Art of Northern Europe and the Iberian Peninsula in the 15th Century
Art of Northern Europe and the Iberian Peninsula in the 15th Century
Lesson Introduction
- Woodcuts and metal engravings were popular illustrative art methods.
- These methods often depicted religious or biblical themes and scenes of historical significance.
- Emphasis on the heavy and deliberate use of line in woodcuts, contrasting with softer, more blended lines in earlier works.
- The artist achieved this effect through woodcut or engraving techniques.
Objectives
- Understand the techniques of woodcuts and metal engravings.
- Explain the significance of printmaking in the art of the period.
- Discuss the significance of England's first publishing house.
Key Terms
- Intaglio
- Woodcut
- Johann Gutenberg
- William Caxton
Woodcuts and Engraving Techniques
- Process:
- Involves using a piece of wood or a sheet of metal (typically copper due to its softness).
- The artist places the image on the wood or metal.
- For woodcuts, the artist carves away the areas around the lines.
- For metal engravings, the artist etches out a series of lines.
- Print Creation:
- After the plate (woodblock or metal sheet) is prepared, intaglio is used by applying a thin layer of ink.
- The ink falls into the recessed carvings or engraved areas, and excess ink is wiped away.
- The plate is then fed through a press, which includes a rolling tray and two drums.
- The plate is placed on the tray, covered with paper, and sandwiched together.
- The press squeezes and forces the ink onto the paper, creating the image.
- The resulting image is the inverse of the original carving or engraving.
- Advantage:
- This process allowed artists to create multiple prints of the same image, acting as a primitive copy machine.
Martin Schongauer's Demons Tormenting Saint Anthony (1480-1490)
- Artistic Composition:
- Saint Anthony is depicted in the center, tormented by demons representing sin and temptation.
- The demons are tearing, scratching, beating, and clawing at him, but he resists through devotion and faith.
- Technique:
- Schongauer demonstrates mastery in shading from deep dark blacks to light grays using only lines.
- Metal engravings allowed for finer detail and higher quality than woodblock carvings.
- He achieves value and depth by altering the proximity and depth of the lines.
- Further lines create a lighter image, closer lines create a darker image.
- Deeper engravings hold more ink, resulting in darker areas, while shallow engravings hold less ink and produce lighter areas.
Woodcut Example
Buxheim Saint Christopher (1423)
- Depicts Saint Christopher carrying the Christ child across the river, guided by a monk with a lantern.
- Mill workers are shown, seemingly ignoring Saint Christopher's duty.
- The artist attempts to create value, movement, and contour, but cannot achieve the same complexity as in metal engravings.
- Delicate lines are bordered by heavier lines, giving the figures a cartoonish appearance.
Printed Books
William Caxton and the First Publishing House in England
- Illustration from Caxton's publishing house, depicting Chaucer's Canterbury Tales.
- Caxton’s work was enabled by Johann Gutenberg's invention of the printing press in Germany.
- The printing press allowed for mass production of visual and textual material.
- The development of the printing press and Caxton's publishing house led to a vast increase in the spread of knowledge, meeting the growing demand from the European population.
Review of Objectives
- Understood the techniques of woodcuts and engravings on metal.
- Explained the significance of printmaking in the art of the period.
- Discussed the significance of England's first publishing house.
Conclusion
- Woodcuts and engravings were popular art forms in the fifteenth century.
- Artists achieved great detail and could manufacture quantities of their work.
- This aided in the spread of knowledge and ideas and laid the foundation for graphic arts.