Writing Process & Critical Reading — Quick Reference
Writing as a Cycle
- Writing is a cycle, not a straight line: prewrite, draft, feedback, revise, submit—often looping back as understanding grows. Failure is part of the process.
- Aim for a flexible cycle to reflect real work: you may revisit brainstorming after researching, or re-outline after a draft.
Prewriting and Brainstorming
- Brainstorm with multiple methods (word clouds, freewriting, circles, conversation).
- Prewriting also includes non-writing activities: walking, doing chores, talking with others can spark ideas.
- Identify audience early (class paper vs. workplace email vs. explaining to parents) to guide tone and content.
- Set up a space that suits you; environment affects inspiration.
- If stuck, allow yourself to move away briefly; ideas can surface during non-writing tasks.
Audience, Purpose, and Scope
- Know who you’re writing for and why it matters to them.
- Keep scope small and focused for short papers.
- Clarify why the topic matters to readers (the angle).
Plotting Your Writing: Plotter vs. Pantser
- Plotter: outlines and planned structure.
- Pantser: write to discover what you want to say.
- Neither is inherently right or wrong; choose what works for you and the assignment.
- Even in academic writing, some outlining helps with tight timelines and avoiding backtracking.
Drafting
- Draft to develop your main idea and supporting points; turn brainstorm into a thesis.
- Think of a thesis as a movie trailer: what the paper is about and why it matters.
- If drafting reveals a weak thesis or missing support, return to prewriting or brainstorming to adjust.
Feedback and Response
- Share drafts for feedback; allow time to digest feedback before acting.
- Common reactions: defensiveness, over-reaction, or unquestioning acceptance.
- Feedback should be constructive, not just critical; you’re in control of what you apply.
- No obligation to implement all feedback; keep ownership of your paper.
Revisions: The 3 Cs
- Three Cs: Content, Clarity, Correctness.
- Content: remove irrelevant material; keep what supports your argument; consider “kill your darlings.”
- Clarity: ensure logical connections; readers should follow from A to B to C without gaps.
- Correctness: grammar, punctuation, spelling.
- Revision practice: apply these to short samples; discuss what to add, cut, or revise.
- Overwriters vs. underwriters: overwriters may need to cut more; underwriters should add concise, meaningful content.
Reading Critically and Annotating
- Reading purpose first: entertainment, assignment, or information gathering.
- Skim for structure: title, author, headings, images to gauge argument direction.
- Read for comprehension: focus, minimize distractions, possibly multiple readings.
- Annotation goal: improve understanding and prepare for writing.
- Annotation strategies: margins, bullet points, highlights, post-its, separate notes.
Annotation Practice with Ads (Applying annotation skills)
- Focus prompts: what’s being sold; first impressions; branding; fonts, colors, layout; emotion evoked; use of space.
- Example prompts you can use: identify focal point, note emotions, assess whether the ad’s argument is effective, consider context.
- Context matters: knowing brand and product helps interpret the message.
Burke's Parlor and Argument in Writing
- Burke’s Parlor: enter a discussion after others have started; listen to both sides before responding.
- In writing, read opposing viewpoints and acknowledge counterarguments when making your claim.
- You don’t have to “settle” the debate; add your perspective and address counterarguments.
Applying Critical Reading to Source Material
- When reading sources for a paper, determine purpose and audience.
- Skim, then read for comprehension; annotate to capture key claims, evidence, and potential counterpoints.
- Context and authorial intent help you evaluate how to use the source in your argument.
Next Readings and Class Preparation
- Read: Chapter 6, Reading to Engage and Respond (in textbook).
- Read: Sanctuary of School by Linda Berry (on D2L module 1) to analyze personal narrative style and argumentative purpose.
- As you read, consider: if writing about your experience, would you do it differently? What’s the point beyond the story?
- Be ready to brainstorm in class and decide whether you align with Option 1 or Option 2 for your paper.
- If you use the Level Up Library, submit a screenshot in the designated Dropbox.
Quick Recap: In-Class Activities and Focus
- In-class discussion prompts: heated arguments and listening to counterarguments.
- Social media experiment: 5-minute scrolling to observe disagreement vs. alignment; discuss implications for argument and echo chambers.
- Use the Burke’s Parlor mindset to frame your writing as listening to multiple sides, then contributing your reasoned 2¢.
- Practice with short, concrete tasks (annotation on ads) to build ready-to-transfer skills for reading and writing tasks.