young guard

Artists from the WPA (Works Progress Administration) were competing in the 1960s with younger artists who had just graduated from college.
A notable cultural motto of the 1960s was: "Don't trust anyone over 30"—indicating a disconnect between generations.
Young artists were politically and socially engaged, influenced by the Black Power movement and nationalism discussions prevalent on college campuses.

Post-War Babies: Early baby boomers grew up in a different context than their parents and grandparents, who experienced significant social changes, including:
- The legacy of slavery.
- Discrimination issues in the early 20th century.
Younger Artists: Politically aware, they championed voter’s rights, resisted integration, and aimed for social change.
The younger generation viewed themselves as active participants in social change rather than beneficiaries of it.

Younger artists were influenced by their education and available art movements.
Pop Art: Introduced detached commentary on consumer culture via:
- Use of lowbrow themes.
- Techniques resembling airbrushing or flat application of paint.
- The reproduction concept stemming from advertising and comic culture.
This influence extended to some older artists, but the older generation did not embrace social detachment—this established a contrasting relationship.

Romare Bearden's Work: Blended abstract pop art elements within themes relevant to African American culture.
**Joe Overstreet’s 1964 Work