Renaisance Period Handouts

Outline:

  • Renaissance Period: What, When, Contributions Artist
    3 Era/period of the renaissance and art

  • 8 Characteristics of Renaissance Period

  • The 3 Great High Renessance Masters

  • Three versions of David — Michelangelo, Donatello, Bernini

Renaissance Period: What, When, Features

  • Meaning: The term “Renaissance” signifies rebirth or awakening.

  • Origins: It began in Italy during the late 14th century.

  • Key Features:

    • Renewed interest in Ancient Greece and Rome. f philosophy, literature, and the arts.

Renaissance Period: Contribution

  • Development of new technologies like the printing press

  • Introduction of a new system of astronomy

  • Exploration and discovery of new continents



Vitruvian Man by Leonardo da Vinci

  • Description: The Vitruvian Man is Leonardo da Vinci’s own reflection on human proportion and architecture. made clear [It is conveyed] through words and image.

  • Purpose: purpose of the illustration is to bring together ideas about art,

    architecture, human anatomy and symmetry in one distinct and commanding image.

    The illustration aims to integrate ideas related to art, architecture, human anatomy, and symmetry into a single powerful image.

Other works by Da Vinci: Mona Lisa


Renaissance Period: 3 Eras

(1) Early Renaissance (1401-1490s)

(2) High Renaissance Period (1490s: -1527)

(3) Late Renaissance Period

Early Renaissance
(1401-1490s)

High Renaissance (1490s-1527)

Late Renaissance

Renaissance period

The Holy Trinity


Venus of Urbino

Perseus and Andromeda

Martyrdom of Saint Eulalia

ERAS OF RENAISSANCE



EARLY RENAISSANCE

(1401-1490)

  • Artists believed that art should be developing and moving.

  • Emphasis on color, space, and light elements.

  • Focused on the human body and people doing mundane activities.

  • Realism dominated the art expression.

HIGH RENAISSANCE

(1490-1527)

  • Painting is the most dominant form.

  • Focused on human anatomy putting emphasis on beauty and aesthetics.

  • Humanism prevailed in the art works.

LATE RENAISSANCE

  • Mannerism was developed to focus on style or manner and less on substance.

  • Roman rule was depicted through paintings of anguished people .

RENAISSANCE PERIOD

  • Gothic style was also developed from this period.

  • Spread to other European nations as well.

  • Symbolism was widely used.

CHARACTERISTIC OF RENAISSANCE PERIOD

CHARACTERISTICS

Arnolfini Portrait - Jan Van Eyck





(1) HUMANISM

  • Turned away from medieval scholasticism and renewed interest in Greek and Roman thought.



ST. JOSEPH THE BAPTIST — Da Vinci



INDIVIDUALISM

  • Showed individual people instead of groups.

THE AMBASSADORS

— Hans Holbein

SECULARISM

  • Few church paintings



BACCHUS AND ARIADNE — Titian

(4) CLASSICISM

Characterized by classic Roman and Greek influences.

Landscape with Charon Crossing Styx





NATURE

Depicted outdoor scenarios.

ASTRONOMICUM CAESAREUM


ANATOMY

  • Focused on defined and precise human anatomy.

LAMENTATION OF CHRIST—Andrea Mantegna


LINEAR PERSPECTIVE

  • The appearance of things relative to one another as determined by their distance from the viewer.

PORTRAIT OF DOGE LEONARD LOREDAN—Giovanni Bellini

DEPTH

  • Used light and shading to create the illusion of space and depth.


THE THREE GREAT HIGH RENAISSANCE MASTERS

LEONARDO DA VINCI
(1452—1519)

MICHELANGELO BUONARROTI SIMONI
(1475—1564)

RAPHAEL SANZIO

Considered as the ultimate “Renaissance Man” for works focusing on intellect, humanist and classic values.

  • Works focused on the human body

  • Most notable for sculptures but is also known for his paintings

  • The youngest of the Three Great High Renaissance Masters

  • Skillfully demonstrated the classical ideals of beauty, serenity, and harmony

ARTWORKS

THE LAST SUPPER

LA PIETA

ARCHANGEL MICHAEL

—Da Vinci

—Michelangelo

— Sanzio

ABOUT ARCHANGEL MICHAEL ‘MINIATURE’

  • Subject inspiration: Raphael first visited the subject of the archangel Michael at the behest of Guidobaldo da Montefeltro, Duke of Urbino.

  • Creation: The miniature was completed in 1504 or 1505 on the back of a draughtboard, possibly commissioned to express appreciation to Louis XII of France for conferring the Order of Saint Michael on Francesco Maria I della Rovere, Urbino’s nephew and heir.

  • Revisit: A little more than a decade after completing the little St. Michael, Raphael was commissioned to revisit the theme, producing St. Michael Vanquishing Satan for Pope Leo X.

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