Psychoacoustics Overview and Loudness Perception

Psychoacoustic Study Challenges

  • Volunteering for psychoacoustic studies can be frustrating and challenging for participants.

  • Studies focus on understanding sound perception in terms of intensity, frequency, and loudness.

Key Concepts in Psychoacoustics

  • Absolute Threshold: Minimum detectable level of sound under ideal conditions. Hearing tests aim to measure this threshold, though success can vary.

  • Human Hearing Sensitivity: The human ear can detect sound that causes the eardrum to move as little as one-tenth of a reference level. Understanding this can help appreciate the sensitivity of human hearing.

  • Tympanic Membrane: The ear's membrane can withstand very high sound intensity levels without rupture, indicating a vast range of hearing capability.

Measuring Sound Pressure Levels

  • Decibel (dB) Scale: In psychoacoustics, sound pressure levels are measured in decibels (dBSPL).

    • 0 dBSPL corresponds to 20 microPascals, close to the softest sound detectable by humans, but no one can hear 0 dBSPL.

    • Human sensitivity varies across different frequencies.

  • Threshold of Audibility Contour: The graphical representation showing the softest audible sound levels (in dB HL, not SPL) for various frequencies based on the average hearing of individuals with normal hearing.

    • Important to note: every point along this contour represents sounds that are equally loud to an average listener.

Equal Loudness Contours

  • Equal Loudness Contours (Phones): Represents levels of loudness perceived as equal by listeners at different frequencies.

    • A contour at a specific phone level represents sound levels that are perceived as equally loud (e.g., 40 phon contour).

  • Comparison of different frequency sounds shows that lower frequencies require more dB SPL to reach equal loudness with higher frequencies.

    • Doubling loudness typically requires a 10 dB increase at 1000 Hz, but less at lower frequencies (e.g., 20 Hz).

Loudness Scaling Procedures

  • To determine equal loudness, a reference tone (1,000 Hz at a specified dB SPL) is used.

  • Listeners must adjust the level of other tones until they perceive them as equally loud as the reference tone.

  • Observations from multiple subjects create a dataset from which average equal loudness contours emerge.

Loudness Growth in Hearing

  • Loudness growth is how loudness perception changes with increasing sound intensity.

    • At mid to high intensities, a 10 dB increase typically doubles perceived loudness.

    • At lower intensities, the growth function tends to be steeper, and loudness increases more rapidly till it becomes inaudible.

Application in Hearing Loss

  • Reduced Dynamic Range: Individuals with hearing loss may experience rapid loudness growth (recruitment) leading to a reduced dynamic range. In these cases, sounds are perceived as loud too quickly compared to normal hearing individuals.

  • Conductive vs Sensorineural Hearing Loss:

    • Conductive hearing loss can affect hearing ability without altering loudness growth characteristics.

    • Sensorineural hearing loss typically leads to a reduced dynamic range, with rapid loudness growth, resulting in hypersensitivity to loud sounds.

Distinction in Measuring Intensity Differences

  • Just Noticeable Difference (Delta I): Refers to the smallest change in intensity that listeners can detect, averaging around 1 dB across different intensities.

  • Weber’s Law: Examines the relationship between delta I and intensity, revealing that this relationship is constant across many conditions, although it may not be perfectly linear as suggested in some cases.

Application of Psychoacoustic Principles

  • Recognizing how varying intensity levels affect perceived loudness is crucial in sound engineering, especially for recording and mixing music.

  • Adjustments to frequency balance during mixing is essential to ensure music sounds pleasant even when played at lower loudness levels.

  • Implementation of filters in audio recording systems often based on psychoacoustic principles to maintain sound quality across different loudness levels.