20th Century Music Review

Twentieth Century Music

  • Several areas were not covered in detail:
    • Percussion
    • Electronic music
    • Duke Ellington
    • Postmodern aspects of Bang on a Can and Minimalism

Electronic Music, Program Music, and Musique Concrète

  • Program music: Instrumental music that describes something specific (e.g., a river, a love affair, an ocean).
  • Electronic music: Music created using electronic instruments or resources. It focuses on how the music is made rather than the composer's intention.
  • Pierre Schaeffer's "Étude aux chemins de fer" (1948): An example of both electronic and program music because it uses sounds from the natural world (railroad) and is about something specific (the railroad).
  • These concepts can be visualized as interlocking Venn diagrams.

Musique Concrète

  • Music made from naturally occurring sounds.
    • Example: Sounds of birds singing.
  • Mimos Polyglottos: Northern Mockingbird (piece by David Dunn featuring sounds of a mockingbird).
    • The mockingbird acts as a "performer" in this piece.
  • Musique Concrète uses real-world sources.
  • Steve Reich's "Come Out": Uses real voices, making it Musique Concrète.
    • The opposite would be using electronic oscillators or synthesizers to create source material.
  • Example: Steve Reich “Come Out”- looped human voice

Manipulating Sounds

  • Difference between "Étude aux chemins de fer" and "Mimos Polyglottos".
    • "Étude aux chemins de fer" uses train sounds that are then manipulated (looped, cut up, interspersed).
    • "Mimos Polyglottos" simply records the mockingbird.
  • The classic example of Musique Concrète involves manipulating real-life sources after recording.

Examples of Electronic Music

  • Karlheinz Stockhausen: His work can feel like Musique Concrète due to how it was recorded and manipulated.
    • Piece features a soprano voice (boy's voice) from the Book of Daniel.
    • The voice is manipulated with studio techniques (played faster, cut up).
    • Also incorporates sounds of oscillators, electronic instruments, and speaker movements.

Socially Resonant Themes in Electronic Music

  • Composers often use electronic music to express social meanings.
  • Stockhausen's piece:
    • Reflects on World War II and the composer's sense of estrangement.
    • The text from the Book of Daniel (young people thrown into a fiery furnace) relates to the Holocaust.
  • Pauline Oliveros' "Bye Bye Butterfly":
    • Uses Puccini's Madame Butterfly drowned out by electronic effects.
    • Signifies the transition of women's worth from being tied to a man to not being tied to men.
  • Pauline Oliveros' Sonic Meditations:
    • Deep listening exercises with text scores (instructions in words, not musical notation).
    • Involves a community listening and singing a note, copying other people's notes, and finding the center note of the cluster.
  • The meditation encourages deep listening within a community.

Steve Reich's "Come Out"

  • Uses the voice of a man unjustly accused of murder.
  • The man repeats "Come out to show them" (referring to opening a wound to prove his injury).
  • The looped voices create a sense of a community of people.
  • The message is about an unjustly accused person.

Clapping Music

  • Minimalist piece by Steve Reich.
  • Two people clap a rhythm in unison.
  • One person skips a beat, putting the rhythm out of phase.
  • The patterns shift as one person moves ahead, creating a full circle after 12 repetitions.
  • While not explicitly about social issues, it can be interpreted as being about community.

Phasing

  • A specific technique where a 12-note phrase is played, and then one person plays 11 notes, causing the rhythms to go out of sync.

Syncopation

  • Repositioning accent patterns or metrical patterns.
  • Placing accents on normally unaccented beats.

Exam Information

  • 55 questions in the same format as the midterm.
  • 11 paragraphs with five blanks in each paragraph.
  • Focus on filling in names of composers, styles, and techniques.

Sergei Rachmaninoff

  • A Romantic composer who lived into the 20th century but whose style remained rooted in the 19th century.
  • His music is super expressive, big orchestras, full of the kind of turbulent personal emotions that we associate with romanticism.

Ionisation

  • Edgar Varese in 1931 composed the first major work for percussion alone.

Modernism and Classical Modernism

  • There isn't a distinction between the two
  • They refer really to the same thing.