Comprehensive Study Notes on the Science of Tajweed

The Significance and Motivation for Learning Tajweed

The study of Tajweed is a noble pursuit rooted in the desire to please Allah (SWT) and to emulate the exact manner in which the Prophet Muhammad صلى الله عليه وسلم recited the Quran. It is regarded as one of the most distinguished forms of knowledge because it deals directly with the Word of Allah. The primary goal is to correct errors in the recitation of the Glorious Quran, thereby preserving its integrity. Furthermore, students seek to obtain the immense rewards promised for recitation. According to Sahih Al-Bukhari and Muslim, proficient reciters of the Quran will be in the company of the honorable and obedient scribes, who are the angels.

The Historical Development of Tajweed

The Noble Quran was revealed to Prophet Muhammad صلى الله عليه وسلم through the angel Jibreel (AS) over a 23-year period. In the initial era of the Prophet and his companions, the Quran was taught and perfected verbally; Tajweed was practiced naturally and was not yet a distinct, independent branch of knowledge. However, as Islam spread to non-Arab countries, mistakes in recitation became more frequent. To prevent the distortion of the meanings and sounds of Allah's words, scholars began to formalize and outline the rules of Tajweed.

Historically, Tajweed emerged as an independent science in the 4th century after the Hijra. Prior to this, publications existed but were not specialized in their modern form. Early works include "A letter about Idghaam Kabeer" by Ibn Amr Ibn al-Alaa al-Basri (died 154 H) and "Arjuwza fi-tilawati il-Quran" by Qaaloon al-Madani (died 220 H). Traditionally, students learned orally, listening to a Sheikh and reciting back until the application was mastered.

The first independent publication specifically for the science of Tajweed is traced to the start of the 4th century Hijri by Abi Muzaahim al-Khaaqaany (died 325 H), titled "Qaseedah Raaiyah." This 51-line poem covered various Tajweed topics but notably used the term "Husn al-aadaa" (correct application) instead of "Tajweed." Subsequent scholars followed, including Makkiy Ibn abi Taalib al-Qaysei (died 437 H) who wrote "Al-Ri'ayah," Al-Daaniy (died 444 H) who wrote "Al-Tahdeed," and al-Qurtubi (died 461 H) who authored "Al-Muda' fi at-Tajweed." Dr. Ghaanim Qadoowri al-Hamad has documented over one hundred such works in his book regarding the phonetic studies of Tajweed scholars.

Definitions and Core Concepts of Tajweed

Linguistically, Tajweed (التَّجويد) is defined as betterment, improvement, or enhancing. In an applied or technical sense, it refers to articulating each letter from its correct articulation point (makhraj - مخرج) while giving each letter its rights and its dues based on its characteristics (sifaat - صفات).

The "Rights" of a letter (Sifaat Lazimah - صفات لازمة) are the required characteristics that never leave the letter, such as Itbaaq or Rikhaawah. The "Dues" of a letter (Sifaat Aridah - صفات عارضة) are characteristics that appear only in specific circumstances, such as Idghaam and Ikhfaa.

Rulings and Methods of Studying Tajweed

The science of Tajweed is divided into two categories of learning. Theoretical Tajweed involves studying, memorizing, and understanding the rules; this is classified as Fardh Kifayah (communal obligation). If a sufficient number of people in a community possess this knowledge, the rest are absolved of sin. Practical Tajweed involves the actual application of these rules during recitation; this is Fardh Ayn (individual obligation) for every person who recites the Quran.

There are two primary methods for studying:

  1. Riwayah (رواية): This includes the student reciting to the teacher for correction (Ardh) or the teacher reciting for the student to repeat (Talqeen).
  2. Ad-Dirayah (دراية): This involves learning the theoretical rules and then applying them practically, allowing the student to refer back to the rules if they forget a specific application.

Al-Lahn: Mistakes in Recitation

Linguistically, Lahn means diversion. In Tajweed, it refers to a deviation from the correct way of reading. There are two main types:

Al-Lahn Al-Jaly (Clear/Major Mistake): These are mistakes obvious enough to be noticed even by those who have not studied Tajweed. Examples include changing a harakah (e.g., reading "anamtu" instead of "anamta"), exchanging letters (e.g., reading "sa" instead of "ta"), or adding/deleting letters and words. This can drastically change the meaning, such as changing "taqabbal" (accept) to "takabbal" (chained/shackled). Intentionally making these mistakes is Haram (forbidden). In examination settings, a Lahn Jaly results in a deduction of −4-4 marks.

Al-Lahn Al-Khafy (Hidden/Minor Mistake): These are mistakes in the application of Tajweed rules usually identified only by those knowledgeable in the field. This is subdivided into "Hidden" (e.g., not applying Ikhfaa) and "Less Obvious Hidden" (e.g., not holding the ghunnah long enough). The ruling for the obvious rule is Haram (forbidden), while the detailed rule is Makrooh (disliked). These result in deductions of −1-1 or −0.5-0.5 marks respectively.

Levels and Manners of Recitation

There are three recognized levels (speeds) of recitation:

  1. At-Tahqeeq (التحقيق): A slow-paced recitation where every letter is given its full rights and dues. One must avoid "tamt" (exaggerated stretching).
  2. Al-Hadr (الحدر): A fast-paced recitation that still maintains all Tajweed rules.
  3. At-Tadweer: A middle-paced recitation between Tahqeeq and Hadr.

The choice of speed depends on the goal: Hadr is often used for Hifdh revision, Tadweer for prayer, and Tahqeeq for obtaining a Sanad.

Manners of recitation include internal qualities like sincerity (seeking only Allah's pleasure), presence of heart, and pondering the meaning. External manners include being in a state of Wudu, wearing clean clothes, sitting in a clean place facing the Qiblah, using a miswak, reciting the Istiathah and Basmallah, and avoiding interruptions.

Sujood At-Tilawah (The Prostration of Recitation)

There are 14 places in the Quran (according to the majority of scholars) where a prostration is required upon recitation. These occurrences are found at the end of Surah Al-A'araaf, and within Surahs Ar-Raad (15), An-Nahl (50), Al-Israa’ (109), Maryam (58), Al-Hajj (18), Al-Furqan (60), An-Naml (26), As-Sajdah (15), Saad (24),俯 Fussilat (38), An-Najm (62), Al-Inshiqaq (21), and Al-A’laq (19).

The Prophet صلى الله عليه وسلم noted that when a person performs this prostration, Shaitaan withdraws crying because the reciter has earned Paradise through obedience. The recommended Dua for this prostration is: "I have prostrated my face to the One Who created it and gave it hearing and sight, by His might and His power. Glory is to Allah, the Best of creators."

Pillars of an Authentic Recitation

For a recitation (Qira’ah) to be considered authentic (Mutawaatirah), it must meet three pillars first defined by Ibn Mujahid (died 324 H):

  1. Conformity to the Arabic language in at least one of its ways.
  2. Conformity to the script of the Uthmanic Mus-haf (Rasm al-Uthmani), even if only conceivably.
  3. An authentic and widespread chain of narration (Tawaatur).

If any pillar is missing, the recitation is considered inauthentic (Shaathah). There are 10 recognized authentic Qira’aat.

The Lineage of the Riwayah of Hafs

The chain of narration (Sanad) for the recitation of Hafs traces back from Allah SWT to Jibreel, then to the Prophet Muhammad صلى الله عليه وسلم. It was passed through companions including Uthman Ibn Affan, Ali Ibn Abi Taleb, Abdullah Ibn Masood, Ubay Ibn Kaab, and Zaid Ibn Thabit. They taught Abdullah Ibn Habib (Abu Abdul-Rahman As-Sulami), who taught Imam Aasim.

Imam Aasim (Aasim Ibn Bahdalah Abee An-Najood Al-Asadee, died 127 H) was the primary Sheikh in Kufa and a member of the Tabi’een. His two famous narrators were Shu’bah (died 193 H) and Hafs (Hafs bin Sulaymaan bin Al-Magheerah Al-Asadee Al-Kufee, born 90 H, died 180 H). Hafs was recognized as the most knowledgeable concerning Aasim’s specific recitation.