20th Century Music Review
Twentieth Century Music
- Several areas were not covered in detail:
- Percussion
- Electronic music
- Duke Ellington
- Postmodern aspects of Bang on a Can and Minimalism
Electronic Music, Program Music, and Musique Concrète
- Program music: Instrumental music that describes something specific (e.g., a river, a love affair, an ocean).
- Electronic music: Music created using electronic instruments or resources. It focuses on how the music is made rather than the composer's intention.
- Pierre Schaeffer's "Étude aux chemins de fer" (1948): An example of both electronic and program music because it uses sounds from the natural world (railroad) and is about something specific (the railroad).
- These concepts can be visualized as interlocking Venn diagrams.
Musique Concrète
- Music made from naturally occurring sounds.
- Example: Sounds of birds singing.
- Mimos Polyglottos: Northern Mockingbird (piece by David Dunn featuring sounds of a mockingbird).
- The mockingbird acts as a "performer" in this piece.
- Musique Concrète uses real-world sources.
- Steve Reich's "Come Out": Uses real voices, making it Musique Concrète.
- The opposite would be using electronic oscillators or synthesizers to create source material.
- Example: Steve Reich “Come Out”- looped human voice
Manipulating Sounds
- Difference between "Étude aux chemins de fer" and "Mimos Polyglottos".
- "Étude aux chemins de fer" uses train sounds that are then manipulated (looped, cut up, interspersed).
- "Mimos Polyglottos" simply records the mockingbird.
- The classic example of Musique Concrète involves manipulating real-life sources after recording.
Examples of Electronic Music
- Karlheinz Stockhausen: His work can feel like Musique Concrète due to how it was recorded and manipulated.
- Piece features a soprano voice (boy's voice) from the Book of Daniel.
- The voice is manipulated with studio techniques (played faster, cut up).
- Also incorporates sounds of oscillators, electronic instruments, and speaker movements.
Socially Resonant Themes in Electronic Music
- Composers often use electronic music to express social meanings.
- Stockhausen's piece:
- Reflects on World War II and the composer's sense of estrangement.
- The text from the Book of Daniel (young people thrown into a fiery furnace) relates to the Holocaust.
- Pauline Oliveros' "Bye Bye Butterfly":
- Uses Puccini's Madame Butterfly drowned out by electronic effects.
- Signifies the transition of women's worth from being tied to a man to not being tied to men.
- Pauline Oliveros' Sonic Meditations:
- Deep listening exercises with text scores (instructions in words, not musical notation).
- Involves a community listening and singing a note, copying other people's notes, and finding the center note of the cluster.
- The meditation encourages deep listening within a community.
Steve Reich's "Come Out"
- Uses the voice of a man unjustly accused of murder.
- The man repeats "Come out to show them" (referring to opening a wound to prove his injury).
- The looped voices create a sense of a community of people.
- The message is about an unjustly accused person.
Clapping Music
- Minimalist piece by Steve Reich.
- Two people clap a rhythm in unison.
- One person skips a beat, putting the rhythm out of phase.
- The patterns shift as one person moves ahead, creating a full circle after 12 repetitions.
- While not explicitly about social issues, it can be interpreted as being about community.
Phasing
- A specific technique where a 12-note phrase is played, and then one person plays 11 notes, causing the rhythms to go out of sync.
Syncopation
- Repositioning accent patterns or metrical patterns.
- Placing accents on normally unaccented beats.
- 55 questions in the same format as the midterm.
- 11 paragraphs with five blanks in each paragraph.
- Focus on filling in names of composers, styles, and techniques.
Sergei Rachmaninoff
- A Romantic composer who lived into the 20th century but whose style remained rooted in the 19th century.
- His music is super expressive, big orchestras, full of the kind of turbulent personal emotions that we associate with romanticism.
Ionisation
- Edgar Varese in 1931 composed the first major work for percussion alone.
Modernism and Classical Modernism
- There isn't a distinction between the two
- They refer really to the same thing.