Writing Process & Critical Reading — Quick Reference

Writing as a Cycle

  • Writing is a cycle, not a straight line: prewrite, draft, feedback, revise, submit—often looping back as understanding grows. Failure is part of the process.
  • Aim for a flexible cycle to reflect real work: you may revisit brainstorming after researching, or re-outline after a draft.

Prewriting and Brainstorming

  • Brainstorm with multiple methods (word clouds, freewriting, circles, conversation).
  • Prewriting also includes non-writing activities: walking, doing chores, talking with others can spark ideas.
  • Identify audience early (class paper vs. workplace email vs. explaining to parents) to guide tone and content.
  • Set up a space that suits you; environment affects inspiration.
  • If stuck, allow yourself to move away briefly; ideas can surface during non-writing tasks.

Audience, Purpose, and Scope

  • Know who you’re writing for and why it matters to them.
  • Keep scope small and focused for short papers.
  • Clarify why the topic matters to readers (the angle).

Plotting Your Writing: Plotter vs. Pantser

  • Plotter: outlines and planned structure.
  • Pantser: write to discover what you want to say.
  • Neither is inherently right or wrong; choose what works for you and the assignment.
  • Even in academic writing, some outlining helps with tight timelines and avoiding backtracking.

Drafting

  • Draft to develop your main idea and supporting points; turn brainstorm into a thesis.
  • Think of a thesis as a movie trailer: what the paper is about and why it matters.
  • If drafting reveals a weak thesis or missing support, return to prewriting or brainstorming to adjust.

Feedback and Response

  • Share drafts for feedback; allow time to digest feedback before acting.
  • Common reactions: defensiveness, over-reaction, or unquestioning acceptance.
  • Feedback should be constructive, not just critical; you’re in control of what you apply.
  • No obligation to implement all feedback; keep ownership of your paper.

Revisions: The 3 Cs

  • Three Cs: Content, Clarity, Correctness.
  • Content: remove irrelevant material; keep what supports your argument; consider “kill your darlings.”
  • Clarity: ensure logical connections; readers should follow from A to B to C without gaps.
  • Correctness: grammar, punctuation, spelling.
  • Revision practice: apply these to short samples; discuss what to add, cut, or revise.
  • Overwriters vs. underwriters: overwriters may need to cut more; underwriters should add concise, meaningful content.

Reading Critically and Annotating

  • Reading purpose first: entertainment, assignment, or information gathering.
  • Skim for structure: title, author, headings, images to gauge argument direction.
  • Read for comprehension: focus, minimize distractions, possibly multiple readings.
  • Annotation goal: improve understanding and prepare for writing.
  • Annotation strategies: margins, bullet points, highlights, post-its, separate notes.

Annotation Practice with Ads (Applying annotation skills)

  • Focus prompts: what’s being sold; first impressions; branding; fonts, colors, layout; emotion evoked; use of space.
  • Example prompts you can use: identify focal point, note emotions, assess whether the ad’s argument is effective, consider context.
  • Context matters: knowing brand and product helps interpret the message.

Burke's Parlor and Argument in Writing

  • Burke’s Parlor: enter a discussion after others have started; listen to both sides before responding.
  • In writing, read opposing viewpoints and acknowledge counterarguments when making your claim.
  • You don’t have to “settle” the debate; add your perspective and address counterarguments.

Applying Critical Reading to Source Material

  • When reading sources for a paper, determine purpose and audience.
  • Skim, then read for comprehension; annotate to capture key claims, evidence, and potential counterpoints.
  • Context and authorial intent help you evaluate how to use the source in your argument.

Next Readings and Class Preparation

  • Read: Chapter 6, Reading to Engage and Respond (in textbook).
  • Read: Sanctuary of School by Linda Berry (on D2L module 1) to analyze personal narrative style and argumentative purpose.
  • As you read, consider: if writing about your experience, would you do it differently? What’s the point beyond the story?
  • Be ready to brainstorm in class and decide whether you align with Option 1 or Option 2 for your paper.
  • If you use the Level Up Library, submit a screenshot in the designated Dropbox.

Quick Recap: In-Class Activities and Focus

  • In-class discussion prompts: heated arguments and listening to counterarguments.
  • Social media experiment: 5-minute scrolling to observe disagreement vs. alignment; discuss implications for argument and echo chambers.
  • Use the Burke’s Parlor mindset to frame your writing as listening to multiple sides, then contributing your reasoned 2¢.
  • Practice with short, concrete tasks (annotation on ads) to build ready-to-transfer skills for reading and writing tasks.