Medieval Literature (1066-1485) — Flashcards
The Norman Conquest and Feudal System
- Objectives (from transcript): to examine the Norman Conquest and its effects; Norman influence on literature; the Medieval Romance; Sir Gawain and the Green Knight; Morte d’Arthur
- Normans: “Norsemen” from Normandy, France
- Battle of Hastings (1066) – Ends Anglo-Saxon dynasty
- William the Conqueror
- Basis of French claim to throne
- Bayeux Tapestry
- Establish Feudal System
- Rigid social classes: Aristocracy; Clergy; Peasant/lower class
- Requires loyalty
- Unwritten moral code
- Legal system: Judges; Contracts
- Significance and context (implicit in transcript): Feudal structure shapes governance, social order, and loyalties that influence later literature and chivalric ideals
Romance
- II. Romance: Most popular medieval genre
- Roots: France
- Height: {1100}–{1300}
- D. Elements of Romance
- Legendary times
- Stock characters
- The improbable and supernatural
- Combat
- 5. Quest: Adventure
- Completion of a task
- Journey, end in itself → personal enlightenment
- Pattern: Social – Integration – Disintegration – Reintegration
- Elements (cont’d)
- Chivalry: Code of horseman; Bravery, loyalty, selflessness
- Courtesy: Hospitality; Gentility; Civility
- “Courtly Love”: Love & Institutions; Extra-Marital (chaste)
Sir Gawain and the Green Knight
- III. Sir Gawain and the Green Knight
- Anonymous; Circa {1400}
- Combines: Alliterative verse (Old English) and Rhyming verse (French)
- D. Interlaces 2 plots
- Beheading game
- Knight’s temptation
- E. Gentle Satire
- Criticism of social ills
- Courtesy
- Chivalry
- F. Characters: Stock but complex
- Gawain: Exemplar of chivalry; imperfect in application
- Arthur: Courtly, chivalrous leader; “Wild brain,” intemperate
- Green Knight: Hostile challenger
- Lady Bercilak: Temptress
- G. Symbols
- The Pentangle: Gawain’s ideal order → too rigid
- Green Girdle: Lack of structure → provides resilience
- The Green Chapel: A grave
Morte D'Arthur
- IV. Morte D'Arthur
- Most complete collection of Arthurian legends in English
- {83}
- A. Thomas Malory, (c. 1405-71)
- Knight during Wars of the Roses
- Excess of feudalism
- Wrote in prison, {1468-70}
- Unhappy with upheaval
- Nostalgia
- B. Style
- Presented as history
- Multiple quests
- Graphic
- Symbolic: dreams; Wheel of fortune; Snakes
- C. Characters
- Arthur: Idealized fallen leader; Infinite hope
- Mordred: Embodiment of Arthur’s frailty
- Gawain: Faithful knight
- Bedivere: Untested knight
- Morgan le Fay: Supernatural speaker/forces
Connections and Context
- The Norman Conquest introduces feudalism, which underpins the social order and expectations of loyalty, honor, and hierarchy seen in romance and Arthurian tales
- Romance as a vehicle for exploring chivalry, courtesy, and courtly love within a nostalgic or critical frame
- Arthurian legends (as collected by Malory) synthesize earlier material into a unified English presentation of quests, ideal leadership, and supernatural interference
- The use of symbolic imagery (Pentangle, girdle, dreams) reflects medieval preoccupations with virtue, vulnerability, and fate
- Ethical and practical implications: tension between idealized codes (chivalry, courtly love) and human flaws (temptation, political upheaval, pragmatic governance)
Key Dates and Numbers (for quick reference)
- Battle of Hastings: 1066
- Romance genre height: 1100–1300
- Sir Gawain and the Green Knight: Circa 1400
- Malory’s life/work window: c. 1405-71; wrote in prison: 1468-70
- Morte D’Arthur manuscript count reference: 83
- Notation: All numerical references are quoted with LaTeX-style math delimiters as shown