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Kiss of The Vampire Intro

Introduction to Key Concepts in Horror Genre

  • What are Codes and Conventions?

    • Conventions: Expected elements or aspects typical of a genre/sub-genre.

    • Codes: How conventions are conveyed through audio/visual elements, e.g., sound, imagery, editing.

    • Genre: Broad category of films categorized by themes and conventions.

    • Sub-genre: More specific category within a genre (e.g., horror films can have slasher, vampire, psychological sub-genres).

Case Study: Kiss of the Vampire (KOTV)

  • Year of Release: 1963

  • Production: Hammer Film Productions and distributed by J. Arthur Rank and Universal.

  • Context: Intended to be a sequel to 1958's Dracula but does not reference the original character.

  • Cultural Context: 1963 was marked by significant events (e.g., Beatlemania, Kennedy's assassination, space exploration).

  • Poster Art: Hand-painted posters, indicative of the pre-digital era, aimed to capture viewer attention and create a cinematic experience.

The Role of Colour in Film

  • Eastman Colour:

    • Introduced in the 1960s, it was marketed as a unique selling point (USP) for films, enhancing their visual appeal.

    • Compared to earlier methods where films were predominantly in black and white or hand-painted.

Key Elements of Film Posters

  • Title Location: Conventionally situated in the upper third of posters, easily noticeable.

  • Main Image: Key visual signifier is intended to encapsulate the film's essence.

  • Unique Selling Point (USP): Highlights specific aspects that might intrigue viewers.

  • Billing/Credit Block: Essential information like actors' names, directors, institutional details to attract the audience.

  • Institutional Identifiers: Logos or branding that signifies the production company.

  • Mark of Quality: Stars or directors that denote a film’s credibility.

  • Genre Indicators: Specific copy and imagery indicating the film’s genre (e.g., horror imagery).

Iconography and Symbolism

  • Iconography in Horror:

    • Expected visual symbols like castles, bats, and blood.

    • Specific item representations, like the vampire's fangs or dark settings.

  • Mise-en-scène: Arrangement of visual elements that create meaning, e.g., lighting styles, settings, and props signify genre traits.

Character Archetypes in Horror

  • Propp’s Character Types:

    • Hero: Central character sought out to resolve conflicts.

    • Villain: Disrupts the normal/hero’s journey.

    • Princess, Donor, Helper, Dispatcher, False Hero: Other roles assisting in narrative development.

  • Horror Trope Variations:

    • Final Girl: Survives due to moral superiority and gains confrontational ending with villain.

    • The Jock and Cheerleader: Typically embodies stereotypes and fulfill certain narrative functions often leading to their demise.

Theoretical Frameworks in Media Studies

Roland Barthes Codes
  • Hermeneutic Code (Enigma Code): Sets up mysteries for audience engagement.

  • Semantic Codes: Connotations and meanings attached to film elements.

  • Symbolic Codes: Influence on themes and motifs.

  • Proairetic Codes: Suggestive of actions and outcomes impending.

  • Cultural Codes: How socio-cultural contexts affect audience interpretation of texts.

Claude Lévi-Strauss and Binary Oppositions
  • Concept of Structuralism: Understanding complex themes by breaking down into binary oppositions (e.g., hero vs. villain).

Analysis Example: Kiss of the Vampire Poster

  • Visual Style and Genre:

    • Genre Indicators: Dark colour palettes, Gothic fonts, horror iconography (vampires, bats, blood).

    • Textual Signifiers: Colour denotes quality, imagery depicts themes of horror.

  • Intertextuality:

    • Relation to earlier horror movies (e.g., Dracula adaptations) and visual motifs influences audience expectation.

  • Audience Reception: Background cues or knowledge influence the perception and decoding of horror elements.

Conclusion and Application of Theories

  • Practical Application: When examining the KOTV poster, consider how various codes and conventions work together to create meaning and engage the audience. Apply theories from Barthes and Lévi-Strauss to deepen analysis of genre in promotional materials.

  • Prepared Response Structure (PETER):

    Point, Evidence, Theory, Explanation, Reference should guide your analysis of film posters and their impact on audience perception.

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