Origins of Buddhist Temples:
Early Buddhist temples in India evolved from burial mound shapes known as stupas.
Original stupas were believed to contain portions of the Buddha's ashes, symbolizing a connection to his physical body.
Similar to how medieval Christians venerated relics of saints, early Buddhists revered stupas as extensions of the Buddha.
Circumambulation:
Devotees practice circumambulation, defined as walking around the stupa in a clockwise direction.
The path of circumambulation is marked by a stone wall and four gates (toranas) that indicate sacred space.
This practice is comparable to how medieval churches distinguish between profane and sacred spaces.
Axis Mundi:
Stupas symbolize the axis mundi, connecting earth and sky, often emphasized with a slender mast topped with three umbrella shapes.
Umbrellas may refer to both Siddhartha Gautama's princely life and the three jewels of Buddhism: the Buddha, the law, and the monastic order.
Influence on Architecture:
As Buddhism spread to East Asia, the stupa influenced designs of Chinese pagodas.
The Great Stupa at Sanchi represents a classical stupa design: a central mound, a mast, three umbrellas, and a circumambulatory railing.
The railing, around 10 feet tall, reflects local architectural styles, with inscriptions detailing the temple's patronage.
Artistic Depictions of the Buddha:
Early Buddhist art primarily used symbolic representations rather than direct portrayals of the Buddha.
For example, the Torana depicts Siddhartha's journey from the palace to enlightenment, using symbols like his horse and various gestures.
Integration of Local Symbols:
Incorporation of local deities, like yakshi, provided reassurance to new visitors and symbolized the transition from secular to sacred.
Yakshis represented auspiciousness and fertility, enhancing the worship experience.
Rock-Cut Temples:
Similar to ancient Egyptian tombs, rock-cut temples were sculpted directly from cliffs and utilized for living monastic spaces (viharas) and worship (chaitya halls).
The chaitya hall typically features pillars and a curved stupa at its deepest part, often richly decorated.
Sculptural Details:
Statues such as mittuna couples symbolize harmony, reflecting the unification of the soul.
Kushan Period:
The Kushan dynasty marked a significant shift with the introduction of figural art and the portrayal of the Buddha.
Sculptures often show the Buddha making specific hand gestures (mudras), each conveying distinct meanings, such as teachings and protection.