The Architecture of The New Order Era

1. De-Soekarnoization

  • Soeharto aimed to diminish Soekarno's role and legacy in Indonesian history.
  • Many of Soekarno's legacies were renamed to more neutral names, omitting Soekarno's identity. Examples:
    • Gelora Bung Karno → Gelora Senayan
    • Jembatan Bung Karno → Jembatan Ampera
    • Sukarnapura → Jayapura (capital city of Papua)
    • Puncak Sukarno → Puncak Jaya
  • However, Soeharto also managed Soekarno and Hatta's image as "the founding fathers".
    • Building Tugu Proklamasi (1980) to acknowledge Soekarno’s roles in the process of gaining independence.
    • The naming of Indonesia’s international airport (Bandara Soekarno-Hatta, 1985).

2. Urban and Infrastructure Development – REPELITA

  • Soeharto initiated REPELITA (Rencana Pembangunan Lima Tahun) in 1969, a centralized development plan.
  • It relied heavily on foreign (western) capital.
  • It was heavily promoted on mass media through advertisement, encouraging Indonesians to enter consumer culture.
  • Repelita I (1969-1974): fulfilling basic needs and infrastructure, emphasis on agriculture.
  • Repelita II (1969-1979): increasing development on islands other than Java, Bali, and Madura, including through transmigration.
  • Repelita III (1979-1984): focusing on labor-intensive industries (padat karya) to increase exports.
  • Repelita IV (1984-1989): creating new jobs and develop industry.
  • Repelita V (1989-1994): focusing on transportation, communication, and education.
  • Repelita VI (1994-unfinished): focusing on economy and industry.
  • In 1983 (via Tap MPR No. V tahun 1983), Soeharto was honored Bapak Pembangunan Indonesia.
  • The development, especially in Jakarta, were somewhat oriented to the elites and not the peasants.
  • Urban kampungs are hidden from the elite’s sights by elevating the driveways (flyover) while the poor lives below.

3. Authoritarian and Militaristic Aesthetic

  • ABRI Masuk Desa (AMD, 1980), now evolved into TNI Manunggal Membangun Desa (TMMD, 2007).
  • Focusing on physical developments in rural and border areas.
  • Also had “surveillance” function: the state controlling commoners and villagers through Dwifungsi ABRI.
  • The birth of hijau miskin.
  • Desire to project order, discipline, and state power.
  • Often expressed through architecture and urban design using forms and materials that conveyed monumentality, control, and uniformity.
  • Especially realized in official, governmental, and military buildings.

4. International Modernism, Commercialism, and Consumer Spaces

  • The end of Soekarno’s era marked the decline of socialist modernism.
  • The New Order ideated a new phase of market-oriented modernism, driven by partnerships with the private sector and a focus on economic growth.
  • Under the New Order, market modernism shaped architectural thinking, shifting priorities toward business and commercial development.
  • In the 1980s, foreign investment accelerated the rise of a new middle class—more white-collar jobs, consumer lifestyles, promotion of the ideal modern family.
  • In 1988, Bumi Serpong Damai (BSD) was launched as new town project, explicitly targeting the middle class.
  • Designed as a self-sufficient satellite city, offering a utopian urban environment.
  • Throughout the 1990s, real estate developers increasingly embraced the new town concept, expanding it further.
  • These new towns functioned as a spatial and ideological departure from the traditional urban and kampung life, creating distinct environments separated from the existing city fabric.
  • Later, the superblock concept emerged—integrated, closed-off urban enclaves designed to contain all aspects of middle-class life within a single complex, effectively allowing residents to remain within their own insulated world.

5. Official Nationalism

  • The New Order regime, like the Old Order, also pursuit national architectural identity, aiming to reflect its own version of "Indonesia.”
  • Contrasted with the Sukarno era, when traditional architectural forms and ideas were largely excluded from state-endorsed design.
  • Under Suharto, traditional architectural elements gained renewed importance as a source of inspiration.
  • Example: Taman Mini Indonesia Indah.
  • In the early 1980s, the government launched a national mosque-building program.
  • This program targeted remote and economically disadvantaged communities across Indonesia.
  • As a result, hundreds of standardized mosques were constructed and systematically distributed throughout the archipelago – modelled after Masjid Agung Demak.
  • State-orchestrated architectural movements.

6. De-politicized Architecture Education

  • The New Order made deliberate and systemic efforts to depoliticize education and campuses, especially after witnessing how student activism helped bring down Soekarno.
  • NKK/BKK (Normalisasi Kehidupan Kampus/Badan Koordinasi Kemahasiswaan): prohibiting students organization and activism.
  • Curriculum Control & Ideological Indoctrination: Pancasila curriculum, history and social sciences subjects must follow official narratives.
  • Focus on science, technology, and economics rather than politics or humanities.
  • Campuses were often placed under military or intelligence surveillance, silencing critical lecturers, placing military-backed rectors.
  • In architecture education, curriculum focused mainly on the physical definitions of architecture.
  • Aiming to to produce "technicians" to function in a society dominated by consumerist cultures, supporting the regime’s developmentalism.
  • Detaching architecture from the social and political issues.