, “A Satirical Elegy on the Death of the Late Famous General”
Back: Form: Couplet; Theme: Satire and criticism of political figures and their false legacies.
Front: A. E. Housman, “Loveliest of Trees the Cherry Now”
Back: Form: Couplet; Theme: The fleeting nature of life and the importance of appreciating beauty.
Front: George Gordon, Lord Byron, “So We’ll Go No More a Roving”
Back: Form: Quatrain; Theme: Aging, reflection, and the end of youthful indulgence.
Front: Alfred, Lord Tennyson, In Memoriam 2, “Old yew that graspest at the stones”
Back: Form: Quatrain; Theme: Grief, mourning, and nature's indifference to loss.
Front: Robert Frost, “Stopping by Woods on a Snowy Evening”
Back: Form: Quatrain; Theme: Solitude, duty, and the allure of rest.
Front: John Keats, “Ode on a Grecian Urn”
Back: Form: Ode; Theme: Art's timeless beauty and the tension between permanence and human experience.
Front: Sir Philip Sidney, “Astrophil and Stella” I
Back: Form: Italian (Petrarchan) Sonnet; Theme: Unrequited love and poetic inspiration.
Front: Sir Thomas Wyatt, “Whoso List to Hunt, I Know Where is an Hind”
Back: Form: Italian (Petrarchan) Sonnet; Theme: Desire, unattainable love, and social hierarchy.
Front: William Shakespeare, Sonnet 73
Back: Form: Shakespearean Sonnet; Theme: Aging, mortality, and the power of love.
Front: William Shakespeare, Sonnet 94
Back: Form: Shakespearean Sonnet; Theme: Power, restraint, and moral character.
Front: William Shakespeare, Sonnet 130
Back: Form: Shakespearean Sonnet; Theme: Realistic love and rejection of idealized beauty.
Front: Robert Frost, “Design”
Back: Form: Argument Sonnet; Theme: The sinister implications of nature's patterns.
Front: William Wordsworth, “The World is Too Much with Us”
Back: Form: Argument Sonnet; Theme: Criticism of materialism and a longing for spiritual connection with nature.
Front: William Shakespeare, “To Be or Not to Be” (Hamlet, III, I, 55—87)
Back: Form: Blank Verse; Theme: Existential reflection on life, death, and uncertainty.
Front: Walt Whitman, “When Lilacs Last in the Dooryard Bloomed”
Back: Form: Free Verse; Theme: Grief, mourning, and Lincoln’s death.
Front: Robinson Jeffers, “Shine, Perishing Republic”
Back: Form: Free Verse; Theme: Criticism of societal decay and a call for resilience.
Front: Robinson Jeffers, “Hurt Hawks”
Back: Form: Free Verse; Theme: Mercy, pain, and the dignity of suffering.
Front: Dylan Thomas, “Do Not Go Gentle into That Good Night”
Back: Form: Villanelle; Theme: Urging resistance against death and embracing life fiercely.
Front: Elizabeth Bishop, “One Art”
Back: Form: Villanelle; Theme: Loss, acceptance, and mastering the art of letting go.
Front: John Milton, “Lycidas”
Back: Form: Pastoral Elegy; Theme: Mourning, poetic legacy, and the search for meaning in death.