week 3 class 5

Introduction to Modernist Art

  • Definition of modernism as a break from established rules that have developed over centuries since the Renaissance.

  • Focus on avant-garde artists and their influence and impact on contemporary art.

  • Outline of the day’s topics:

    • Continued discussion of Henri Matisse and his significance.

    • Introduction to Pablo Picasso and his artistic journey.

    • Overview of the Armory Show.

    • Examination of the concept of "Art as Provocation," introducing Marcel Duchamp.

  • Reference to the course structure:

    • This session corresponds to week three of the course.

    • Discussion on recently completed quiz and ongoing grading opportunities.

Review of Course Progress

  • Week three discussions:

    • Transition from Matisse leading into Picasso and their respective styles.

    • Importance of studying specific artworks as a means of understanding larger movements.

  • Evaluation of students' performance on the first quiz:

    • Majority received A grades, indicating overall strong performance.

    • Upcoming assessments include four more quizzes and a presentation, contributing to grade continuity.

Exploration of Artworks

Presentation of a Unidentified Artwork

  • Showcasing of a specific artwork to engage students:

    • Questions posed about the medium, period of creation, and general observations.

    • Emphasis on visual reading and interpretation of art without the context.

Observations and Analysis
  • Students encouraged to express thoughts:

    • Initial observations note the realism depicted.

    • Medium identified as oil on canvas.

    • Discussion on realistic elements:

    • Painting's details like lamps, faces, and background.

  • Group analysis of the painting:

    • Michael mentions the use of proper perspective and proportions, which have been less visible in previously discussed pieces.

    • Elements such as color, texture, and quality of rendering are evaluated, noting particular focus on realism and naturalistic detail.

Discussion on Perspective and Artistic Skill

  • The conversation shifts to the skill level of the artist:

    • Likely established artist, with indications that this artwork could be part of a museum collection.

    • Inquiry into the artist’s training and background, suggesting a seasoned individual.

Contextual Clues of the Artwork
  • Students hypothesize about the context:

    • Religious themes suggested, leading to a deeper understanding of the painting’s subject matter.

    • Correct identification of theme surrounding Catholic communion, and its significance as a coming of age ceremony for a young girl.

Revelation of the Artist

Identity of the Artist

  • Unveiling the identity of the artist behind the painting:

    • The painting is revealed to be created by Pablo Picasso, painted when he was just 14 years old, during his early teen years.

    • Discussion of Picasso's capability and the impact of his early works:

    • Attributed to his father's role as an art teacher and the expectations that arose from it.

    • Students express disbelief and excitement over Picasso's talent at such a young age.

Artistic Development of Pablo Picasso

Transition from Realism to Modernism

  • Discussion on Picasso's shift from realism:

    • Noting that although he succeeded in perfecting classical styles, Picasso sought to find his own voice in the art world.

    • Evaluation of career choices that lead art to evolve beyond traditional practices.

Move to Paris

  • Picasso's relocation to Paris as a key moment:

    • Emphasis on the artistic environment of Paris in the early 20th century and its influence on aspiring artists.

    • Contextual mention of significant artworks produced in this period, showcasing the progression of his work.

Introduction to Picasso’s Later Works
  • Discussion around a specific work titled "La Bovre's Dabcin" (The Absinthe Drinker):

    • Transitioning to 1901 when Picasso was approximately 20 years old.

    • Thematically exploring feminine representations and societal norms within his work.