Love antiquity study Guide 1

Hesiod’s Theogony

  • Eros described as one of the 44 primordial elements of creation.
    • Significance: establishes Eros as a fundamental cosmic force alongside other primordial elements in Hesiod’s cosmogony.
  • Birth of Aphrodite.
    • Aphrodite’s birth is noted within the Theogony’s cosmogony; positions Aphrodite within divine genealogy and the broader order of creation.

Homeric Hymn to Aphrodite (LP1)

  • Three goddesses who stay unaffected by Aphrodite’s power.
    • Interpretation: These are virgin goddesses who remain unmoved by love magic; commonly discussed as Hestia, Artemis, and Athena (virgin domains).
  • Zeus’ revenge plan.
    • Zeus contrives or orchestrates consequences related to Aphrodite’s actions; part of divine strategic maneuvering around love and power.
  • Aphrodite’s preparation to meet Anchises; the effect of her presence on wild animals.
    • Her divine aura influences the natural world, with wild animals reacting to her approach.
  • Aphrodite’s and Anchises’ encounter.
    • The pivotal meeting between a goddess of love and a mortal man, setting in motion offspring and divine-mortal interactions.
  • Aphrodite reveals her divine identity to Anchises; his reaction; Aphrodite’s feelings about their union.
    • Anchises learns Aphrodite’s true nature; varied mortal and divine responses emerge; Aphrodite’s own feelings about their union reflect the tension between love and the boundaries of the divine order.

The Epic of Gilgamesh

  • Ishtar’s love proposal to Gilgamesh.
    • Ishtar (the goddess of love and war) offers herself to Gilgamesh; this is a key divine-mortal interaction driving narrative consequences.
  • Gilgamesh’s reasons for rejecting the goddess’ proposal.
    • Gilgamesh’s concerns or objections to Ishtar’s proposal may involve fear of the goddess’s power, potential retribution, or other strategic reasons grounded in his kingship and mythic testing.

The Iliad

  • Hera’s plan to distract Zeus’ attention from the Trojan War.
    • Hera attempts to manipulate Zeus to shift focus away from the war, revealing the gods’ direct involvement in mortal conflict.
  • Aphrodite’s magic love zone.
    • Aphrodite employs magical influence to affect love and desire within the divine or mortal sphere, impacting the course of events.
  • Zeus’ love-stricken reaction upon seeing Hera on Mt. Ida; the unusual way of expressing his desire for her; the measures he take for privacy.
    • Zeus exhibits a changeable, amorous response to Hera; his expression of desire is portrayed in an unconventional manner, with actions taken to ensure privacy, illustrating the gods’ intimate and informal behavior in myth.

The Odyssey

  • Who tells Hephaistos about his wife’s affair with Ares?
    • A narrative moment where Hephaistos learns of the affair between Aphrodite and Ares.
  • Hephaistos’ revenge plan and feelings about the betrayal.
    • Hephaistos crafts a plan (often involving a trap/net) to ambush the lovers; explores his feelings of betrayal and ingeniously devises a remedy.
  • The other gods’ reaction to the incident.
    • The divine community’s response to the affair, reflecting on power, jealousy, and divine politics among the Olympians.
  • Poseidon’s guarantee and solution.
    • Poseidon offers a form of assurance or intervention related to the aftermath of the incident, contributing to the resolution of the episode.

Sappho’s Hymn to Aphrodite (LP1)

  • How does the poem’s speaker feel and what does she ask from Aphrodite?
    • The speaker expresses longing and appeal; asks Aphrodite to intervene, to aid in the pursuit or restoration of love.
  • How are Aphrodite’s powers described in the poem?
    • Aphrodite’s powers are depicted as potent, personal, and capable of turning the heart, calming resistance, or inciting desire.

Sappho’s fragmentary [“He seems to me equal to gods”]

  • How does the poem’s speaker feel and why?
    • The speaker experiences intense admiration and reverence, characterizing the beloved as seemingly divine; the feeling is rooted in perceived virtue, beauty, or allure that elevates the beloved beyond common humanity.