The Tête à Tête
Form
- Satire piece
- Mocked the upper class
- William Hogarth begun this
- Used humor to draw attention to all social classes ESPECIALLY the upper class
- Made in print form so the primary audience was the lower classes
- Part of a series of prints so they could be passed out to those without money and his engravings allowed him to make the final painting perfect
- After the marriage each partner has been pursuing their own pleasures
- Husband out cheating and gambling
- Broken sword underneath him which means he has been in a fight and lost or that he is “inadequate”
- Wife notices her lover has just left in a hurry
- Accountant is frustrated because he can’t get the couple to take their finances seriously
- Turned over chair with the violin because the violinist made a hasty retreat
- Violin reference to sexual encounters and hints that sex just took place
- Candles all out but one
- On the mantle behind them were nicknacks with sculptures with the main sculpture having his nose broken
- Things have haistily been knocked over and they’re not caring for anything
- On the wall behind the servant is a painting of a nude that is being covered up next to the paints of three saints, the cloth represent them covering up the affair during their marriage
- Strong perspective lines and vert mathematical/ intense
Function
- Functioned as satire using contemporary lifestyles
- Poke fun at what the upper class has to do with their forced rules
Context
- Aristocrats losing power
- Traditional social hierarchies are being interrupted
- Many were concerned about marriage as arranged marriage marriages were starting the vbe based off of love instead of economic benefit
Learning Objective
18th c. English Satirical Print
Themes
- Male/female relationships
- Satire
- Status
- Propaganda
- Iconography
- Family