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Dürer's Second Self Portrait (1500)

  • Created two years after the first self-portrait.

  • Currently displayed in the Alto Pinakothek, Munich.

  • Signature elements:

    • The year 1500 inscribed in mold painting on the left.

    • Large 'A' and small 'D' representing his initials.

Differences from Earlier Portrait

  • Earlier self-portrait depicts Dürer in the attire of a courtier.

  • Aims to showcase his abilities as a painter seeking employment.

  • In contrast, the 1500 portrait presents Dürer more like Christ:

    • Full frontal pose, typically reserved for Christ imagery.

    • Less flattering yet powerful and direct representation.

Emotional and Artistic Expression

  • Emotional neutrality of Dürer mirrors Christ as a judge.

  • The solemnity conveys a profound creative potential.

  • Represents Dürer’s humanist ideals, aligning him with major Renaissance artists:

    • Examples include Leonardo da Vinci and Michelangelo.

Context of the Renaissance

  • Dürer’s dual interests:

    • Melding of science and art.

    • Engagement with philosophy and ancient literature.

  • Artist identity shifts during the Renaissance:

    • From craftsman to intellectual and scholar.

  • Seriousness and purpose evident in the painting.

Artistic Techniques

  • The northern tradition: Detailed depiction emphasizing specificity:

    • Comparison to artists like Van Eyck and Campin, known for attention to detail.

  • Dürer travels south to Italy, studies and integrates Italian techniques into his works:

    • Combines northern detail with Italian forms of expression.

Impact and Legacy

  • Dürer, an influential 16th-century artist:

    • Contemporary of prominent figures like Michelangelo.

    • Roles as a printmaker, painter, and theorist.

    • Authored texts to guide artists through Renaissance concepts.

    • Worked for high-profile clients, including the Holy Roman Emperor and the King of Spain.

Inscription and Focus in the Artwork

  • Inscription reads: "Thus I, Albrecht Dürer of Nuremberg, made an image of myself in appropriate colors in my 28th year."

  • Significance of his age: Only 28 when created.

  • Placement of inscription:

    • At eye level, directing viewer's gaze across his eyes.

    • Emphasizes the importance of his eyes and hands as the tools of an artist.