Dualism in Beauty
Uppsala University Department of Philosophy
Master’s program in aesthetics
MA thesis, 45 credits Spring 2022
Author: Josua Li
Supervisor: Maarten Steenhagen
Abstract
The thesis investigates the concept of aesthetic judgment through the lens of interconnectedness and non-duality.
Argues that traditional aesthetic judgments rely on dualisms, such as beautiful vs ugly and subject vs object.
Presents Zen philosophy, particularly Dōgen's framework, as a potential reconciliation of both dualism and non-dualism.
Concludes that aesthetic judgments are reflective of the standpoints from which they are made rather than the intrinsic beauty of objects.
Table of Contents
Introduction
Research question and objective
Structure
Part 1: Interconnectedness or judgment?
Dualism
Dualism in Aesthetics
Understanding Aesthetic Judgments
Understanding Interconnectedness
Compatibility of Aesthetic Judgments and Interconnectedness
Previous Research and Theory
Part 2: Zen Interconnectedness and its view on Dualism and Aesthetics
Zen and Interconnectedness
Theory of Dependent Origination
Zen Idealism and Mind
Buddha-Nature and Non-Dualism
Part 3: Zen Aesthetics
Various perceptions of beauty
Comparison between Zen and contemporary aesthetics
Summary, Conclusion, and Outlook
References
Introduction
Emphasizes the need for aesthetics to consider the interconnected nature of existence.
Interconnectedness can be seen in various forms: causally, dependently (e.g., water for existence), and through mental influence on material existence.
Aesthetic discussions tend to lean towards dualistic views that pit beautiful against ugly.
Questions the feasibility of a truly interconnected aesthetics given the pervasive nature of dualistic philosophy.
Research Question and Objective
Aims to question the opposition of interconnected and dualistic approaches in order to provide a more comprehensive understanding of aesthetics.
Central question: "What is an aesthetic judgment if existence is interconnected?"
Structure of the Thesis
The first part establishes the incompatibility of interconnectedness and aesthetic judgment.
The second part explores Zen philosophy’s perspective on interconnectedness and dualism.
The final section formulates a Zen-inspired view on aesthetic judgments.
Part 1: Interconnectedness or Judgment?
Dualism
Defines dualism as the acceptance of at least two independent properties, with aesthetics displaying a dualism between beauty and ugliness, and subject and object.
Dualism in Aesthetics
Considers how philosophers like Gorodeisky and Zangwill contribute to understanding dualism in aesthetic philosophy.
Examples of judgments and how they imply an acceptance of independent aesthetic properties (e.g., Gorodeisky’s perspective on beauty).
Understanding Aesthetic Judgments
Aesthetic judgments position beauty against ugliness, suggesting that beauty exists independently of subjective opinions.
Rejecting this dualism leads to a problematic understanding of aesthetic experience and judgments.
Understanding Interconnectedness
Proposes a non-dual understanding where all entities are interconnected and cannot exist independently.
Compatibility of Aesthetic Judgments and Interconnectedness
Argues that while aesthetic judgments rely on dualism, interconnectedness suggests a holistic view of existence that complicates such judgments.
Previous Research and Theory
Highlights the relation between Zen philosophy and aesthetics, focusing on Dōgen's contributions to understanding interconnectedness.
Part 2: Zen Interconnectedness and its View on Dualism and Aesthetics
Zen and Interconnectedness
Zen offers a unique perspective on interconnectedness that informs aesthetic perception and appreciation.
Theory of Dependent Origination
Establishes that all things exist interdependently; nothing can exist without affecting and being affected by everything else.
Zen Idealism and Mind
Suggests that mind and matter are part of the same reality.
Buddha-nature: Dualism and Non-Dualism
Discusses how Zen philosophy reconciles the apparent duality of existence through the concept of Buddha-nature, recognizing impermanence and interdependence.
Part 3: Zen Aesthetics
What is an Aesthetic Judgment?
Aesthetic judgments tell more about the judger than about the objects being judged.
Zen Aesthetics and Contemporary Aesthetics
Highlights differences between Zen aesthetics and traditional aesthetic theories, notably those of Enlightenment thinkers.
Argues that aesthetic judgments do not inherently reflect the qualities of the objects but rather the experiences and perspectives of the judges.
Summary, Conclusion, and Outlook
Aesthetic judgments function within a framework that prioritizes human perspectives rather than the inherent beauty of objects.
Acknowledges the potential for further exploration of Zen’s implications for aesthetics and offers a phenomenological methodology that unifies diverse aesthetic perspectives.