Etruscans and Romans Module 6 done

The Etruscans

  • Significant civilization in Central Italy, expanding north to the Pot River and south to the Tiber River.

  • Influential on the development of Roman culture.

  • Etruscan art follows similar artistic style developments as the Greeks, including the orientalizing, archaic, and classic periods.

  • Thrived in Central Italy during the first millennia BCE, in the area of present-day Tuscany.

  • Became sea traders, actively participating in Mediterranean trade.

  • Kept the Greeks off their land, trading with them only on islands off of Italy due to their military power.

  • Etruscan wealth came from natural resources such as minerals and metals, and they thrived off of pottery.

  • Romans eventually overthrew the Etruscan rulers.

Etruscan Art and Culture

  • Etruscan art during the orientalizing period demonstrates influences from Greek art, with intricate designs, patterning, and depictions of animals like lions, lizards, sphinxes, and griffins.

  • Best known for their metalwork, especially gold jewelry, often found buried with its owners.

  • Mirrors are frequently found in Etruscan tombs.

  • Much of the information about Etruscan culture came from Roman history, which was skewed due to the Roman overthrow of the Etruscans.

  • Recent findings from intact tombs reveal a more nuanced understanding of Etruscan society.

  • The Etruscans were a luxurious culture with a focus on appearance and presentation, and an appreciation for gold and luxurious goods.

  • Roman history portrayed Etruscan women negatively, but current findings suggest more of a focus on family life and equal roles for men and women in society.

  • Tombs depict men and women in similar situations, such as drinking and celebrating together, unlike Greek or Roman culture.

Etruscan Tombs and Funeral Practices

  • Tomb structures and funeral practices changed over time, including the use of cremation and inhumation.

  • The shape of cinerary urns and huts began to change, as well as the use of materials.

  • Tombs, known as tumuli, were built to resemble Etruscan homes and blend into the landscape.

  • Tombs reflect aspects of life, such as interests or professions, and were seen as a continuation into the afterlife.

  • Sarcophagi changed over time, with some depicting reclining couples to reinforce the idea of monogamy and family unity.

  • Terracotta was a primary material used, especially for sarcophagi.

Tomb Interiors

  • The Tomb Of Shield And Chairs features shields and chairs, possibly reflecting a family profession.

  • Over time, there was a shift from mural paintings to a focus on stone and permanence.

  • The use of terracotta allowed for additive sculpture, with more expressive features compared to marble sculpture.

  • Etruscan terracotta figures are similar to Greek core and koros figures, with a lack of facial expression and stiff presentation.

  • The figure of Apollo, which would have been on the roof of a temple, wears a toga and displays stylized patterning and understanding of musculature.

  • The face is sharply carved, with an archaic smile similar to that of Khoros and core figures.

Etruscan Temples

  • Etruscans temples are different from Greek.

  • A high podium and deep porch with columns is present, but the structure is very frontal, lacking the wraparound podium of Greek temples.

  • Sculptures were placed on the roof, not in the tympanum or frieze.

Chimera

  • The Chimera was discorvered in about 1553.

  • The Chimera is a bronze votive offering to the god, to Nia.

  • Recently, it's been judged as a forgery, due to the lack of comparable Etruscan sculptures and discrepancies in scientific testing.

  • The Chimera is a mythical beast with the body and head of a lion, a serpent tail, and a goat's head on the side.

Etruscan Sculptures

  • Later Etruscan sculptures show the overlap with Roman culture, such as the Orator.

  • The Orator is a life-sized bronze sculpture of an Etruscan Roman man.

  • The Etruscans tried to defend themselves against the Romans, but eventually blended into Roman society.

  • Etruscans of high society continued their status within Roman culture, with their children potentially becoming Roman senators.

Ancient Rome

  • Ancient Rome is a significant and heavily documented culture.

  • The founding of Rome is associated with the myth of Romulus and Remus, who were raised by wolves.

  • Historical records provide a founding date in April.

  • Rome was originally a collection of autonomous villages settled on the city's seven hills, with the Palatine Hill marking the original settlement.

  • Early Roman art was influenced by the art of Greece and the Etruscans, particularly in temple building.

Roman Republic and Empire

  • The Roman Republic transitioned to the Roman Empire due to a change in power, from the senate to an emperor.

  • Roman art shares similarities with Greek art, with attention to detail, musculature, and movement, but without as much drama.

  • The portrait of Julius Caesar exemplifies the shift from the republic to the empire.

  • Julius Caesar was a powerful dictator who took power from the senate and gave back to the people.

  • The senate assassinated Julius Caesar, leading to the shift from the republic to the empire.

Roman Visuals and Power

  • Rome understood the power of visuals and documented everything visually, including pictures, wall paintings, sculptures, temples, and palaces.

  • The portrait of Augustus, Julius Caesar's successor, depicts him as eternally youthful and powerful.

  • Augustus promotes piety and military accomplishments in his portraits, with connections to the gods and his lineage.

Roman Portraiture

  • Sculptures of senators were veristic, showing age and wear and tear to convey wisdom and experience.

  • Emperors, such as Augustus, were depicted as eternally youthful.

  • Imperial portraits promoted piety and military accomplishments, with connections to divine lineage and past leaders.

The Colosseum

  • The Colosseum is a significant architectural structure built after Emperor Nero's rule.

  • Emperor Vespian of the Flavian dynasty built the Colosseum to give back to the Roman people after their suffering under Nero.

  • Construction began around 7272 CE, and it opened nearly a decade later.

  • The Colosseum measures 620620 feet by 513513 feet and has 8080 entrances.

  • The Colosseum can hold more than zero spectators.

Colosseum Events

  • The Colosseum's opening celebration under Emperor Titus included 100 days of gladiator games.

  • Emperors traditionally attended the games, with some, like Commodus, even performing in the arena.

  • The Colosseum was used as a political tool to sway public opinion in favor of the emperor.

  • The Colosseum is a remarkable architectural feat that has influenced modern stadiums and entertainment venues.

The Pantheon

  • The Pantheon was built under Hadrian, a beloved emperor who sought to beautify Rome.

  • Hadrian had a strong interest in Greek culture, philosophy, and architecture, as well as Etruscan architecture.

  • The inscription on the outside, "Pantheon of Agrippa," suggests a possible earlier pantheon.

  • Hadrian's interest in architecture is evident in the innovative design of the Pantheon.

  • The Pantheon combines a facade resembling a Greek temple with a large dome.

Pantheon Structure

  • The oculus, a hole at the top of the dome, is 2727 feet wide.

  • The diameter of the dome is 142142 feet.

  • The Pantheon is the world's largest unreinforced concrete dome.

  • The word "pantheon" means to honor all gods, and the temple was built for this purpose.