Study Notes on art pt4 on Mesoamerican Mythology, Aztec Culture, and French Realism
Ant History and Upper Paleolithic Art
Understanding of ancient art history is essential, focusing on the context of creation and significance.
Key example: The Woman of Willendorf, dated approximately 24,000 BCE.
Made from limestone.
Discovered in Austria, providing crucial information about the time period and cultural significance.
Importance of location (where art was made and found).
Mythology and Deities in Mesoamerica
Coatepec: A significant site in Aztec mythology where gods are born.
Coatlicue (mother of many gods) depicted with a skirt made from human hands.
Associated myths:
Coatlicue was impregnated by a weeping feather, leading to the birth of numerous offspring (around 400).
Conflict with her children, leading to violence indicative of the gods' relationships.
Sister of Coatlicue: Coyolxauhqui.
Also involved in narrative of conflict and the cosmic order.
Represents the moon goddess, with imagery relating to dismemberment and chaos in the narrative context.
Pictography, Calendar, and Rituals in Aztec Culture
Pictography: Utilization of images for communication in Aztec/Mexica society.
Semasiography: The use of symbols or signs to express ideas without linguistic content.
The importance of the calendar:
Days and months were tracked through visual representations.
The connection to rulership and divine authority exemplified in important historical figures (e.g., Montezuma).
Codex Mendoza: A critical source of Aztec history, dating back to the 16th century, illustrating migration patterns and sociopolitical structure.
Aztecs migrated from the North, establishing Tenochtitlan around 1325.
Tenochtitlan and the Temple Mayor
Significant historical structure in Tenochtitlan: The Great Pyramid and Temple Mayor, constructed around 1500.
Dedicated to dual deities: Tlaloc (the rain god) and Huitzilopochtli (the god of war).
The competition among rulers to be atop the pyramid illustrates the political and religious power dynamics.
Features of Tlaloc:
Described as having large eyes, no pronounced jaw, and often depicted in blue or green colors.
The temple served as a site for sacrificial rituals, reflecting deep connections between religious beliefs and political authority.
Rituals involved capturing enemies for sacrifice at the temple, illustrating the intertwining of warfare and religion.
Physical attributes of Tlaloc and hints at mythical narratives surrounding water and fertility.
Social Context during French Realism
Historical context of the French artist Daumier, focusing on the socio-political landscape of France under Louis Philippe.
Daumier's art often critiqued the political status quo and corruption.
Notable work: "Rue Transnonain" which responded to police violence against protestors in April 1834.
Details of the incident: Unlawful killing of a police officer led to a violent retaliation against civilians.
Louis Philippe's administration focused on benefitting the wealthy, creating class tensions and corruption.
Conclusion
The complexity of art both reflects societal values and historical contexts.
Mesoamerican mythology and the art practices reflect social structures, religious beliefs, and the intertwining of life, death, and rebirth.
French Realism highlights the themes of social injustice, resistance, and the role of political power in shaping culture.
Understanding historical artworks provides insight into the civilization's worldview, ethics, and evolution through time.