Music Theory Fundamentals Review

Staff and Notation Basics

  • The Staff: Consists of 55 lines and 44 spaces.
  • Clefs:
    • Treble Clef: Known as the "G Clef."
    • Bass Clef: Known as the "F Clef."
    • Alto Clef: Known as the "C Clef."
  • Structural Symbols:
    • Barline: Vertical lines dividing the staff into measures.
    • Double Bar Line: Indicates the "end" or "fine."
    • Fermata: Indicates a "hold" or "pause."
    • Ledger Line: Small lines used for notes above or below the staff.

Rhythm and Time Signatures

  • Note and Rest Values:
    • Whole note/rest: 44 beats.
    • Half note/rest: 22 beats.
    • Quarter note/rest: 11 beat.
    • Eighth note/rest: 1/21/2 beat.
    • 16th note/rest: 1/41/4 beat.
  • Time Signatures:
    • Top number: Indicates how many beats per measure.
    • Bottom number: Indicates what note value gets the beat (e.g., 4=Quarter note4 = \text{Quarter note}, 8=8th note8 = \text{8th note}).
    • Common examples: 44\frac{4}{4}, 34\frac{3}{4}, 24\frac{2}{4}, 68\frac{6}{8}.

Articulations and Dynamics

  • Articulations:
    • Staccato: "Detached."
    • Accent: "Strong tone."
    • Marcato: "Marked."
    • Slur: "Connected" (no rearticulation, one bow movement).
  • Dynamics (Volume):
    • pppppp (Pianissimo): Very soft.
    • pppp, pp (Piano), mpmp (Mezzo Piano): Soft range.
    • mfmf (Mezzo Forte), ff (Forte), ffff (Fortissimo), ffffff: Strong range.
    • sfzsfz (Sforzando piano): Sudden strong emphasis.
    • Crescendo: Increase volume.
    • Decrescendo / Diminuendo: Decrease volume.

Intervals and Scales

  • Definitions:
    • Music: The art of organized sound in time.
    • Interval: The space between two notes.
  • Scale Structures:
    • Major Scale: 88 notes; identified in Roman numerals as I,ii,iii,IV,V,vi,viiI, ii, iii, IV, V, vi, vii^{\circ}.
    • Chromatic Scale: 1212 notes; uses sharps (#\#) for ascending and flats (bb) for descending.
  • Accidentals:
    • Sharp (#\#): Up 1/21/2 step.
    • Flat (bb): Down 1/21/2 step.
    • Natural: Cancels a sharp or flat.
  • Standard Intervals: M2,M3,P4,P5,M6,M7,P8M2, M3, P4, P5, M6, M7, P8 (octave).

Tempo

  • Markings:
    • Lento: Slow.
    • Adagio: Slow (with expression).
    • Andante: Walking pace.
    • Moderato: Moderately.
    • Allegro: Fast.
    • Presto: Exceptionally fast.
  • Changes:
    • Ritardando (rit.): Gradually slow down.
    • Accelerando (accel.): Gradually speed up.
  • BPM: Beats per minute (e.g., 120BPM120 \, \text{BPM} is "march tempo").

Chord Theory

  • Major Chord: Built as M3M3 (44 half steps) + m3m3.
  • Minor Chord: Built as m3m3 (33 half steps) + M3M3.
  • Diminished Chord: Two stacked minor 3rds3rds.
  • Chord Progression: Common example is IviIVVI-vi-IV-V (CAmFGC-Am-F-G in C major).

Solfege and Vocalization

  • Purpose: Mnemonic system for pitches/intervals used in sight-singing and ear training.
  • Major Scale: Do, Re, Mi, Fa, Sol, La, Ti, Do.
  • Minor Scale: Lowered 3rd3rd, 6th6th, and 7th7th (do, re, me, fa, sol, le, te, do).
  • Vowel Shapes: Ah, eh, ee, oh, oo.
  • Dipthong: A sound formed by two vowels (e.g., "I" = "A and E"). In singing, emphasize the "Ah."