MAPEH FOLK DANCE
Pangalay
Researcher: Francisca Reyes-Aquino
Meaning: Fingernail
Dance Culture: Lowland Muslim (Coastal)
Place of Origin: Sulu
Country of Influence: Thailand, Malaysia, Myanmar, Cambodia, Indonesia
Ethnolinguistic Group: Tausug
Classification: Social Dance
Background/Context
Pangalay, also known as Daling-Daling or Mengalai in Sabah, is a traditional dance of the Tausug people.
Characterized by finesse and flexibility in shoulder, elbow, and wrist movements resembling those of kontaw silat, a Malay martial art.
Primarily performed during weddings and festive events.
The male version is called Pangasik, which includes more martial movements. When performed with both male and female dancers, it's referred to as Pangiluk.
Dance Properties
Costume: Traditional Joloana costume.
Accessories: Dancers may use janggay (extended metal fingernails) either made of metal, solid gold, or silver.
Footwear: Dancers perform barefoot.
Music: Adjustable duration with a count of one, two or one and two to a measure.
Sakuting
Researcher: Francisca Reyes-Aquino
Meaning: Rhythmic sticks producing the accompaniment for the dance
Place of Origin: Abra and Ilocos Norte
Country of Influence: Nepal
Classification: Recreational social dance
Background/Context
Originated from the ethnic people in the western Cordilleras prior to American colonization.
During Christmas, children would perform in lowland areas like Abra and Ilocos Norte, dancing for gifts while striking sticks together to enliven the performance.
Over time, this dance reached coastal towns and attracted participation from both children and adults.
Dance Properties
Costume: Dancers wear working costumes.
Music: Divided into two parts (A and B), typically counted as one, two or variations.
Common Dance Terms Used in Folk Dances
Arm-in lateral position: Arms held at shoulder, chest, or waist level, extended to either side.
Arm-in reverse T-position: Side horizontal arms at right angles.
Clockwise: Moving in the direction of the clock; movement to the left when facing the imaginary center.
Counterclockwise: Opposite of clockwise.
Cut: Displacing one foot with the other, lifting the weight from the displaced foot.
Hop: Spring from one foot, landing on the same foot; the other foot can be lifted.
Jump: Spring from one or both feet, landing on both.
Leap: Spring from one foot, landing on the other in any direction.
Saludo: Filipino term for "bow," performed to an audience or fellow dancers.
Stamp: Forceful downward motion with a foot, with or without weight.
Sakuting
Dance Properties:
Costume: Girls wear traditional Ilocano kimono-style outfits; boys wear camisa de chino with optional native hat.
Music: Consists of 24 and 4 rhythms, structured in 9 parts (ABCDEFGH).
Tiklos
Researcher: Francisca Reyes-Aquino
Meaning: Refers to a group of peasants
Place of Origin: Panay and Leyte
Country of Influence: China, Myanmar, Cambodia
Classification: Recreational dance
Background/Context
Tiklos is significant in the social life of Leyte peasants, referring to groups who work together weekly for communal agricultural tasks.
During lunch breaks, traditional Tiklos music is played, often featuring flute, guitar, and tambora (drum), summoning peasants before work begins.