Blue Stripe

Introduction to Bai Rui Taekwon-Do and the Authentic Art

  • Heritage and Authority: Bai Rui Taekwon-Do follows the original and authentic Art formulated by the Father of the Art, General Choi Hong Hi, and the school's founder, Senior Master Charles Birch. The school maintains a well-established reputation for high-quality instruction.
  • Methodology and Standards: The school does not promise an easy path through the ranks. Lowering standards is viewed as a destruction of the quality and fabric of the Art and the student's sense of achievement.
  • Scope of the Art: Taekwon-Do is not limited to kicking and punching. It includes:
    • A fascinating history.
    • A code of conduct second to none.
    • An incredibly numerous range of techniques that can constitute a life's work.
  • Personal Development: The Art is a voyage of self-discovery where students identify strengths and weaknesses. Training enables students to challenge weaknesses, enhance strengths, and increase self-control and confidence.
  • The Literal Meaning of Taekwon-Do:
    • Tae: Jumping, flying, to smash or kick with the foot.
    • Kwon: Fist, to punch, or to destroy with hand or fist.
    • Do: Art or Way.
  • Historical Origins: Taekwon-Do originated in Korea. General Choi Hong Hi (9th9^{th} Degree) is the Father of Taekwon-Do who presented the Art to the world on 11th11^{th} April 19551955.

Biography of Senior Master Charles Birch and School History

  • Introduction to the Art: Senior Master Charles Birch was introduced to Taekwon-Do in 19821982 in New Zealand by his wife, Margaret Birch, to engage in a whole-family activity. This became his passion.
  • Mission to Australia: In 19861986, General Choi Hong Hi asked Charles Birch (then at the rank of 1st1^{st} Gup / Black Stripe) to go to Australia "To teach good Taekwon-Do."
  • Founding of Bai Rui: The Bai Rui School was formed and the name adopted on 1st1^{st} May 19881988. However, Senior Master Birch originally founded the school on 11th11^{th} April 19881988 in Brisbane.
  • Early Growth: The first class held only 55 students, 44 of whom were his immediate family members.
  • End of Life and Legacy: Senior Master Birch passed away on 2323 July 20152015 as an 8th8^{th} Dan Senior Master and the school's Chief Instructor.
  • International Connections:
    • Promoted to Master by Senior Grandmaster Charles Sereff.
    • Senior Grandmaster Charles Sereff formed the United States Taekwon-Do Federation (USTF), which heavily influenced Bai Rui.
    • Since Sereff's passing in 20222022, the USTF continues to support the school.
  • Principles: Senior Master Birch followed General Choi's teachings without wavering, maintaining loyalty to the General, Senior Grandmaster Sereff, and the International Taekwon-Do Federation (ITF). He challenged any force seeking to diminish the ITF's standards or ethics.

Taekwon-Do Rank Systems and Belt Theory

  • Belt Significance:
    • White Belt: Signifies the innocence of the beginner who has no previous knowledge of Taekwon-Do.
    • Yellow Belt: Signifies the earth from which a plant sprouts and takes root as the Taekwon-Do foundation is laid.
    • Green Belt: Signifies the plant's growth as the Taekwon-Do skill begins to develop.
    • Blue Belt: Signifies the heaven toward which the plant matures into a towering tree.
  • Rank Hierarchy:
    • Student Ranks (Gup): There are 1010 Gup levels. 10th10^{th} Gup (White Belt) is the lowest, and 1st1^{st} Gup (Red Belt with Black Stripe) is the highest.
    • Black Belt Ranks (Dan): There are 99 Dan ranks.
      • Novice (1st1^{st} - 3rd3^{rd} Dan): Boo Sabum.
      • Expert (4th4^{th} - 6th6^{th} Dan): Sabum.
      • Master (7th7^{th} Dan): Sahyun.
      • Senior Master (8th8^{th} Dan): So-nim Sahyun.
      • Grand Master (9th9^{th} Dan): Sasung.

Korean Terminology and Counting

  • Counting 11 to 1010:
    • One: Hana
    • Two: Dool
    • Three: Set
    • Four: Net
    • Five: Dasot
    • Six: Yasot
    • Seven: Ilgop
    • Eight: Yodul
    • Nine: Ahop
    • Ten: Yul
  • Commands and Terms:
    • Attention: Charyot
    • Parallel Ready Stance: Narani Junbi Sogi
    • At Ease: Swiyo
    • Bow or Salute: Kyong Ye
    • Uniform: Dobok
    • Training Hall / Gymnasium: Do Jang
    • Pattern: Tul
    • Ready Position: Junbi
    • Begin: Si-jak
    • Stop: Guman
    • Yell: Kihap
    • Break: Hechyo
    • Restart: Gasok
    • Face the flag: Kuk-ki-yea tae-hae
    • Sit or kneel: Anj-oh
    • Meditate: Muk-nyom
    • Return: Baro
    • Class finished: Ee-Sang
    • Thank you very much: Ko-Map Sum-Nee-Da

Definitions and Classifications of Techniques

  • Fundamental Movement: A technique not used in a previous pattern.
  • Release: Breaking free from an opponent to create distance from the attacker, not to continue the confrontation.
  • Multiple Kicking: Double, triple, etc., kicks performed with the same foot with a very brief intermediate time that does not cut movement continuity. Performed with one breath per movement and a normal sine wave movement when finishing. Can be stationary or jumping.
  • Consecutive Kick: Two or more kicks with the same foot against a single or several opponents in succession. If they are the same kick, they must be performed to different directions.
  • Combination Kick: Two or more kicks using alternating feet against a single or several opponents in succession.
  • Mid Air Kick: Performed with no directional movement (i.e., straight up).
  • Flying Kick: Performed with either one motion on the spot or several motions while running.
  • Joint Lock: A grappling technique involving manipulation of an opponent’s joint such that the joint reaches its maximal degree of motion.
  • Joint Attack: A direct strike to an opponent’s joint or taking the joint past its maximal degree of motion.

Movement Systems: Sine Wave and Breath Control

  • Continuous Motion:
    • Definition: Two or more consecutive movements with two or more sine waves, with one breath in and two or more breaths out.
    • Process: For a two-movement sequence: DOWN-UP-DOWN-UP-DOWN. Each movement should finish on each execution.
    • Breath: One inhalation and a short sharp exhale on each movement.
    • Example: Movements 1313 and 1414 in Dan-Gun.
  • Connecting Motion:
    • Definition: Two movements performed with one sine wave and one breath at the end of the second technique.
    • Process: DOWN-UP-DOWN.
    • Example: Movements 1616 & 1717 and 1919 & 2020 in Yul-Gok.

Stance Specification and Geometry

  • Attention Stance (Charyot Sogi):
    • Width: 0.00.0 shoulder width.
    • Weight: 50%50\% front / 50%50\% rear.
    • Details: Heels together forming a 4545^{\circ} angle; legs straight. Arms dropped naturally with elbows partially bent. Hands lightly clenched, showing 1.51.5 strike knuckles. Eyes face slightly above the horizon.
  • Parallel Ready Stance (Narani Junbi Sogi):
    • Width: 1.01.0 shoulder width (measured from footswords).
    • Details: Hands lightly clenched, 5cm5\,cm apart, and 7cm7\,cm from the abdomen. Elbows 10cm10\,cm from floating ribs. Upper arms forward at 3030^{\circ}, lower arms bent at 4040^{\circ}.
  • Walking Stance (Gunnun Sogi):
    • Length: 1.51.5 shoulder width (measured from big toes).
    • Width: 1.01.0 shoulder width (measured from center of insteps).
    • Weight: 50%50\% front / 50%50\% rear.
    • Details: Back leg knee locked. Front leg knee in line with back of heel. Front foot points front; back foot points no more than 2525^{\circ} outward. Named after the front foot.
  • L Stance (Niunja Sogi):
    • Length: 1.51.5 shoulder width (measured from front big toe to rear footsword).
    • Width: 2.5cm2.5\,cm (measured from inside front heel to back heel).
    • Weight: 30%30\% front / 70%70\% rear.
    • Details: Rear knee bent so kneecap is over toes. Rear hip aligned with inner knee joint. Front foot points 1515^{\circ} in; back foot points 1515^{\circ} in from side. Named after the rear foot.
  • Sitting Stance (Annun Sogi):
    • Width: 1.51.5 shoulder width (measured from inside big toes).
    • Weight: 50%50\% front / 50%50\% rear.
    • Details: Feet parallel. Knees bent over balls of feet. Chest/abdomen pushed out, hips pulled back. Muscles tensed with emphasis on footswords.
  • Fixed Stance (Gojung Sogi):
    • Length: 1.51.5 shoulder width (from big toe to inside big toe).
    • Width: 2.5cm2.5\,cm.
    • Weight: 50%50\% front / 50%50\% rear.
    • Details: Knees bent evenly. Foot angles same as L-Stance (1515^{\circ}). Named after the front foot.
  • Close Ready Stance ‘A’ (Moa Junbi Sogi ‘A’):
    • Details: Feet together and parallel. Left hand wraps right fist. Hands 30cm30\,cm in front of the philtrum. Bottom of hand level with philtrum at 110110^{\circ} from the body.
  • Bending Ready Stance ‘A’ (Guburyo Junbi Sogi ‘A’):
    • Weight: 0%0\% front / 100%100\%