Literary Terms (DRAMA)
act- a major division in the action of a play
antagonist- the character, force, or collection of forces in fiction or drama that opposes the protagonist and gives rise to the conflict of the story
antihero- a protagonist who has the opposite of most of the traditional attributes of a hero
aside- in drama, a speech directed to the audience that supposedly is not audible to the other characters onstage at the time
catharsis- meaning “purgation”, describes the release of the emotions of pity and fear by the audience at the end of a tragedy
character- person presented in a dramatic or narrative work, and characterization is the process by which a writer makes that character seem real to the reader
dynamic character- a character that undergoes some kind of change because of the action in the plot
flat character- embodies one or two qualities, ideas, or traits in the plot
hero/heroine- protagonist, central character who engages the reader’s interest and empathy
motivated action- occurs when the reader or audience is offered reasons for how the characters behave, what they say, and the decisions they make
plausible action- action by a character in a story that seems reasonable, given the motivations presented
round character- display the inconsistencies and internal conflicts found in most real people
showing- a method of presenting the character talking and acting and lets the reader infer what kind of person the character is
static character- does not change throughout the work, and the reader’s knowledge of that character does not grow
stock character- embody stereotypes such as the “dumb blonde” or the “mean stepfather”, stereotypes rather than individuals
telling- author intervenes to describe and sometimes evaluate the character for the reader
chorus- In Greek tragedies, a group of people who serve mainly as commentators on the characters and events.
closet drama- play that is written to be read rather than performed onstage
comedy- work intended to interest, involve, and amuse the reader or audience in which no terrible disaster occurs and usually has a happy ending
high comedy- refers to the verbal wit
low comedy- physical action and is less intellectual
romantic comedy- involves a love affair that meets with various obstacles but overcomes them to end in a blissful union
comic relief- a humorous scene or incident that alleviates tension in an otherwise serious work
conflict- struggle within the plot between opposing forces
crisis- a turning point in the action of a story that has a powerful effect on the protagonist
drama- derived from Greek word “drama,” which means “to do”, designed for performance in a theater
play- general term for a work of dramatic literature
playwright- a writer who makes plays
Electra complex- the psychological conflict of a daughter’s unconscious rivalry with her mother for her father’s attention
epiphany- in fiction, when a character suddenly experiences a deep realization about himself or herself; a truth that is grasped in an ordinary rather than a melodramatic moment
foil- a character in a work whose behavior and values contrast with those of another character in order to highlight the distinctive temperament of that character
foreshadowing- introduction early in a story of verbal and dramatic hints that suggest what is to come later
hamartia- “some error or frailty” that brings about misfortune for a tragic hero; refers to a mistake that a character makes that is based not on a person failure, but on circumstances
hubris- excessive pride or self-confidence that leads a protagonist to disregard a divine warning or to violate an important moral law
irony- literary device that uses contradictory statements or situations to reveal a reality different from what appears to be true
iambic pentameter- metrical pattern in poetry which consists of five iambic feet per line
cosmic irony- when a writer uses God, destiny, or fate to dash the hopes and expectations of a character or of humankind
dramatic irony- creates a discrepancy between what a character believes or says and what the reader or audience members know to be
sarcasm- a strong form of verbal irony that is calculated to hurt someone through, for example, false praise
situational irony- when there is an incongruity between what is expected to happen and what actually happens due to forces beyond human comprehension or control
tragic irony- form of dramatic irony found in tragedies such as Oedipus the King, in which Oedipus searches for the person responsible for the plague that ravishes his city and ironically ends up hunting himself
verbal irony- figure of speech that occurs when a person says one thing but means the opposite
Oedipus complex- Freudian term derived from Sophocles’ tragedy Oedipus the King. Describes a psychological complex that is predicted on a boy’s unconscious rivalry with his father for his mother’s love and his desire to eliminate his father to take his father’s place with his mother
one-act play- play that takes place in a single location and unfolds as one continuous action. Characters are presented economically and the action is sharply focused.
plot- author’s selection and arrangementof incidents in a story to shape the action and give the story a particular focus
climax- moment of greatest emotional tension in a narrative, usually marking a turning point in the plot at which the rising action reverses to become the falling action
falling action- characterized by diminishing tensions and the resolution of the plot’s conflicts and complications
in medias res- term used to describe the common strategy of beginning a story in the middle of action
pyramidal pattern- divides the plot into three essential parts
rising action- first part in which complication creates some sort of conflict for the protagonist
problem play- type of drama that presents a social issue in order to awaken the audience to it. Plays usually reject romantic plots in favor of holding up a mirror that reflects not simply what the audience wants to see but what the playwright sees in them
prologue- opening speech or dialogue of a play that gives the exposition necessary to follow the subsequent action
protagonist- main character of a narrative; its central character who engages the reader’s interest and empathy
pun- play on words that relies on a word’s having more than one meaning or sounding like another word
recognition- moment in a story when previously unknown or withheld information is revealed to the protagonist, resulting in the discovery of the truth of his or her situation and, usually, a decisive change in course for that character.
reversal- the point in a story when the protagonist’s fortunes turn in an unexpected direction
scene- subdivision of an act. Units of action in which there are no changes in the settings or breaks in the continuity of time
script- written text of a play which includes dialogue between characters, stage directions, and often other expository information
setting- physical and social context in which the action of a story occurs
soliloquy- dramatic convention by means of which a character, alone onstage, utters his or her thoughts aloud
stage directions- a playwright’s written instructions about how the actors are to move and behave in a play
subplot- secondary action of a story, complete and interesting in its own right, that reinforces or contrasts with the main plot. May be more than one subplot, and sometimes as many as three, four, or even more, running through a piece of fiction
tragedy- a story that presents courageous individuals who confront powerful forces within or outside themselves with a dignity that reveals the breadth and depth of the human spirit in the face of failure, defeat and even death
revenge tragedy- a well-established type of drama that can be traced back to Greek and Roman plays. Basically consist of a murder that has to be avenged by a relative of the victim. Typically, victim’s ghost appears to demand revenge, and invariably madness of some sort is worked into subsequent events, which ultimately end in the deaths of the murderer, the avenger and the number of other characters
tragic flaw- an error or defect in the tragic hero that leads to his downfall, such as greed, pride, or ambition
tragic irony- form of dramatic irony found in tragedies such as Oedipus the King, in which Oedipus ironically ends up hunting himself
tragicomedy- a type of drama that combines certain elements of both tragedy and comedy. Play’s plot tends to be serious, leading to a terrible catastrophe, until an unexpected turn in events leads to a reversal of circumstance, and the story ends happily. Often employs a romantic, fast-moving plot dealing with love, jealousy, disguises, treachery, intrigue, and surprises, all moving toward a melodramatic resolution.
well-made play- realistic style of play that employs conventions including plenty of suspense created by meticulous plotting