Blue Stripe
Introduction to Bai Rui Taekwon-Do and the Authentic Art
- Heritage and Authority: Bai Rui Taekwon-Do follows the original and authentic Art formulated by the Father of the Art, General Choi Hong Hi, and the school's founder, Senior Master Charles Birch. The school maintains a well-established reputation for high-quality instruction.
- Methodology and Standards: The school does not promise an easy path through the ranks. Lowering standards is viewed as a destruction of the quality and fabric of the Art and the student's sense of achievement.
- Scope of the Art: Taekwon-Do is not limited to kicking and punching. It includes:
- A fascinating history.
- A code of conduct second to none.
- An incredibly numerous range of techniques that can constitute a life's work.
- Personal Development: The Art is a voyage of self-discovery where students identify strengths and weaknesses. Training enables students to challenge weaknesses, enhance strengths, and increase self-control and confidence.
- The Literal Meaning of Taekwon-Do:
- Tae: Jumping, flying, to smash or kick with the foot.
- Kwon: Fist, to punch, or to destroy with hand or fist.
- Do: Art or Way.
- Historical Origins: Taekwon-Do originated in Korea. General Choi Hong Hi ( Degree) is the Father of Taekwon-Do who presented the Art to the world on April .
Biography of Senior Master Charles Birch and School History
- Introduction to the Art: Senior Master Charles Birch was introduced to Taekwon-Do in in New Zealand by his wife, Margaret Birch, to engage in a whole-family activity. This became his passion.
- Mission to Australia: In , General Choi Hong Hi asked Charles Birch (then at the rank of Gup / Black Stripe) to go to Australia "To teach good Taekwon-Do."
- Founding of Bai Rui: The Bai Rui School was formed and the name adopted on May . However, Senior Master Birch originally founded the school on April in Brisbane.
- Early Growth: The first class held only students, of whom were his immediate family members.
- End of Life and Legacy: Senior Master Birch passed away on July as an Dan Senior Master and the school's Chief Instructor.
- International Connections:
- Promoted to Master by Senior Grandmaster Charles Sereff.
- Senior Grandmaster Charles Sereff formed the United States Taekwon-Do Federation (USTF), which heavily influenced Bai Rui.
- Since Sereff's passing in , the USTF continues to support the school.
- Principles: Senior Master Birch followed General Choi's teachings without wavering, maintaining loyalty to the General, Senior Grandmaster Sereff, and the International Taekwon-Do Federation (ITF). He challenged any force seeking to diminish the ITF's standards or ethics.
Taekwon-Do Rank Systems and Belt Theory
- Belt Significance:
- White Belt: Signifies the innocence of the beginner who has no previous knowledge of Taekwon-Do.
- Yellow Belt: Signifies the earth from which a plant sprouts and takes root as the Taekwon-Do foundation is laid.
- Green Belt: Signifies the plant's growth as the Taekwon-Do skill begins to develop.
- Blue Belt: Signifies the heaven toward which the plant matures into a towering tree.
- Rank Hierarchy:
- Student Ranks (Gup): There are Gup levels. Gup (White Belt) is the lowest, and Gup (Red Belt with Black Stripe) is the highest.
- Black Belt Ranks (Dan): There are Dan ranks.
- Novice ( - Dan): Boo Sabum.
- Expert ( - Dan): Sabum.
- Master ( Dan): Sahyun.
- Senior Master ( Dan): So-nim Sahyun.
- Grand Master ( Dan): Sasung.
Korean Terminology and Counting
- Counting to :
- One: Hana
- Two: Dool
- Three: Set
- Four: Net
- Five: Dasot
- Six: Yasot
- Seven: Ilgop
- Eight: Yodul
- Nine: Ahop
- Ten: Yul
- Commands and Terms:
- Attention: Charyot
- Parallel Ready Stance: Narani Junbi Sogi
- At Ease: Swiyo
- Bow or Salute: Kyong Ye
- Uniform: Dobok
- Training Hall / Gymnasium: Do Jang
- Pattern: Tul
- Ready Position: Junbi
- Begin: Si-jak
- Stop: Guman
- Yell: Kihap
- Break: Hechyo
- Restart: Gasok
- Face the flag: Kuk-ki-yea tae-hae
- Sit or kneel: Anj-oh
- Meditate: Muk-nyom
- Return: Baro
- Class finished: Ee-Sang
- Thank you very much: Ko-Map Sum-Nee-Da
Definitions and Classifications of Techniques
- Fundamental Movement: A technique not used in a previous pattern.
- Release: Breaking free from an opponent to create distance from the attacker, not to continue the confrontation.
- Multiple Kicking: Double, triple, etc., kicks performed with the same foot with a very brief intermediate time that does not cut movement continuity. Performed with one breath per movement and a normal sine wave movement when finishing. Can be stationary or jumping.
- Consecutive Kick: Two or more kicks with the same foot against a single or several opponents in succession. If they are the same kick, they must be performed to different directions.
- Combination Kick: Two or more kicks using alternating feet against a single or several opponents in succession.
- Mid Air Kick: Performed with no directional movement (i.e., straight up).
- Flying Kick: Performed with either one motion on the spot or several motions while running.
- Joint Lock: A grappling technique involving manipulation of an opponent’s joint such that the joint reaches its maximal degree of motion.
- Joint Attack: A direct strike to an opponent’s joint or taking the joint past its maximal degree of motion.
Movement Systems: Sine Wave and Breath Control
- Continuous Motion:
- Definition: Two or more consecutive movements with two or more sine waves, with one breath in and two or more breaths out.
- Process: For a two-movement sequence: DOWN-UP-DOWN-UP-DOWN. Each movement should finish on each execution.
- Breath: One inhalation and a short sharp exhale on each movement.
- Example: Movements and in Dan-Gun.
- Connecting Motion:
- Definition: Two movements performed with one sine wave and one breath at the end of the second technique.
- Process: DOWN-UP-DOWN.
- Example: Movements & and & in Yul-Gok.
Stance Specification and Geometry
- Attention Stance (Charyot Sogi):
- Width: shoulder width.
- Weight: front / rear.
- Details: Heels together forming a angle; legs straight. Arms dropped naturally with elbows partially bent. Hands lightly clenched, showing strike knuckles. Eyes face slightly above the horizon.
- Parallel Ready Stance (Narani Junbi Sogi):
- Width: shoulder width (measured from footswords).
- Details: Hands lightly clenched, apart, and from the abdomen. Elbows from floating ribs. Upper arms forward at , lower arms bent at .
- Walking Stance (Gunnun Sogi):
- Length: shoulder width (measured from big toes).
- Width: shoulder width (measured from center of insteps).
- Weight: front / rear.
- Details: Back leg knee locked. Front leg knee in line with back of heel. Front foot points front; back foot points no more than outward. Named after the front foot.
- L Stance (Niunja Sogi):
- Length: shoulder width (measured from front big toe to rear footsword).
- Width: (measured from inside front heel to back heel).
- Weight: front / rear.
- Details: Rear knee bent so kneecap is over toes. Rear hip aligned with inner knee joint. Front foot points in; back foot points in from side. Named after the rear foot.
- Sitting Stance (Annun Sogi):
- Width: shoulder width (measured from inside big toes).
- Weight: front / rear.
- Details: Feet parallel. Knees bent over balls of feet. Chest/abdomen pushed out, hips pulled back. Muscles tensed with emphasis on footswords.
- Fixed Stance (Gojung Sogi):
- Length: shoulder width (from big toe to inside big toe).
- Width: .
- Weight: front / rear.
- Details: Knees bent evenly. Foot angles same as L-Stance (). Named after the front foot.
- Close Ready Stance ‘A’ (Moa Junbi Sogi ‘A’):
- Details: Feet together and parallel. Left hand wraps right fist. Hands in front of the philtrum. Bottom of hand level with philtrum at from the body.
- Bending Ready Stance ‘A’ (Guburyo Junbi Sogi ‘A’):
- Weight: front /