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REMINDERS

  • Lit Terms Quiz scheduled for Tuesday, Sept. 30 (A) and Wednesday, Oct. 1 (B).
  • Review Notes:
    • Character
    • Setting
    • Plot
    • Point of view
  • Unit 1 - Short Stories is now available for practice in AP Classroom.

YOUR TURN

  • Activity: Review the following slides and take notes.
  • Discussion Preparation: Consider the short stories you have read and be prepared to discuss:
    • Characterization
    • Setting
    • Narrative structure
    • Point of view for each of the stories.

REVIEW CHARACTERIZATION

  • Characterization Definition: The process by which writers develop characters, crucial for understanding motives and actions.
  • Methods of Building Characterization:
    • Character description
    • Dialogue and inner thoughts
    • Character behavior
    • Point of view/perspective
    • Motivation

REVIEW SETTING

  • Setting Definition: The location and time of the action, including descriptive details that enhance the understanding of the story and characters.
    • Time: Can be historical, present, or future.
    • Example: Waking from a deep sleep in the morning may be normal, but waking up after everyone else has had dinner signals something unusual is about to happen.
    • Place: The social, cultural, and physical context in which the action occurs.
    • Values: Recognizable concepts of worth and principles associated with the time and place of the story (e.g., values of peace associated with a church, depending on the context).

EXAMINING PLOT AND NARRATORS

PLOT – THE ESSENTIAL QUESTIONS

  • Questions to Consider: How does the plot order the events of the narrative, and what functions does a particular sequence of events serve?

TERMS

  • Plot: The progression or sequence of events in a narrative.
  • Cause-and-effect: The relationship of events in a narrative where one event leads to another, establishing a causal relationship.
  • Dramatic Situation: The setting and action of the plot, including how narrative developments create conflict and affect characters' fortunes.
  • Exposition: Background information and explanations that contextualize the story.
    • Importance of Exposition: Focuses reader attention on crucial narrative parts—characters, relationships, and locations.
  • Sequence: The chronological order of events in the story's unfolding.

PLOT - CONNECTIONS

  • Opening Exposition: Introduction of the setting and characters.
  • Incitement: An event that initiates the main conflict, leading to character actions.
  • Rising Action: A series of related events that complicate the conflict and build tension.
  • Dénouement or Falling Action: Resolution of unresolved conflicts or plot points; leads into the resolution.
  • Resolution: The final scene that provides closure.

PLOT AND CONFLICT

  • Mention of the close connection between characters, setting, and the events leading to conflicts that dynamically affect characters' fortunes.

WRITER KURT VONNEGUT ON STORY SHAPES

  • Quote: "Stories have shapes which can be drawn on graph paper."
  • Graph Description:
    • X-axis: Represents time of the story (from the beginning to the end).
    • Y-axis: Represents a character's fortunes (from good health and wealth at the top to misery and poverty at the bottom).
    • Middle Point: Represents a neutral starting point in terms of fortune.

STORY SHAPES EXAMPLES

THE MAN IN THE HOLE

  • Narrative Shape:
    • Character starts in a positive situation.
    • Encounters conflict (falls into a hole).
    • Struggles to escape and succeeds, resulting in a better state than before.
    • Note: The 'hole' is metaphorical for any conflict.

BOY MEETS GIRL

  • Narrative Shape:
    • Good event occurs leading to raised fortunes (boy meets girl).
    • A conflict arises causing a loss of fortune (girl falls in love with someone else).
    • Resolution occurs where the character overcomes misfortune and ends in a better place.

CREATION STORY

  • Narrative Pattern: Aligned with the biblical creation story.
    • Successes build on each other (God creating light, then sky, land, etc.).
    • Pattern seen more often in non-Western narratives.

CINDERELLA

  • Narrative Shape:
    • Begins similarly to the creation story: Cinderella in a miserable state.
    • Fortune increases due to the fairy godmother's interventions.
    • A fall occurs at midnight, resulting in a worse situation than before.
    • Closure returns when the glass slipper is found, restoring happiness permanently.

DISCUSS

  • Discussion Prompt: Which story shape fits "The Appropriation of Cultures"? Be prepared to justify your choice from the following options:
    • Man in the hole
    • Boy meets girl
    • Creation story
    • Cinderella

PLOT, EXPOSITION, AND SEQUENCE

  • Understanding Plot: More than just the order of events; characteristics include:
    • Arrangement of narrative parts.
    • Relationship of parts to each other.
    • Sequence of information revealed in the text.

SEQUENCES

  • Key Aspect: Stories have a discernible beginning and end.
  • Effective Plot Presentation: Choosing a thoughtful sequence in which to present plot points enriches narrative significance.

RECOGNIZING PLOT STRUCTURES

  • Plot Definition: The interconnected sequence of narrative events.
    • Linear Plot: Follows chronological order with a clear beginning, middle, and end.
    • Non-linear Plot: Presented out of chronological order; may involve multiple plot timelines.

RECOGNIZING PLOT STRUCTURES (continued)

  • In Medias Res: Latin term meaning “in the midst of things”; stories start in the middle of the action and provide backstory later.
    • Common in long works, scarce in short fiction.
  • Flashback: An interruption that provides background information from before the plot commenced.
    • Crucial for character development.
  • Epistolary: Stories told through letters (e.g., "Bridget Jones’s Diary", "The Color Purple").
  • Frame Narrative: Envelopes a story or set of stories, providing context.
  • Foreshadowing: Hints at future plot developments.
  • Stream of Consciousness: A style displaying character thoughts and feelings in a continuous flow.

ARCHETYPAL STRATEGIES

  • Introduction: Certain dramatic patterns are archetypes; these set expectations for character progress and resolution.

ARCHETYPAL STRATEGIES (continued)

  • Archetypes Defined: Commonly used examples in literature, relating to character types, symbols, motifs, or plot strategies.

STATIC CHARACTERS

  • Character Dynamics: Characters who remain unchanged throughout the story are static, contrasting with dynamic characters who undergo significant changes.
    • Example: "The Adventure of the Speckled Band" by Sir Arthur Conan Doyle illustrates static character dynamics.

SUDDEN EXPOSITION

  • Exposition in Short Stories: Writers may bypass traditional backstories, plunging straight into conflict to maintain brevity.
    • Example: "The Gift of the Magi" by O. Henry begins directly at a critical moment of conflict.

THE TWIST ENDING / IRONY

  • Definition: A popular technique in short stories where the resolution surprises the reader, often involving situational irony.

THE TWIST / IRONY EXAMPLE

  • Case Study: "The Necklace" by Guy de Maupassant showcases a twist ending that starkly contrasts expected outcomes, revealing life's ironic nature.

FORESHADOWING EXAMPLE

  • Case Study: "The Birds" by Daphne du Maurier uses foreshadowing to build tension and anticipation of conflict.

ALSO FORESHADOWING EXAMPLE

  • Case Study: "A Sound of Thunder" by Ray Bradbury exemplifies foreshadowing that sets the tone for impending events.

ANOTHER ESSENTIAL QUESTION

  • Narrative Perspective: Identification of the narrator and how point of view functions within a story.

MORE KEY TERMS

NARRATORS AND SPEAKERS

  • Definitions:
    • Narrator: The person telling the story that relates it to the readers.
    • Perspective: How narrators or characters perceive circumstances.
    • Point of View: The position from which events are recounted, defining the narrative filter that influences the reader's understanding.

NARRATORS AND POINT OF VIEW

Types of Narrators (Points of View)

  • First-person narrator: Uses first-person pronouns (I, we, me).
  • Third-person narrator: Uses third-person pronouns (he, she, they).
    • Third-person Observational: Reports events as an outside observer.
    • Third-person Omniscient: Knows all characters' thoughts and events, providing comprehensive details.

EFFECT ON PERSPECTIVE AND EVENTS

  • Narrators shape and reflect characters' perspectives and their connection to events, which influences reader engagement.

TO DISCUSS FOR EACH STORY

  • Analysis Prompts:
    • How does each of these elements contribute to the story as a whole?
    • Why and how are these literary devices significant in the context of this specific story?
    • Elements to examine: Characterization, Setting, Plot, Narrative voice (perspective, point of view).