Angel with Arquebus
Form
- Brooque spain because of the time period, the decorative designs and extravagance of clothing
- Master of Calamarca
- Artists don’t want to leave their wealthy patrons because of the established trust within them
- New and untrained artists have to step up and be the main art suppliers to the Americas
- Unfortunately these artists aren’t good
- A lot of grace and reminiscent of Mannerism
- Asexual body type
Function
- Inca and other indigenous tribes
- Catholicism is better than Protestantism
- Part of a series of portraits
- Need for the Catholics to defend their faith
- represents Catholic power over indigenous people
- Considered Concretism which is supposed to replace indigenous deities to promote Catholicism
- Traditional clothing
- Elongated figure
- These arms would probably go down to the persons feet
- Unnatural pose
- Wings in the background
- Large feathers that get larger as they go town
Content
- Angel name in upper corner
- Says “Fears God”
- Androgynous angel
- Stunningly attired
- Has celestial powers while also aristocratic and military
- Fashion is combo of Inca nobility and Europeans
- Feathers Inca, everything else European
- Firearms did not exist in Americas so natives associated them with the supernatural
- This gun didn’t make it until 15th c.
Context
- SPain in Peru
- Images widespread and popular
- Part of the counter-reformation war of the souls
- Used to give Christian faith more desirability than the indigenous practices
- Gave light to “violence is justified in defense of Catholic faith
- Lack of artistic talent
Learning Objective
17th c. Southern Baroque (New Spanish) Counter Reformation painting
Themes
Religion
Violence
Propaganda
Cross-cultural
Deities