Early 19th Century: Romanticism and Realism
Transition to Romanticism
Shift from the rationalism of the Enlightenment and Neoclassicism to subjective experience and individual emotion.
Focus: Sublimity of nature, dreams, the exotic world of the Orient, and the supernatural.
Core Values: Inexactitude, mystery, and the irrational.
Creative Genius: Move from divine inspiration to genius inspired by individual depths and nature.
William Blake: Celebrated finding infinity in a grain of sand and eternity in an hour.
Key Romantic Artists and Works
Caspar David Friedrich: Wanderer above the Sea of Fog (, ) and Two Men Contemplating the Moon (, ).
John Constable: The Hay Wain ().
Thomas Cole: The Garden of Eden ().
Francisco Goya: The Third of May, 1808 (, ) and Two Old Ones Eating Soup ().
Eugene Delacroix: Fantasia Arabe () and Frederic Chopin (, ).
J.M.W. Turner: Snowstorm: Steam-Boat off a Harbor's Mouth () and Venice with the Salute ().
The Logic of Realism
Rejection of Enlightenment precision and Romantic focus on nature in favor of harsh, everyday reality.
Focus: Ordinary people and events are viewed as the primary subjects of history.
Charles Baudelaire: Coined "modernity" to describe urban life and the artist's duty to capture fleeting experiences.
French Realist Authors: Honore de Balzac (), Gustave Flaubert (), and Emile Zola ().
Russian Realist Authors: Fyodor Dostoyevsky () and Leo Tolstoy ().
Realist Representative Works
Early Photography: Louis Daguerre's studio () and William Talbot's Trafalgar Square ().
Gustave Courbet: A Burial at Ornans (, ) and Self-portrait (The Desperate Man) (, ).
Jean-Francois Millet: Woman Baking Bread () and The Gleaners (, ).
Honore Daumier: The Chess Players ().
Edouard Manet: Philosopher (, ) and Music in the Tuileries (, ).