Post Production

Director’s Cut

-The director has the final cut

Producer’s Cut

-the director’s cut, studio-supervised editing

-completely controlled by the studio/producer

-commercials

Logging & Transferring - usually done by the assistant editor, it can be done at the end of the day of shooting or at the end of shooting

-naming clips/footage!!!!

-sync

Review & Evaluate Footage

-going through the subtext and conflict of each scene

-The director is a part of this process

Editor’s Script

The editor’s script is done by the script supervisor

-all the takes

-all the shots

-all the keepers

The marked script is all the shots they think they're going to get on production

The editor’s script is marking it as shooting is going on

14A 1,2, 3

-the director tells the script supervisor which one they look best

Adding Inputs and Markup

-add comments to shots and takes, what is missing, what shouldn’t be in the scene, if the take should be taken out or not

-can be specific comments on what the scene should be having

Assembly Cuts

-putting the shots in order

-overlapping/doubling action

-cut slate

-give them feedback after they have the assembly cut

Let the editor edit

Rough(s) - Picture Lock - Test Screenings

Rough(s)

-picture edits 

-primary sound/music

Time Code- if the film has to be within certain minutes

Picture Lock

-post sound, adr, foley, music(score)

-color, graphics, and fx

you’re directing for the edit, how the editing will tell your story

Sound Recording

-be in contact with the compers

Mastering

-putting everything together, making sure sound and color is what it should be, and equalizing everything

Marked Script, Aerial Breakdown, Subtext, Art Direction, characters, location, lighting, colors,e