Eastern Poetic Forms: Tagalog and Japanese Traditions
Origins and Transcription of Tagalog Poetry
Historical Documentation: Tagalog poetry was first formally transcribed or documented in the middle of the century ().
Primary Source: The early records of these poems were compiled by Spanish friars Juan de Noceda and Pedro de Sanlucar.
The Publication: The work is titled Vocabulario de la Lengua tagala, published in Manila in .
Specific Tagalog Poetic Forms
Tanaga:
Definition: It is an indigenous or native Tagalog fixed poetic form.
Structure: It is composed of heptasyllabic lines, meaning it consists of four lines containing seven syllables each ().
Composition: The poem is made up of two couplets.
Rhyme Scheme: It follows an rhyme scheme.
Example of Tanaga: Catitibay ca tolos sacaling datnang agos aco, momonting lomot Sa iyo, popolopot.
Diona:
Definition: Another indigenous or native Tagalog fixed poetic form.
Structure: It is composed of octosyllabic lines with a monorhyme. This means it consists of three lines, each containing eight syllables (), and all three lines rhyme with one another.
Cultural Context: It is frequently labeled as the "Pinoy Haiku."
Functional Usage: As a domestic song, it can function as either a courting song or a wedding song.
Example of Diona: Mayag aco sa masaguing Ang Malulubay na aquin Malayo ang madarating.
Characteristics and History of Japanese Haiku
Overview: Haiku is a traditional Japanese fixed poetic form categorized as light verse.
Structure:
It is composed of three unrhymed lines.
The total syllable count is seventeen ().
Line Distribution: The first and last lines contain five () syllables each, while the middle line contains seven () syllables, following a pattern.
Historical Evolution: The haiku evolved during the century from the "hokku" (the opening verse of a "renga" or linked verse).
Essential Components:
Kireji: Known as the "cutting word," this is usually located at the end of one of the poem’s three sections.
Kigo: A word that indicates the season of the year or the specific time of year.
Famous Practitioners: The three most renowned practitioners of haiku belong to the Edo Period ():
Matsuo Basho
Yosa Buson
Kobayashi Issa
Example 1 (Classic): An old silent pond A frog jumps into the pond— Splash! Silence again.
Example 2 (Modern): Morning sun peeks in Through the cracks of sleepy blinds A new day begins.
Japanese Tanka: The "Short Song"
Overview: Tanka is a Japanese fixed poetic form translated as "short song."
Structure:
It is composed of five unrhymed lines.
The total syllable count is thirty-one ().
Line Distribution: The first and third lines contain five () syllables each, while the other lines (second, fourth, and fifth) contain seven () syllables each, following a pattern.
Thematic Sections:
Upper Phrase: Consists of the first three lines and usually contains a vivid image.
Lower Phrase: Consists of the last two lines and offers the poet’s personal ideas and insights regarding that image.
Subject Matter: Topics are more often highly personal reflections on love and other powerful, intense emotions.
Notable Practitioner: Ono no Komachi is recognized as one of the "Six Poetic Geniuses" and is considered one of the best practitioners of the tanka.
Example of Tanka: The flower fades fast Caught in the cold morning wind Petals fall like tears Remembering your warm smile Brightened my yesterday.
Japanese Renga: Linked Verse
Overview: Renga has been the most popular type of Japanese poetry for nearly seven hundred () years.
Structure: It follows a format of alternating three-line and two-line stanzas containing a syllable pattern.
Variations in Length:
Junicho and Shisan: Consists of twelve () stanzas.
Gojuin: Consists of fifty () stanzas.
Hyakuin: Consists of one hundred () stanzas.
Senku: Consists of one thousand () stanzas.
Example of Renga: Moonlight on the pond Ripples spread from falling leaves Autumn wind is near A quiet owl calls at dusk Night creeps slowly through the trees
Creative Writing Activity and Assessment
Task: Create an original poem applying one of the Eastern Poetic Forms discussed.
Assessment Criteria (Rubric):
Eastern Poetic Forms (Strict adherence to form): points
Creativity and Originality: points
Structure and Form: points
Clarity and Message: points
Grammar and Mechanics: points
Total Score Available: points