Prose Notes
Structure
Intro - summarises extract and incorps one thing from each supporting extract
P1, 2 and 3 - can be organised around techniques or themes, or even supporting extracts
Get as much out of the supporting extracts as possible
Bring in own contextual knowledge
Process - 20 mins
Read through extract x2 before annotating
Then read and highlight supporting extracts
Annotate for as many techniques as possible - foreground techniques
Organise ideas into 3x paras
Techniques:
Voice and viewpoint:
First person narrative
Second person narrative - ambiguity, self-address, universalised we, relationship with reader
Omniscient third person narrative - all knowing, all seeing narration across time place and character
Over the shoulder narrative - 3rd person narration which identifies with characters and their thought process
Intrusive/reflexive narrative - narration which comments on its own processes (meta-narration)
Unreliable narrators - self-contradictory, slippery and elliptical
Multiple narrators
Embedded narrators - other narrators within main narration
Direct speech
Indirect/reported speech - quoted, can distance readers from characters
Free direct speech - comment from narrator omitted, words untagged quickening pase and foregrounding dialogue
Within dialogue - length, dialect, standard or non standard English indicating culture age class, tone - dashes italics exclaimatives tagging, politeness features of a lack - commands, colloquialism, taboo words, interruptions, disjointed, abrupt, controlled, calm speech, interrogatives, delcaratives, exclaimatives suggest personality and power
Free indirect discourse - He wondered how she was. Did he dare to ask? - 3rd person narrator takes on tone of first person voice - intimacy and sympathy
Stream of consciousness - fragmented, incoherant, inside character’s heads
Framed narrative - story within a story
Epistolary form - letters, diaries
Language:
See poetry
Structure:
Beginnings and endings
Echoes and repetition
Analepsis, prolepsis, foreshadowing
External description
Introspection
Voices
Gaps and silences
Linear vs non linear account
Cohesion
Use of motifs
Chapter headings
Contrasts/juxtapositions
Tenses
Characterisation:
Names - significance and connections
Physical appearance
Imagery associated with them
Contrasts between characters
Speech
Actions
Thoughts
Perceptions by others/of others
Settings:
Year, social conditions, geography, weather, timing
Integral to understanding of character, mood, conflict, symbolism, writer’s themes and concerns
Characters may reflect or be juxtaposed against the settings in which they appear
May occupy setting comfortably or be uncomfortable
Reinforce mood and atmosphere of text
Symbolise themes and concerns of text
Description, imagery, contrast, concrete detail used to construct settings
Contexts: