Les 2
Titanic
Themes:
Love
Class
Time
Power
Memory
Greed
Loss
Child Focus
Poster vermiste kinderen bevat 7 elementen van storytelling
Broodje Ludo
Goede PR
Storytelling is the most powerful way to put ideas into the world today. ~Robert Mckee
Don’t write what yout hink people want to read. Find your voice and write about what’s in your heart. ~ Quentin Tarantino
Production process

idea
We assess your needs and develop a customized video solution that achieves your intended results
planning
Scripts are finalized and we schedule the production timeline.
production
Our team gathers all video, audio, graphics, and other creative content in studio or on location.
editing
The editors sit in a scary, dark room for days at a time assembling all of the acquired creative elements.
dance party
Your final video is delivered and everyone celebrates! (Dance party is optional, but recommended.
5 Major Story Elements
character
situation
objective
opponent
disaster
8 afleveringen: 8 blokken ipv 3 actstructuur
Horizontale programmatie
13 of 26 afleveringen (tv-seizoen) → Streamers moeten zich hier niet aan houden en kunnen dus kortere seizoenen maken
What is Storytelling?
The storytelling basics

Simple scheme: 3-act structure

A screenplay is like an egg

How to write a screenplay from Paul Schrader
You have to have a theme
In taxi driver the theme is loneliness
Find a metaphor
In taxi driver, that was the cabbie, the perfect expression of urban loneliness
Find a plot
You push the theme through the metaphor and you should come out with the plot
The magnificent seven plot points from “the screenwriter’s bible”
Act 1
The backstory
Is an event that generally occurs before the movie begins. It is usually some definitive past trauma that affects the character’s attitude and behavior throughout the movie.
The catalyst
Kicks things out of balance and gives the central character a new problem, need, goal, desire, or mission.
Act 2
The big event
Changes the life of the central character in a big way. In some cases, the Catalyst motivates or leads to the Big Event.
The midpoint
About halfway through the story another major event occurs. The central character often becomes fully committed. From the midpoint on, the central characters take stronger actions, perhaps even desperate actions that threaten to compromise their values.
Act 3
The crisis
The point when all seems lost, or when the central character faces a crucial decision. What’s the worst thing that can happen to your character? This is it.
The showdown
The climax or showdown follows on the heels of the Crisis. Often, something or someone spurs the character on to the showdown. The goal is on the line, including the theme or movie message and/or some important value.
The realization
The central character realizes something about themselves or we’re shown some visible or spoken evidence of their growth.
The difference between life and the movies is that a script has to make sense, and life doesn’t. ~Joseph L. Mankiewicz
Voorbeelden Titanic en ET
Plot point 1
ET
Elliott ontdekt ET
Titanic
Jack verhindert Rose van de boot af te springen
Plot point 2 (Point of no return)
ET
Kinderen gaan hem helpen zijn vrienden terug te vinden
Titanic
Rose beslist als vrouw om toch niet mee in reddingboot te gaan
Climax
ET
Wanneer ET naar huis gaat
Titanic
De deur scène
Metaforen & Foreshadowing
ET en Elliott hebben parallelle verhalen
Character arc
Karakters veranderen
Voorbeeld Back To The Future
Inciting Incident
Doc Brown’s invention … the Rube Goldberg machine fails!
niet alle uitvindingen werken!
Plot Point 1
88 miles/hour … back to 1955!
Plot Point 2
Get the car to the Square … before lightning strikes! (ipv Plutonium)
Climax
His ‘present’ is now better than his ‘past’ ever was!
Character arc
Marty is niet veranderd, zijn hele omgeving is veranderd
Find your voice, shout it from the rooftops, and keep doing it until the people that are looking for you find you.~Dan Harmon
Basic elements of Creativity
Copy
Transform
Combine
→ Creative theft
8 steps in the Dan Harmon Story Circle
You
A character is in a zone of comfort
Need
But they want something
Go
They enter an unfamiliar situation
Search
Adapt to it
Find
Get what they wanted
Take
Pay a heavy price for it
Return
Then return to their familiar situation
Change
Having changed
Example: Star Wars
You
Establish the protagonist
A character is in the zone of comfort
Luke is working at his uncle’s farm on Tatooine
Need
Something ain’t quite right
They want something
Luke finds a distress message from princess Leia. The message leads him to Jedi Master, Obi-wan Kenobi. Obi-wan asks Luke to join him in a rebellion against the empire.
Go
Crossing the threshold
They enter an unfimiliar situation
Luke decides to join Obi-Wan and fight the empire after the empire kills his family. He leaves Tatooine
Search
The road of trials
Adapt to it
Luke learns the way of the force. They are captured by the emire’s death star and plan their escape
Find
Meeting with the goddess
Get what they wanted
They discover princess Leia is being held prisoner oboard. They rescue her from her cell.
Take
Meet your maker
Pay a heavy price for it
Obi-Wan sacrifices himself, creating a distraction so the rest of them can escape the death star
Return
Bringing it home
Pay a heavy price for it
They fight off an attack & return to the base camp of the rebellion to plot the destruction of the death star
Change
Master of both worlds
Having changed
Luke uses the ways of the force and successfully destroys the death star with the help of his friends
Storyworld
Film
Community
Games
Fan Fiction
Toys
Books
Graphic Novels Comics
Serial Content
User Generated Content
7 tenets of future storyworlds

Pervasive
Persistent
Participatory
Personalized
Connected
Inclusive
Cloud-based
3 C’s of storytelling

Characters
Engagement through story
Community
Fans feel connected to each other
Convenience
Right content and the right time