literature
Chapter 1: What is Literature, What is a Text?
Defining Literature
Common Definitions: Literature often viewed as all written expression, but not all documents qualify as literature.
Specific adjectives like "aesthetic" or "artistic" help distinguish literary works from everyday texts (e.g., telephone books, newspapers).
Etymology:
"Litteratura": From Latin, meaning letter or written symbols.
"Text": Originates from the Latin for fabric, suggesting that words and sentences combine to create coherent meaning.
Cultural Perspective: Literature should be viewed as a cultural and historical phenomenon, tied to the context of its creation and reception.
The Human Desire for Expression
Creative Expression: Humans have an inherent wish to leave a mark through artistic expression.
Early Aesthetic Expressions: Prehistoric cave paintings as early evidence of encoded information conveying meaning through visuals.
Oral Tradition
Pictorial & Acoustic Elements: Literature includes visual and acoustic elements, especially the spoken word, which was essential before the advent of writing.
Oral Poetry: Preceded written texts, involving memorization and performance by bards; many early epics were preserved orally before being transcribed.
Revival of Oral Tradition: Modern mediums like radio and songs reflect the oral roots of literature.
Historical Changes in Literature
Evolution of Writing: The rise of printing diminished the visual aspects traditionally present in manuscripts, leading to a more stylized form of writing.
Drama: Retains the union of spoken word and visual expression.
Media Interactions: New textual studies incorporate various media forms, blurring the lines between creative expressions.
Genre, Text Type, and Discourse
Classification of Literature: Both literary history and poetics are essential for understanding text evolution and genre classification.
Main Genres: Traditionally, literature is classified into:
Epic
Drama
Poetry
Evolving Terminology:
Text Type: Identifies forms not classified under traditional genres (instruction manuals, sermons, etc.).
Discourse: Wider classification covering all forms of expression (political, sexual, etc.).
Primary and Secondary Sources
Primary Sources: Original literary works across genres used for analysis.
Secondary Sources: Scholarly interpretations, reviews, and critiques related to the primary texts.
Importance: Requires standards of objectivity, source documentation, and validity in literary criticism.
Academic Standards: Critical apparatus includes footnotes, bibliographies, and indexing.
Chapter 2: Major Genres in Textual Studies
Fiction
Origins of the Novel: The novel developed from earlier forms like epic poetry (Homer, Virgil) to become a central literary form by the 18th century.
Epic vs. Romance: Traditional epics are broad, while romances focus on plot and character development, showing individualized protagonists.
Prose Variations: The modern novel encompasses various sub-genres:
Picaresque, Bildungsroman, epistolary, historical, satirical, utopian, gothic, and detective novels.
Short Stories: Emerged in the late 18th century, focusing on unity and often written in magazines.
Poetry
Definition Challenges: Poetry resists strict definitions; often distinguished by its lyrical quality, rhythmic structure, and emotional depth.
Categories: Divided mainly into narrative poetry (epics, ballads) and lyric poetry concerned with specific impressions or ideas.
Imagery and Symbolism: Central to poetry; language invokes strong sensory impressions and can symbolize deeper meanings.
Rhetorical Figures: Metaphors and similes enrich the text, allowing for abstract thinking to be conveyed in a concrete manner.
Drama
Literary Origins: Rooted in rituals of ancient cultures, merging verbal and non-verbal elements.
Structure: Comprised of acts and scenes; often emphasizes character dialogue and stage directions.
Evolving Forms: Shift from classical traditions to modern interpretations (realism, absurdism, etc.)
Performative Aspects: The spatial and visual dimensions of plays influence the portrayal of narrative, requiring analysis of staging, direction, and performance techniques.
Film
Film and Literature: Film has shaped modern storytelling and can be analyzed using literary techniques despite being a distinct medium with unique features.
Intermedial Influence: Film utilizes various techniques like editing and montage, which both parallels and contrasts with literary storytelling.
Genre Interactions: The convergence of dramatic forms with filmic techniques has prompted innovations across genres.