P.E

"Abrasete" - Girl at the right side, holds R arm of partner with her L hand, free handa down at the sides. This term is of Spanish origin and is used in Rigodon and in other dances.

/

Arms in Lateral Position -Both arms are at one side, either sideward right or left. This may be done at shoulder, chest, or waist level.

Arms in Reverse "T" - Arms are side horizontal, elbows bent at right angles, forearms parallel to head, palma forward or facing inward, fists loosely closed.

"Bilao"-  To turn palms of hands up and down alternately, hands at waist level in front, elbows close to waist.

Brush- Weight on one foot, hit the floor with the ball or heel of the other foot (the free foot) after which that foot is lifted from the floor to any direction.

"Cabeceras" -When dancers are in square formation, the couples occupying the width

of the hall are called "cabeceras" or head couples. This is of Spanish origin.

Clockwise - Like the motion of the hands of a clock. R shoulder is toward the center of an imaginary circle. When facing center, the movement is toward the left.

Counterclockwise The reverse direction of clockwise. L shoulder is toward the center of an imaginary circle. When facing center, the movement is toward the right.

"Costados" -When dancers are in square formation, the couples occupying the length of the hall are called "costados" or side pairs. This is of Spanish origin.

Crossed Arms- Partners are facing each other or standing side by side, girl at the right of boy. They join their L. hands together and their R hands together; either Rover Lor Lover R hands.