ch 5 notes egl 380

Language and Writing in Film Criticism

  • Concrete Language

    • Essential for film critics to recreate films vividly through language.
    • Concreteness strengthens writing because readers depend on visualization of scenes.
    • Example:
      • Weak description: "There was a series of strange shots, with crazy dialogue and odd characters."
      • Stronger restatement: A catastrophic metaphor of hell on earth with emotionally vacant performers.
  • Denotation and Connotation

    • Denotation: Literal meaning of a word (e.g., film vs. movie have the same denotation).
    • Connotation: Implied associations of a word (e.g., film - sophistication, movie - mass entertainment).
    • Importance of precise language use to avoid ambiguity.
  • Tone

    • Tone greatly affects the effectiveness of an argument in writing.
    • Varies from sarcasm to formal critiques.
    • Example of tone shift:
      • Poor tone: "This so-called art film could never appeal to a normal audience."
      • Better tone: "The problem with art films is that they may alienate a public used to a more accessible story."
    • Maintain a consistent tone throughout the essay; avoid forced cleverness or sarcasm.
  • Word Usage

    • Avoid repetitions and clichés to keep writing fresh and engaging.
    • Use varied diction; repetitive terms can make writing tedious.
    • Example of bad practice: using “thing” or “aspect.”
  • Economy of Language

    • Key goals: be economical and interesting.
    • Avoid unnecessary verbosity. E.g.,
      • Original: "There are many spectacular, overwhelming scenes in…"
      • Revised: "Alejandro G. Iñárritu’s The Revenant (2015) is a spectacular, operatic film."
    • Look out for redundancies and prepositional phrases that can make sentences longer inefficiently.
  • Varied Sentence Structures

    • Use varied structures to maintain interest and clarity.
    • Techniques to enhance sentence variety:
      • Parallels: Draw parallels between ideas (e.g., purposes of Hollywood movies).
      • Coordination: Use conjunctions to create compound sentences.
      • Subordination: Emphasize important ideas through complex sentences.
  • Coherent Paragraphs

    • Good paragraphs should develop a single central idea, usually stated in a topic sentence.
    • Length and number of sentences vary according to the complexity of ideas.
    • Transitions between paragraphs should improve clarity and flow.
    • Example of effective transition and coherence: Discussing sound quality improvements in mid-forties films, contrasting past and present technologies.
  • Introductory Paragraphs

    • Crucial for capturing reader interest; should outline topic clearly.
    • Effective opening: it should not be mundane; it should offer a specific thesis.
    • Example of a strong intro setting the context of cultural myths with a historical basis.
  • Concluding Paragraphs

    • Should not just restate the thesis but reflect on broader implications.
    • Effective conclusions connect points and suggest future questions or considerations.
    • Example shows how a conclusion can summarize yet also expand the significance of the topic.
  • Revisions and Proofreading

    • Writing is a process; drafts allow for revision and refinement.
    • Important steps: Check your logic, structure, transitions, specificity in language and examples.
    • Final proofreading: watch for grammar and precision in word choice, as it affects final presentation and clarity.