tv writing

assignment Structure and Expectations

  • Group Work: You will not need to watch the same episode or gather with your group outside of class. All group work will be conducted during class time.

  • Progression: Plan to make significant progress in class today, with continuation on Friday. Expect additional time needed after the break.

Episode Selection

  • Episode Viewing: Students are encouraged to have selected a program episode by Friday, but actual discussions on the episodes will happen after the break.

  • Selection Criteria:

    • It can be a program that is not currently in production.

    • Familiarity with the show is not mandatory; basic enjoyment and knowledge from a few episodes is sufficient.

Group Collaboration Guidelines

  • Group Size: Aim for 3-4 students per group; maximum of 5 to ensure everyone can contribute meaningfully.

    • Too Large Groups: May split if a show has excessive interest. Groups of 6 or more are discouraged to maintain balance.

  • Character Representation: In table reads, students can state character names as they read lines, adding playful spontaneity to the activity.

Performance and Presentation Flexibility

  • Performance Style: Students can choose to purely read their scripts or act them out. Previous examples include:

    • A creative performance of "Glee" involving songs and choreography.

    • An act based on "The Office" featuring students mimicking a character lying prone to simulate a scene.

Discussion and Character Analysis

  • Character Development:

    • Focus on the characters’ motivations, conflicts, dialogues, and story arcs.

    • Group discussions will aim to identify unique topics or conflicts that have not been explored in existing episodes.

  • Backstory Exploration: Understanding a character’s backstory is crucial for character consistency and development throughout the episode.

Script Writing Guidelines

  • Script Length: Write about 5-7 pages for an opening segment, without needing to cover the entire episode.

  • Timing Awareness: Watch segments with attention to transitions, particularly looking at how commercial breaks impact the pacing and scene changes.

  • Character Action Relation to Conflict: Analyze how each character's actions perpetuate the conflict and what drives their behavioral decisions.

    • Example discussed includes Sean from "Psych" and how his character dynamics transform during storyline progression.

Unique Dialogue Composition

  • Authenticity in Dialogue: Strive for dialogue that is authentic for the characters without excessive information. Consider the following factors:

    • Character Personalities: Each character’s unique background, location, and relationships will influence their speech patterns and dialogue.

    • Expressive Language: Dialogue should reflect heightened emotions without repetitive phrases unless conveying a specific character trait.

Specific Show Examples for Discussion

  • Gilmore Girls: Participants expressed interest; group connection established.

  • Psych: Group interest noted; specifics on engaging character dynamics acknowledged.

  • Avatar: The Last Airbender: Mentioned as potential group selection, requiring contextual background during presentation for audience benefit.

Concluding Class Engagement

  • Classmate Interaction: Encourage students to express their favorite TV shows and characters, fostering discussion about what keeps them returning to these shows:

    • Character Dynamics: Examples of characters from various shows recalling emotional connections, relational dynamics, and development arcs.

    • Favorite Character Discussion: Facilitate dialogue around characteristics that captivate audience interest while focusing on character growth and relatability.

Upcoming Class Focus

  • Further Development of Dialogue Writing: More efforts on writing effective dialogue will be discussed. Utilize initial drafts and refine wording as needed.

  • Storyboard Resources: Handouts may be available for those who prefer physical copies as against electronic submissions.