MUSI 432: The Early Twentieth Century - Vernacular Music Study Notes
MUSI 432: The Early Twentieth Century - Vernacular Music
Chapter Overview
Focus on the rise of vernacular music between 1889 and 1918, highlighting critical changes in classical music and emphasizing the significance of vernacular styles.
The Impact of Sound Recording on Music
Invention of Sound Recording (1877)
Enabled the preservation and distribution of vernacular music.
Increased accessibility to a broader audience, enhancing composers’ and listeners’ experiences.
Definition of Vernacular Music
Music characterized by broad appeal and lacking specialized requirements for comprehension.
Includes popular music, folk music, brass band music, church hymns, and children’s songs.
Much of this music was performed by amateurs in the late 19th century.
Influence of Aural Traditions
Genres like ragtime and jazz originated from oral traditions, allowing them to transcend local origins.
These styles became sources of inspiration for composers, impacting contemporary music.
The Birth of Modernity: Artistic and Cultural Shifts
The Paris Universal Exposition of 1889
The period from the 1889 World’s Fair to World War I (1914) marked significant societal transformations.
Characteristics of the Era:
Self-conscious modernity reflected in artistic, literary, musical, technological, scientific, and philosophical advancements.
Innovations included electricity, automobiles, airplanes, refrigeration, telephones, film, sound recording, and radio.
Technology, Politics, and Nostalgia
Urbanization
Cities grew denser as individuals migrated for manufacturing jobs, leading to a collective yearning for a romanticized rural past.
Economic Expansion and Inequality
This expansion created significant social inequality, spurring the labor movement and political unrest (e.g., the Russian Revolution in 1917).
Darker Implications of Technology
Technological advancements contributed to mass destruction during WWI through weapons like machine guns, land mines, mustard gas, and aerial bombings.
Changes in Artistic and Intellectual Perspectives
Significant shifts occurred in how individuals understood and depicted the world:
Psychological Developments
Freud’s theories on the unconscious mind and psychoanalysis challenged notions of free will and the Romantic ideal of the heroic self.
Pavlov’s behavioralism contributed to a rethinking of human behavior.
Scientific Innovations
Physicists, including Albert Einstein and Max Planck, introduced theories of relativity and quantum mechanics, fundamentally altering scientific paradigms.
Literary Progressions
French symbolists like Paul Verlaine and Stéphan Mallarmé focused on the sound of language, often distorting syntax and semantic meanings.
Artistic Evolutions
Impressionists (e.g., Claude Monet, Paul Cézanne) transformed their focus from historical realism to capturing atmospheric sensations and perceptions from nature.
Artistic Movements of the Early Twentieth Century
Development of Abstraction
Cubism
Picasso and Braque advanced abstraction with Cubism by 1912, fracturing objects and highlighting the artificiality of representation itself.
The Birth of American Vernacular Music
The United States as an Emerging Power
Industrialization led to increased economic and political strength.
The U.S. became a colonial power post-Spanish-American War (1898) and reinforced its influence through active participation in WWI, beginning in 1917.
Cultural Exchange During and Post-WWI
American soldiers introduced American popular culture to European audiences.
The Great Migration
Massive relocation of African-Americans from the South to the North and West altered the American music landscape, introducing distinct African-American influences.
Notable figures included band leaders like James Reese Europe (1880-1919), who popularized syncopated music through army bands.
Rise of Popular Music
The traditional transmission of music as sheet music gave way to the recording industry and broadcasting via radio.
Innovations in performance styles included:
Musical Theater
George M. Cohan’s Little Johnny Jones (1904) established a new format for musicals, increasingly integrating influences from ragtime, blues, and jazz.
Film Scores
Studios designed cue sheets for specific musical arrangements, enabling composers to create scores for silent films, exemplified by Saint-Saëns' The Assassination of the Duke of Guise (1908).
Wind Bands
Amateur wind bands flourished, mixing popular and classical music; composers like Holst, Grainger, and Vaughan Williams contributed to the classical repertoire.
African-American Musical Traditions
Wind and string bands prevalent in Black communities profoundly shaped ragtime, jazz, and blues styles.
Ragtime
Emerged in the 1890s from a tradition of African-American syncopated song improvisation.
While piano ragtime is widely recognized, the form includes numerous ragtime songs and ensemble performances.
Marks the first significant African-American aural tradition translated into written popular music by both Black and White composers.
Notable Figures in Ragtime Composition
Scott Joplin (1868-1917)
A prominent composer of piano ragtime, originating from Texas and establishing his career in Missouri before moving to New York.
Viewed ragtime as classical music inspired by vernacular forms, akin to how Chopin’s works drew from European folk traditions.
Key Composition: Maple Leaf Rag (1899)
Exhibits hallmark characteristics of the ragtime style.
Maple Leaf Rag Characteristics
Contains a regular duple left-hand part with a syncopated right-hand pattern suggesting a 3/16 feel.
Employs repeating strains resembling a march format.
The Emergence of Early Jazz
Cultural Diversity in New Orleans
The late 19th to early 20th century in New Orleans presented a blend of African-American, Creole, Caribbean, French, and Spanish cultural influences.
Collective Improvisation
Emphasized in local ensemble ragtime, featuring instruments such as cornet, clarinet, trombone, bass (string bass or tuba), guitar/banjo, and drums.
This music centered on improvisation and varied textures, often eluding standard notation systems.
Evolution into Jazz
By the 1910s, the genre evolved beyond the South and became known as jazz, marking a significant musical transition.
Notable Compositions:
Jelly Roll Morton’s Maple Leaf Rag
King Oliver’s Dippermouth Blues