Unit 2: Romanticism & Rhetoric
Romanticism
Mark Twain
- Originally named Sam Clemens
- Wanted protection when writing satirical fiction
- Mark Twain means two fathoms- safe depths of riverboat
- Became a young reporter after working on a riverboat
- Began to write with vernacular/slang
- Huck Finn was criticized for being racist
- Depicted life in his times
- 1900 America’s foremost celebrity
- He was invited to a lot of things and reporters sought after him
- Wore white suits to draw more attention
- Developed as a speaker and traveled on lecture circuits
- His signature was eloquent and entertaining
- Iconoclast
- Died April 21, 1910 “the whole world is mourning”
Comedy, Irony, and Satire
- Irony- presenting one idea and meaning another
- Often is the difference between appearance and reality
- Huck: “I ain’t scared of my father”
- Types of Irony:
- Verbal- saying one thing and meaning another
- Situational- a contradiction between what is expected and what occurs
- Dramatic- when the reader knows more than the characters in the book
- Sarcasm or Satire?
- Sarcasm is praise which is really an insult; sarcasm generally involves malice, the desire to put someone down
- Satire is the exposure of the vices of follies of an individual, group, institution, idea, society, etc., usually with a view to correcting it
- Makes fun of something to make a point
- Common Types: political, social
- Huck: parent-child laws are made fun of
- Other Examples
- Hyperbole- an exaggeration of the truth for comedic effect
- Eg. I’m so hungry I could eat a horse; I forgot to do my homework. My dad’s gonna kill me
- Huck: Pap swears he will quit drinking then he falls off the balcony drunk
- Understatement- ironic expression in which something of importance is emphasized by being spoken of as though it were not important
- Eg. “Tis but a scratch”
- Huck: it’s not a big deal that I don’t have parents
What is Rhetoric?
- Comes from Aristotle from classical Greece
- The art of using language to communicate effectively/persuasion
- 3 essay forms
- Rhetorical Analysis
- Argument
- Synthesis
- Rhetorical Analysis connects a device to meaning
- Analyzing how an author’s choice of: Diction, Imagery, Details, Language, and Syntax, to contribute to the meaning of a text
- “Citizen Rhetoricians”
- Logos (logic), Pathos (emotion), Ethos (credibility)
- Definition: A close examination of texts, with the awareness of a writer’s purpose and the techniques the writer uses to achieve it
- Writing that separates the content from the methods used to successfully convey that content
- Prompt offers an effect; the answer should identify and discuss rhetorical techniques used to create the effect
- Form = Function
- Not a discussion of the content, nor does it take a side on the issue
- Explains how the appeals are used and what effect they have
- A clear knowledge of the intended audience identifying specific strategies used for each appeal is critical
- The Must-Haves: Why, How, So What?
- Why- are the choices effective and appropriate for the intended audience
- How- what techniques does the writer choose to present the material?
- So What- what is accomplished or created?
- Three Ways We Argue
- From the Heart- PATHOS
- Plays on the audience’s emotions
- Often an emotional plea from the speaker
- Specifically useful in speeches
- Based on facts and reason- LOGOS
- Makes a logical argument
- Often uses statistics, historical examples, and other facts as support
- Watch out for logical fallacies
- Something that seems like it’s logical but it doesn’t make sense
- Based on character- ETHOS
- Increases credibility of the speaker
- Makes him or her appear to be an expert
- Might use quotations from famous historical figures and other “experts”