All Quiet on the Western Front - Chapters 2-3

The Unreal Past

  • The narrator reflects on how their past life feels distant and incomprehensible since the war began.

  • Mentions a play called "Saul" and a collection of poems left at home.

  • The war has created a sharp divide between their past and present.

The Iron Youth

  • The narrator contrasts young soldiers with older men.

  • Older men have established lives (wives, children, jobs) providing a strong background that the war cannot erase.

  • Young men of 20 (Krop, Mueller, Leer, etc.) have weaker ties to their past, mainly parents and perhaps a girl.

  • Parental influence wanes at this age, and romantic relationships are still developing.

  • Their lives consisted of enthusiasm, hobbies, and school – little else.

  • The war has completely consumed them leaving nothing else.

Threshold of Life

  • The war has become an interruption for older men who can think beyond it.

  • Younger men have been swept away and don't know what the future holds.

  • They feel like a wasteland but aren't constantly sad.

The Pragmatism of Survival

  • The example of Mueller wanting Kemerich's boots illustrates their changed values. Mueller's desire isn't seen as heartless, but practical.

  • If Kemerich could use the boots, Mueller wouldn't want them.

  • The boots are useless to Kemerich in his condition (dying).

  • Only the practical matters. Good boots are valuable for survival.

Loss of Illusions

  • Before the war, they were filled with vague, idealistic ideas about life and war.

Military Training

  • Ten weeks of army training had a more profound impact than ten years of schooling.

  • They learned the importance of superficial things ( bright buttonbright \ button) over intellectual pursuits (four volumes of Schopenhauerfour \ volumes \ of \ Schopenhauer).

  • The system and boot brush matter more than intelligence and freedom.

  • Initial enthusiasm was replaced by bitternes and indifference.

  • They realized that a low-ranking postman had more authority than their parents and teachers.

  • The classical ideals of the fatherland were replaced by meaningless drills and renunciation of personality.

  • Training for heroism felt like training circus ponies.

Adaptation and Comradeship

  • They adapted to the training, distinguishing between necessary tasks and pointless show.

  • They were scattered amongst various platoons, befriending Frisian fishermen, peasants, and laborers.

Corporal Himmelstoss

  • Himmelstoss was a strict disciplinarian and former postman who disliked the narrator and his friends (Krop, Tjaden, Westhus).

  • Examples of Himmelstoss's petty torment:

    • Remaking a bed 14 times.

    • Scrubbing the corporal's mess with a toothbrush.

    • Clearing the barracks square of snow with a hand broom and dustpan.

    • Practicing "advance, advance, and lie down" in a muddy field until collapse.

    • Standing at attention in freezing temperatures without gloves.

    • Running from the top floor of the barracks in the middle of the night due to a drawer being misaligned.

    • Being struck during bayonet practice.

  • The narrator once retaliated against Himmelstoss, but the company commander was amused.

Defiance and Loss of Authority

  • The recruits grew to resent and defy Himmelstoss.

  • Kropp and the narrator emptied a latrine bucket over Himmelstoss which led to Himmelstoss threatening punishment.

  • Kropp argued back, leading Himmelstoss to back down which marked the end of his authority.

  • They deliberately sabotaged Himmelstoss's "advance, advance, and lie down" exercise by performing it extremely slowly.

  • Himmelstoss continued to insult them, but with a hint of respect.

The Brutality of Training

  • Other staff corporals were also strict to maintain their positions.

  • The recruits were subjected to intense and often pointless drills.

  • Some recruits became ill, and one (Wolf) died of pneumonia.

  • They became hardened, suspicious, pitiless, and vicious.

  • This brutal training was necessary to prepare them for the trenches.

  • The practical sense of comradeship that arose from this experience became the finest thing to emerge from the war.

Kemerich's Deterioration

  • Kemerich is dying in the hospital after having his leg amputated.

  • A hospital train has arrived, and the wounded are being selected for transport.

  • The doctor ignores Kemerich.

  • Kemerich knows he is going to die and says so.

  • The narrator tries to comfort him by pointing out that it could have been worse (both legs, Wagler's arm).

  • Kemerich doesn't believe he will recover.

  • He shows the narrator his fingers, damaged from the operation.

  • The narrator urges him to eat.

  • Kemerich reveals his dream of becoming a head forester.

  • The narrator tries to reassure him about artificial limbs but they don't work.

The Face of Death

  • Kemerich's condition deteriorates rapidly.

  • His lips recede, his mouth widens, and his teeth become prominent.

  • His forehead bulges, his cheekbones protrude, and his eyes sink in.

  • The narrator has seen death before, but Kemerich's death is different because they grew up together.

  • The narrator remembers Kemerich as a youth: his brown coat, his ability on the horizontal bar, his dislike of cigarettes, his white skin, and his somewhat girlish appearance.

Loss of Innocence

  • The narrator contrasts their appearance in boots (strong and powerful) with their naked appearance when bathing (slender legs and slight shoulders).

  • When naked, they feel like civilians again.

  • Kemerich looked frail and childlike when bathing.

  • The narrator questions why Kemerich has to die.

Helplessness and Despair

  • The narrator feels overwhelmed by the atmosphere of carbolic and gangrene.

  • Kemerich whispers for the narrator to send his watch home.

  • The narrator is helpless and cannot console Kemerich.

  • He focuses on Kemerich's features: his forehead, temples, mouth, nose.

  • He imagines Kemerich's mother.

Failed Comfort

  • The narrator tries to comfort Kemerich by describing the convalescent home and pleasant activities he could do there (fishing, playing piano).

  • Kemerich is crying silently.

  • The narrator realizes his words are useless.

  • The narrator holds Kemerich and asks him to sleep.

  • Kemerich only weeps and doesn't speak.

  • He is alone with his short life.

  • This is the hardest parting the narrator has witnessed.

The Indifference of the Hospital Staff

  • Kemerich groans and begins to gurgle.

  • The narrator seeks a doctor.

  • The doctor is dismissive and asks the orderly about the bed number.

  • The doctor states that he has amputated five legs today and cannot be concerned with every case.

  • The orderly says that there have been 16 deaths today, and Kemerich will be the seventeenth.

Kemerich's Death

  • The narrator is overwhelmed and cannot do anything.

  • Kemerich dies and it is already too late.

  • Kemerich's face is still wet with tears and his eyes are half-open.

  • The orderly is concerned with getting the bed cleared. They are already hauling Franz away which causes the narrator great distress and anger.

  • The orderly asks about Kemerich's belongings and paybook.

Release

  • Leaving the hospital, the narrator finds relief in the darkness and wind.

  • He breathes deeply and feels a sense of renewal with the wind on his face.

  • Thoughts of girls, meadows, and clouds enter his mind.

  • He feels the earth's energy entering him.

  • The night is alive, and he feels alive.

  • He feels an intense hunger for life.

  • Mueller is waiting for him and receives and tries on the boots.

  • The narrator is offered tea, rum and food by Mueller.