Chapter 12

Introduction to South American and Mexican Music Traditions

  • Chapter 12 introduces various music traditions from South America and Mexico, noting the cultural connections between these regions.
  • Mexico, while geographically in North America, aligns culturally with Central American countries.
  • The chapter particularly focuses on music originating from South America, linked to major pre-Columbian empires:
    • Aztec Empire centered in modern Mexico City and the North Central region, with traces in the Yucatan Peninsula.
    • Maya occupied the Yucatan Peninsula, Chiapas, and Guatemala.
    • Inca Empire located primarily in the Andes mountains of Peru.

Colonial Influences

  • Spanish conquistadors and Roman Catholic missionaries heavily influenced these regions during the 16th and 17th centuries.
  • Other colonial powers impacted the Caribbean in the 18th century.
  • Spanish is the dominant language in Central and South America, except for Portuguese in Brazil.

Religion and Festivals

  • Roman Catholicism serves as the major religion, leading to numerous traditional festivals.
  • Indigenous cultural elements remain prevalent in language, dress, food, religion, and music, rooted in pre-Columbian traditions.
  • All major indigenous groups were skilled in astronomy, exemplified by the Aztec calendar stone which reflects their understanding of solar and lunar cycles.
    • Architecture often reflects astronomical significance, marking important events like solstices.

Influence of African Populations

  • The slave trade introduced numerous African populations predominantly in coastal areas of South America, especially in Brazil and regions towards Guyana.
  • Limited African cultural influence is found in the interior of South America and much of Central America, akin to the Caribbean.
  • Music in Central and South America often embodies a mixture of three cultures: indigenous, European, and African.

Amazonian Music Traditions

  • The Amazon rainforests host numerous ethnic groups; the Amazon River is significant as the second longest river in the world.
    • It has the highest total flow compared to the Nile and other major rivers.
  • Environmental issues like deforestation have compelled many Amazonian groups to confront modern society while preserving traditional lifestyles.

Vocal Traditions

  • Amazonian music typically begins by mimicking sounds from nature, featuring common chant traditions among indigenous populations.
  • Pulsation in voice and a slight volume amplification articulate rhythm, aligning with dance movements.
  • **Common Features:
    • Unison singing is prevalent.
    • Distinctive falling melodic contours are observed, particularly in the Kayabo Chicrian performances.**
  • Performances are often divided by gender, emphasizing anthropological aspects like marriage rituals and subsistence activities (e.g., hunting).

Instruments and Rituals

  • While vocal performance dominates, some instruments (bamboo stamping tubes, small rattles) may provide rhythmic support.
  • Many songs are believed to be taught by spirits encountered in dreams or during rituals, with shamans facilitating communication through music and trance states.

Inca Music Traditions and Sukuri Ensembles

  • Sukuri panpipe ensembles are distinctive in Peru. The Andes mountains, rising averagely 13,000 feet, feature Lake Titicaca and Cusco as cultural hubs for indigenous research.
  • Urban areas display more influence from Spanish culture while rural traditions reflect continuity from the Inca era.
  • Quino music, associated with urban settings, incorporates guitars with traditional instruments like the charango.

Sakuri Performance Analysis

  • The sakuri ensemble features multiple handpipes, typically with over 50 in a single performance; notes interlock to cover a full scale.
  • Instruments used include a large bass drum and a smaller accompanying drum.
  • Homophonic structure in Peruvian music typically sees melodic contours moving in parallel motion.

Context and Festival Celebrations

  • Roman Catholic holidays and traditional festivals are occasions for music participation; the Sakuri performance at Easter exemplifies this.
  • Large ensembles are common, promoting community cooperation through interlocking melodic lines, often competing joyfully for audience applause.

Argentine Tango

  • Tango, a popular ballroom dance, has roots in the Buenos Aires seaport subculture.
    • It emerged from interactions primarily among sailors and locals during a flourishing nightlife.
  • Its music utilizes dynamic changes, creating an emotional and unpredictable atmosphere; the essential tango rhythm goes "one-and-three" in a four-pulse duple meter.

Historical Influence

  • After the British attack on Buenos Aires in 1806, citizens were motivated to assert self-governance.
  • Eva Perón, the wife of President Juan Domingo Perón, significantly influenced Argentine culture and politics before her premature death at age 33.
Tango Music Structure
  • Characterized by mood swings influenced by tempo changes and dynamics. The origins included a love triangle interpretation with two men vying for a woman's favor.
  • Tango evolved further into ballroom dance, diminishing its original intensity and erotic gestures while retaining sentiment.

Brazilian Music Traditions: Samba and Capoeira

Samba

  • Brazil, the largest South American country, showcases samba as pivotal to its cultural identity, developed amid significant African influence from the slave trade.
    • Varied samba styles are associated with carnival, each emphasizing different rhythmic patterns and instrumentation.
  • The quika, a distinctive friction drum, contributes unique timbres while guitar exemplifies European influences.
Samba Musical Structure
  • Samba encompasses call-and-response vocal styles, where responses often take prominence during carnival festivities.
  • The core samba rhythm follows a quick four-beat meter, underscoring a celebratory spirit.
  • Samba's origin relates closely to folk dance, highlighting social connections among participants.

Capoeira

  • Capoeira, a martial art blend of dance and music with roots in African fighting styles, emerged among escaped slaves. The rhythmic barambao serves as the principal accompaniment for performances.
  • Performances typically transition through cooperative, control, and confrontational sections, often led by a maestro who orchestrates tempo transitions.

Concluding Remarks on Capoeira

  • Capoeira evolved as a form of cultural expression, cloaked in the guise of dance to evade scrutiny from authorities unaware of its combat origins.

Mariachi Music in Mexico

  • Mariachi, rooted in the traditions of the Aztec and Maya, symbolizes Mexican culture.
  • Modern Mexico City (built on ancient Aztec ruins) embodies a cultural heritage blending indigenous and Spanish traditions.

Features of Mariachi Music

  • Celebratory in nature, characterized by outdoor performances often linked with weddings and festivals. Key instruments include various guitars, violins, and trumpets.
Instrumentation and Performance Style
  • Vocalization in mariachi tends to be marked by clear melodic lines, typically in major keys to enhance festive atmospheres. Unlike flamenco, improvisation is less common in mariachi singing.
  • Regional Variations: Each of Mexico's 31 states maintains unique music forms influenced by Spanish and indigenous traditions.
    • Notable regions include Chiapas for marimba ensembles and Jalisco, recognized as the birthplace of mariachi.
Mariachi in the 20th Century
  • Gained fame during the early 20th century via portrayals in western films, fostering a stereotype of Mexican culture.
  • Today, mariachi is integral to local culture, performing in tourism hubs and community events, where performers adapt to local attire.
Different Types of Concion
  • Concion encompasses song-based music, with varied types including concion branciera, akin to country music backed by mariachi.