Eastern Poetic Forms: Tagalog and Japanese Traditions

Origins and Transcription of Tagalog Poetry

  • Historical Documentation: Tagalog poetry was first formally transcribed or documented in the middle of the 18th18^{th} century (17541754).

  • Primary Source: The early records of these poems were compiled by Spanish friars Juan de Noceda and Pedro de Sanlucar.

  • The Publication: The work is titled Vocabulario de la Lengua tagala, published in Manila in 17541754.

Specific Tagalog Poetic Forms

  • Tanaga:

    • Definition: It is an indigenous or native Tagalog fixed poetic form.

    • Structure: It is composed of heptasyllabic lines, meaning it consists of four lines containing seven syllables each (77777-7-7-7).

    • Composition: The poem is made up of two couplets.

    • Rhyme Scheme: It follows an aabbaabb rhyme scheme.

    • Example of Tanaga:         Catitibay ca tolos         sacaling datnang agos         aco, momonting lomot         Sa iyo, popolopot.

  • Diona:

    • Definition: Another indigenous or native Tagalog fixed poetic form.

    • Structure: It is composed of octosyllabic lines with a monorhyme. This means it consists of three lines, each containing eight syllables (8888-8-8), and all three lines rhyme with one another.

    • Cultural Context: It is frequently labeled as the "Pinoy Haiku."

    • Functional Usage: As a domestic song, it can function as either a courting song or a wedding song.

    • Example of Diona:         Mayag aco sa masaguing         Ang Malulubay na aquin         Malayo ang madarating.

Characteristics and History of Japanese Haiku

  • Overview: Haiku is a traditional Japanese fixed poetic form categorized as light verse.

  • Structure:

    • It is composed of three unrhymed lines.

    • The total syllable count is seventeen (1717).

    • Line Distribution: The first and last lines contain five (55) syllables each, while the middle line contains seven (77) syllables, following a 5755-7-5 pattern.

  • Historical Evolution: The haiku evolved during the 17th17^{th} century from the "hokku" (the opening verse of a "renga" or linked verse).

  • Essential Components:

    • Kireji: Known as the "cutting word," this is usually located at the end of one of the poem’s three sections.

    • Kigo: A word that indicates the season of the year or the specific time of year.

  • Famous Practitioners: The three most renowned practitioners of haiku belong to the Edo Period (160318681603-1868):

    1. Matsuo Basho

    2. Yosa Buson

    3. Kobayashi Issa

  • Example 1 (Classic):     An old silent pond     A frog jumps into the pond—     Splash! Silence again.

  • Example 2 (Modern):     Morning sun peeks in     Through the cracks of sleepy blinds     A new day begins.

Japanese Tanka: The "Short Song"

  • Overview: Tanka is a Japanese fixed poetic form translated as "short song."

  • Structure:

    • It is composed of five unrhymed lines.

    • The total syllable count is thirty-one (3131).

    • Line Distribution: The first and third lines contain five (55) syllables each, while the other lines (second, fourth, and fifth) contain seven (77) syllables each, following a 575775-7-5-7-7 pattern.

  • Thematic Sections:

    • Upper Phrase: Consists of the first three lines and usually contains a vivid image.

    • Lower Phrase: Consists of the last two lines and offers the poet’s personal ideas and insights regarding that image.

  • Subject Matter: Topics are more often highly personal reflections on love and other powerful, intense emotions.

  • Notable Practitioner: Ono no Komachi is recognized as one of the "Six Poetic Geniuses" and is considered one of the best practitioners of the tanka.

  • Example of Tanka:     The flower fades fast     Caught in the cold morning wind     Petals fall like tears     Remembering your warm smile     Brightened my yesterday.

Japanese Renga: Linked Verse

  • Overview: Renga has been the most popular type of Japanese poetry for nearly seven hundred (700700) years.

  • Structure: It follows a format of alternating three-line and two-line stanzas containing a 575775-7-5-7-7 syllable pattern.

  • Variations in Length:

    • Junicho and Shisan: Consists of twelve (1212) stanzas.

    • Gojuin: Consists of fifty (5050) stanzas.

    • Hyakuin: Consists of one hundred (100100) stanzas.

    • Senku: Consists of one thousand (10001000) stanzas.

  • Example of Renga:     Moonlight on the pond     Ripples spread from falling leaves     Autumn wind is near     A quiet owl calls at dusk     Night creeps slowly through the trees

Creative Writing Activity and Assessment

  • Task: Create an original poem applying one of the Eastern Poetic Forms discussed.

  • Assessment Criteria (Rubric):

    • Eastern Poetic Forms (Strict adherence to form): 1010 points

    • Creativity and Originality: 55 points

    • Structure and Form: 55 points

    • Clarity and Message: 55 points

    • Grammar and Mechanics: 55 points

    • Total Score Available: 3030 points