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PS 280: Sensation & Perception Exam 2 Review

Recognizing Visual Objects (Chapter 4)

  • Object's Form

    • Refers to the specific shape and structure of an object.
    • Importance: Understanding an object's form is vital for visual perception, as it helps in identifying and differentiating objects in complex visual environments.
  • Spatial Scale

    • Defining spatial scale involves understanding how fine (detailed) and gross (broad) scale information contributes to image analysis.
    • Fine spatial scale: Details like edges and textures.
    • Gross spatial scale: Overall shape and arrangement.
  • Multichannel Model

    • A theoretical framework that posits multiple channels in processing form perception.
    • Importance: It helps explain how the visual system combines information from different sources to create a cohesive perception of form.
  • Grating and Its Characteristics

    • A grating refers to a series of alternating light and dark bars.
    • Characteristics:
    1. Frequency: How many bars are perceived in a given space.
    2. Orientation: The angle of the bars can impact perception.
    3. Contrast: The difference in luminance between the light and dark bars, which affects visibility.
  • Contrast Sensitivity Function (CSF)

    • Defines the ability to detect differences in luminance.
    • Relationship with vision types:
    • Photopic (daylight) vision has higher contrast sensitivity than scotopic (low light) vision.
  • Pattern Vision Alterations

    • Influenced by natural conditions and selective adaptation.
    • Examples include visual fatigue or temporary changes in perception due to exposure to certain patterns.
  • Gestalt Movement

    • A school of thought emphasizing that humans perceive entire objects rather than individual components.
    • Relevant principles include:
    • Proximity: Objects close together are perceived as a group.
    • Similarity: Similar elements are grouped together.
    • Closure: The mind fills in gaps to see complete forms.
  • Theories of Object Recognition

    • Two primary theories discussed:
    1. Template Matching Theory: Proposes that objects are recognized by comparing to stored templates of known objects.
    2. Feature Detection Theory: Suggests recognition occurs through detecting specific features and combining them into a perception.
  • Inferotemporal Cortex (IT)

    • Location: Found in the temporal lobe of the brain.
    • Function: Involved in higher visual processing and object recognition.
    • Plasticity: Neurons in the IT cortex can adapt based on experience; for example, they may change in response to visual training.
  • Prosopagnosia

    • A condition characterized by the inability to recognize faces.
    • Symptoms: Difficulty identifying familiar faces despite normal vision.
    • Associated brain regions include the fusiform gyrus.

Perceiving Color (Chapter 5)

  • Color as a Psychological Phenomenon

    • The subjective nature of color suggests that perception is influenced by mental processes rather than solely physical properties.
  • Qualities of Color

    • Hue: The color itself, determined by wavelength.
    • Brightness: The perceived intensity of light.
    • Saturation: The purity of the color, indicating how much gray is mixed with it.
  • Trichromatic Theory of Color Vision

    • Proposes three primary cones in the retina (blue, green, red) that combine to allow perception of various colors.
  • Opponent Process Theory of Color Vision

    • Suggests color perception is controlled by opposing processes (e.g., red-green, blue-yellow).
    • Evidence includes afterimages that occur when staring at a color for too long.
  • Physiological Basis of Opponent Process Theory

    • Involves neural mechanisms in the retina and the brain that selectively respond to opposing colors.
  • Color Vision Deficiency

    • Various forms include:
    • Protanopia: Red-deficient vision due to missing red cones.
    • Deuteranopia: Green-deficient vision due to missing green cones.
    • Causes can be genetics or damage to the visual pathways.

Perceiving Depth (Chapter 6)

  • Absolute vs. Relative Distance

    • Absolute distance refers to a fixed measurement, while relative distance involves comparing distances between objects, crucial for depth perception.
  • Oculomotor Cues

    • Involve eye movements such as convergence (inward turning) and accommodation (focusing distance) that aid 3D vision.
  • Binocular Vision (Stereopsis)

    • Involves integrating images from both eyes to perceive depth through retinal disparity (the slight difference in images viewed by each eye).
  • Neurobiological Basis of Stereoscopic Vision

    • Disparity-selective cells respond to differences in images from both eyes, aiding depth perception.
  • Monocular Depth Cues

    • Cues that can be perceived with one eye, like size, texture gradient, and occlusion.
  • Static Monocular Depth Cues

    • Include:
    1. Linear perspective: Lines converging suggest depth.
    2. Relative size: Objects that appear smaller are perceived as further away.
    3. Interposition: Overlapping objects indicate which is closer.
  • Moon Illusion

    • The phenomenon where the moon appears larger on the horizon than overhead, potentially due to perceived distance distortions based on environmental context.
  • Motion Parallax

    • As an observer moves, nearby objects appear to move faster than those further away, providing cues for depth perception.
  • Depth Theory

    • Explains perceived size errors through size illusions like the Ames Room, where spatial relationships are distorted but perceived size remains consistent based on context.