Here are your words with definitions and examples of how Dickens uses them in Stave 1:
Bedlam – chaos, uproar. Dickens describes London’s chaos: “There’s more Bedlam than workhouses tonight.”
Covetous – greedy; Scrooge is called “a squeezing, wrenching, grasping, scraping, clutching, covetous old sinner.”
Destitute – impoverished; Mrs. Cratchit worries her family’s destitute state if Scrooge continues.
Idle – lazy; Scrooge rails against the unemployed “Idlers.”
Humbug – nonsense; Scrooge frequently dismisses Christmas as “Humbug!”
Fortnight – two weeks; Scrooge refers to business timelines: “I'll stay at home tonight, who cares if I am nice for a fortnight?”
Myrrh / Frankincense – gifts of the Magi; mentioned in the Christmas spirit narrative when recalling carol traditions.
Vehemently – intensely; Scrooge protests — “I am not going to be frightened,” he says vehemently.
He’s considered the first actor—the one who stepped from chorus into dialogue with them, introducing individual character roles and masks. Hence we call actors “thespians.” en.wikipedia.org+2en.wikipedia.org+2reddit.com+2
“Thespian” comes from Thespis—modern term for actors.
Aeschylus (“father of tragedy”; introduced a second actor, richer staging) en.wikipedia.org+1reddit.com+1mmdtkw.org+7en.wikipedia.org+7reddit.com+7
Sophocles (scene painting, third actor)
Euripides (psychology-focused tragedies)
Aristophanes (largely satirical comedies)
Tragedy (heroes, fate, catharsis)
Comedy (satire of current society)
Satyr plays (racy, myth-based interludes) greekreporter.com+11pbs.org+11pbs.org+11pbs.org
Exaggerated expressions for visibility in open-air theatres
Vocal amplification
Quick character/gender changes (all actors were male)
Symbolic link to Dionysian ritual transformation reddit.com+15archaicsocieties.com+15mmdtkw.org+15studysmarter.co.uk+3en.wikipedia.org+3mmdtkw.org+3
Greek god of wine, fertility, ritual—whose festivals, especially the City Dionysia, gave birth to drama.
Crew:
Director – artistic vision and actor guidance
Producer – logistics, funding, budgeting
Choreographer – movement/dance sequences
Musical Director – oversees musical supervision
Casting Director – selects actors
Dramaturg – ensures script integrity, historical accuracy
Designers – create sets, costumes, lighting, sound
Cast:
Leading Actor – main protagonist
Supporting Actor – significant but secondary roles
Ensemble – group performers supporting/staging the show
Understudy – covers principal roles as needed
Swing – covers multiple ensemble parts
Upstage – toward rear
Downstage – toward audience
Stage Left/Right – actor’s left/right facing audience
Center Stage / Center Line – literal center
On Stage – visible playing area
Off Stage – hidden from audience
Wings – lateral off-stage areas
House – seating area for audience
Proscenium – arch framing the stage
Orchestra – pit area (music)
Foundation: "Living truthfully under imaginary circumstances."
Emphasizes genuine connection, emotional instinct, behavior impulses.
Uses exercises like repetition to develop authenticity and presenc