A review for a midterm exam covering various art historical periods and concepts.
Timeline: c. 1400-c.1600
Key Aspects:
Assumptions:
Interest in antiquity
Secularism and Humanism
Perception as blissful age of arts and culture
Actual Transformations:
Introduction of mythological subjects in painting
Portrait painting of contemporary individuals as a focus
Emergence of a new class with access to commodities
Increased availability of ancient texts
Challenges to religious dominance (e.g., influence of Lorenzo Valla on the Donation of Constantine)
Factors Contributing to the Renaissance in Italy:
Rise of Mediterranean trade
Re-emergence of cities post-12th century
New bourgeois class challenging clergy and aristocracy, investing in the arts
Cultural exchanges with the Islamic world
Key Works:
Fra Angelico, Annunciation (1438-1447)
Raphael, School of Athens (1509-1510)
Gentile da Fabriano, Adoration of the Magi (1423)
Characteristics of International Gothic Style
Continuous narrative technique
Masaccio, Holy Trinity (c. 1427)
Memento mori theme highlighted
Donatello, Feast of Herod (1423-1427)
Featuring Salome and John the Baptist
Donatello, David (1430-1432)
Depicts biblical hero David defeating Goliath
Filippo Brunelleschi, Florence Cathedral Dome
Dome construction period: 1420-1436
Leon Battista Alberti:
On Sculpture: De Statua (1430)
On Painting: Della Pittura (1435)
On Architecture: De Re Aedificatoria (1443-1452)
St. Andrea, Mantua (1472-1490) by Alberti
Temple of Vesta, Rome (c. 300 CE)
*Donato Bramante's Tempietto, Rome (1503)
Bramante's plans for St. Peter's Cathedral
Collaborative designs by Michelangelo and Carlo Maderno
Leonardo da Vinci:
Vitruvian Man (c. 1485)
Virgin of the Rocks (1483), showcasing chiaroscuro technique
Raphael:
School of Athens (1509-1511) focusing on philosophy
Michelangelo:
Pietà (1498)
David (1501-1504)
Parmigianino:
Madonna with the Long Neck (1535-1540), signifying Mannerism
Robert Campin:
Mérode Altarpiece (1425-1428)
Pieter Brueghel the Elder:
Hunters in the Snow (1565), example of genre painting
Hans Holbein:
The Ambassadors (1533) featuring complex symbolism
Albrecht Dürer:
Adam and Eve (1504)
Lucas Cranach the Elder:
Portrait of Martin Luther (1529), pivotal in the Protestant Reformation
Major Themes:
Re-establishment of Roman Catholic Church authority
Emotionally charged, opulent designs in interiors and exteriors
Dramatic contrasts of light and shadow (tenebrism)
Examples: Gianlorenzo Bernini, Ecstasy of St. Teresa (1645-1652)
Caravaggio:
Conversion of Saint Paul (1601), demonstration of tenebrism
Artemisia Gentileschi:
Judith Slaying Holofernes (1614-1620)
Peter Paul Rubens:
Elevation of the Cross (1610)
Importance of studying Renaissance and Baroque art for understanding cultural transformation in Europe.