Su Shi, also known as Su Dongpo, is considered one of the great poets of the Song dynasty.
His family exemplifies upward mobility in Chinese society: His grandfather was illiterate, and his father began literary study later in life.
His mother was an avid Buddhist.
Principles of Poetry
Each line tends to be its own statement or thought.
Each statement aims for precision without being overly complex.
Poets situate themselves in a specific place and time.
Explanatory statements are balanced with sensory details.
This balance is likened to currency: details are provided before emotional statements to establish a mood.
The poet shows the effects of emotions on perception rather than directly stating them.
Describing Emotions
Avoid simply labeling emotions; instead, present them through vivid descriptions.
Example: "The vinyl is cracked" evokes a sense of dilapidation and allows the audience to fill in the details.
Describe a scene (e.g., a barn) under different emotional states (pissed off, depressed) to capture various nuances.
Each description, when done well, captures a unique aspect of the scene.
Su Shi's Mastery of the Arts
Su Shi excelled in various arts, including poetry, calligraphy, and painting.
These three arts utilize the same materials.
Analyzing a Poem
The poem reflects observation over time: The poet observes a particular spot over a period.
The poem is a response to an occasion, evident from the title (looking over the lake from the pavilion).
The ending depicts the water becoming indistinguishable from the sky, illustrating age.
Elements in Writing
Each line functions as its own statement.
Example: "My neighbor, Denise, has a girl, Bassman's statement. Tonight, the rain sounds marvelously in them, statement. Alone at my window, I cannot sleep, statement."
The reason for being unable to sleep is not immediately explained, mirroring how the mind often works.
"Snow in the Valley"
The portrayal of spring involves motion, with petals and other things flying past the window.
Sharp contrasts are present: racing to see the snow versus finding starving villagers and caved-in roofs.
There is a dramatic reversal of expectations: The expectation of seeing beautiful snow is replaced by the reality of suffering.
The poem implies the governor's (Su Shi's) sense of responsibility for the villagers' plight.
The poem concludes with the image of a twilight crow, encapsulating the experience and conveying feelings more powerfully than directly stating them.
Personal Reflection
Reflect on times when you experienced sharp contrasts or dramatic reversals of expectations.